1998 Collings 00-2H - 00 Acoustic Guitar
Here's a mint condition 00 from Collings that has just enough miles on it to bring out a mature tone. Impeccable craftsmenship and the beautiful slothead design make this a real looker. With Rosewood and Spruce tradition abounds and tonally this is a monster. Strong projection and small body clarity are the key ingredients that make this one special.
Audio played by Al Petteway
Artists who play instruments by this builder: Keith Richards, Lyle Lovett, Pete Townshend, Emmylou Harris, Andy Summers, David Crosby, Chris Hillman, Joni Mitchell, Don Felder, John Sebastian, Lou Reed, John Fogerty, Tim O'Brien, Pete Huttlinger, Kenny Smith, Brian May, Joan Baez, John Prine
Here's a mint condition 00 from Collings that has just enough miles on it to bring out a mature tone. Impeccable craftsmenship and the beautiful slothead design make this a real looker. With Rosewood and Spruce tradition abounds and tonally this is a monster. Strong projection and small body clarity are the key ingredients that make this one special.
- Woods & Trim
- Back/Sides: Indian Rosewood
- Top Wood: Sitka Spruce
- Fingerboard: Ebony
- Neck Wood: Mahogany, 1 piece
- Bridge: Ebony, Pyramid Style
- Rosette: Lines
- Headplate: Brazilian Rosewood
- Headstock Inlay: Builder Logo
- Top Trim: Herringbone
- Fret Markers: Diamonds
- Tuners: Nickel Waverly
- Measurements
- Body Size: Small
- Scale: 24 3/4 in. (628.7 mm)
- Nut Width: 1 7/8 in. (47.6 mm)
- String Spacing: 2 5/16 in. (58.7 mm)
- Body Length: 19 7/16 in.
- Upper Bout: 10 in.
- Lower Bout: 14 5/16 in.
- Serial #: 4402
- Body Depth @Neck Heel: 3 5/16 in.
- Body Depth @Tail Block: 4 in.
- Frets to body: 12
- Extras
- Cutaway: None
- Pickguard: None
- Case: Original HSC
- Pickup: None
- Condition: Like New
Player Reviews:
"Just a killer little 00 with a big sound. Man is this one fun to play...." - Paul Heumiller
"I've always liked the old Martin 00's from the late 1920's and this Collings has the same vibe and feel, right down to the rounded "V" shape of the neck. The tone is clean and pure with the characteristic "sweet" sounding high strings and focused bass." - Al Petteway
