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INSTRUMENT DETAILS

2002 Desmond Guitars Classical - Classical Guitar

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A rich and resonant offering from Florida-based luthier Robert Desmond, this 2002 Classical in Brazilian Rosewood and Spruce has opened up into a sweet and resonant force to be reckoned with. Playability across the neck is smooth and comfortable, and position markers at the fifth and seventh frets help to orient your left hand without detracting from Desmond's traditional aesthetic elsewhere.

There's a sweet swell of overtones in the upper register which bloom a moment after a note is struck, adding a rich and full-figured tone to your arrangements. The bass response is vigorous but well-balanced with the other registers and fills out, rather than overpowers, the voice. This 2002 Desmond is in excellent condition and is ready for many more years of sweet music!

A rich and resonant offering from Florida-based luthier Robert Desmond, this 2002 Classical in Brazilian Rosewood and Spruce has opened up into a ...read full description

    Woods & Trim
  • Back/Sides: Brazilian Rosewood
  • Top Wood: Spruce
  • Fingerboard: Ebony
  • Neck Wood: Mahogany
  • Bridge: Brazilian Rosewood
  • Rosette: Mosaic
  • Binding: Rosewood
  • Fingerboard Bindings: None
  • Headplate: Brazilian Rosewood
  • Headstock Bindings: None
  • Headstock Inlay: None
  • Top Trim: Wood Lines
  • Back Strip: Maple
  • Fret Markers: Side Dots
  • Tuner Finish: Gold With Pearloid Buttons
    Measurements
  • Body Size: Medium
  • Scale: 650 mm (25.6 in.)
  • Nut Width: 52.8 mm (2.1 in)
  • String Spacing: 58.9 mm (2.3 in)
  • Body Length: 19 in.
  • Upper Bout: 11 1/8 in.
  • Lower Bout: 14 1/2 in.
  • Serial #: 16
  • Body Depth @Neck Heel: 3 3/4 in.
  • Body Depth @Tail Block: 4 in.
  • Frets to body: 12
    Extras
  • Cutaway: None
  • Pickguard: None
  • Case: Hard - Molded Plastic
  • Pickup: None
  • Condition: Very Good. Scattered play wear across top, minute amounts on back.
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2002 Desmond Guitars Classical -  Classical Guitar Player Reviews

Player Reviews:

"The treble overtones blew me away. They give an extra drop of color to the mix and fill out to the guitar's prolonged sustain." - Paul Heumiller