Here we’ve landed a great example of Thomas Humphrey’s Millenium design from 1995, rigged up with Brazilian Rosewood under Spruce, a 650mm scale, and 51mm nut. At the soundhole we have a flower mosaic rosette which offers some color, pairing nicely with the warmly aged surrounding Spruce. A full neck profile with a slight C shape, terminating at the body with the elevated fingerboard extension design ubiquitous to the Millenium. This beauty has been lovingly played in since 1995 and has the marks to prove it, and for us this helps explain the wide open, powerful voice—you only sound this good when you’ve had a lot of music pass through your strings.
Other keywords: millenium, tkl, andy jurik, fingerstyle
This is just wonderful. Loud, clear, fun to play. Humphrey Millenniums from the wonderful period of the mid 90s, a legendary design and this one is a fine example. 
Strong fundamentals with great heft in the midrange. Thomas Humphrey’s Millennium design came as a revolutionary approach to classical construction, and remains today as an excellent way to add power and projection. | Scale Length | 25.625 in |
|---|---|
| Nut Width | 2 in |
| String Spacing | 2.25 in |
| Woods | Spruce, Rosewood - Brazilian |
Here we’ve landed a great example of Thomas Humphrey’s Millenium design from 1995, rigged up with Brazilian Rosewood under Spruce, a 650mm scale, and 51mm nut. At the soundhole we have a flower mosaic rosette which offers some color, pairing nicely with the warmly aged surrounding Spruce
This is just wonderful. Loud, clear, fun to play
Strong fundamentals with great heft in the midrange. Thomas Humphrey’s Millennium design came as a revolutionary approach to classical construction, and remains today as an excellent way to add power and projection.