2009 Cervantes, Alejandro Signature Series Master Model - Classical Guitar
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Here is a stunning example of Alejandro Cervantes highest model personally crafted by him alone. This Signature Series Master Model has the best of everything. Premium Brazilian Rosewood, with dramatic figure that echoes the guitar's powerful voice. German Spruce top with perfect grain that explains the clarity and balance of tone. The playability is superb and this guitar offers many colors and a wide dynamic range. The best materials equate to the best tone.
Here is a stunning example of Alejandro Cervantes highest model personally crafted by him alone. This Signature Series Master Model has the best of everything. Premium Brazilian Rosewood, with dramatic ...read full description
- Woods & Trim
- Back/Sides: Brazilian Rosewood
- Top Wood: German Spruce
- Fingerboard: Ebony
- Neck Wood: Spanish Cedar
- Bridge: Brazilian Rosewood
- Rosette: Custom Wooden Birdsfoot
- Binding: Rosewood
- Fingerboard Bindings: None
- Headplate: Brazilian Rosewood
- Headstock Bindings: None
- Headstock Inlay: None
- Top Trim: Rope Style
- Back Strip: None
- Fret Markers: None
- Tuners: Gotoh
- Tuner Finish: Bronze With Black Buttons
- Measurements
- Body Size: Medium
- Scale: 649.986 mm (25.6 in.)
- Nut Width: 52.8 mm (2.1 in)
- String Spacing: 56.896 mm (2.25 in)
- Body Length: 19 1/4 in.
- Upper Bout: 10 7/8 in.
- Lower Bout: 14 1/2 in.
- Serial #: Lupita
- Body Depth @Neck Heel: 3 3/4 in.
- Body Depth @Tail Block: 3 7/8 in.
- Frets to body: 12
- Extras
- Cutaway: None
- Pickguard: None
- Case: Humicase Protege
- Pickup: None
- Condition: Mint
Player Reviews:
"This is a very loud and clear concert guitar from Alejandro Cervantes. A rare top-of-the-line Master Model in premium Brazilian Rosewood and German Spruce. It's very clear in the voice that this is Alejandro's best work. This guitar is extremely complete and powerful." - Paul Heumiller
"This is a beautiful guitar with a well balanced midrange and extra nice woods. It's very playable and the notes seem to jump out of the guitar. " - Al Petteway
