Some nail marks on top along treble side edges and waist, below tieblock, some light marks on back and at neck. Hazing in the finish on back/sides, but appears stable. Slight hairline top crack at bridge treble wing, cleated and stabilized.
Body Type(s)
Medium, Concert Classical
Back & Sides
Rosewood - Brazilian
Top
Spruce
Neck Wood
Mahogany
Neck Profile
U
Bridge
Rosewood
Rosette
Floral
Top Trim
Half Herringbone
Fingerboard
Ebony
Fingerboard Bindings
None
Fret Markers
Side Dots
Frets to Body
12
Headplate
Rosewood
Headstock Bindings
None
Headstock Inlay
None
Instrument Finish
French Polish
Body Bindings
Rosewood
Tuners
Rodgers
Tuner Finish
Silver with Snakewood Buttons
Cutaway
None
Pickguard
None
Pickup
None
Body Length
19.25 in
Upper Bout
11.188 in
Lower Bout
14.5 in
Body Depth Heel
3.75 in
Body Depth Tail
4 in
Scale Length
25.6 in
Scale Length (mm)
65 mm
Nut Width
2 in
Nut Width (mm)
51 mm
String Spacing
2.188 in
String Spacing (mm)
55.6 mm
Neck Depth First Fret
0.85 in
Neck Depth Seventh Fret
0.975 in
Weight
3 lb. 10 oz.
Case
Hardshell
Ah, the sweetness that comes with age. This Paul Fischer Classical comes to us from 1998 and exhibits all the qualities we find only appear after years’ of music: breathy, expansive projection, an articulate and developed midrange, versatile response for a range of styles. It doesn’t hurt that Paul used a set of striking Brazilian Rosewood for the body and Spruce on top, plus french polish throughout. The detail work is cleanly executed throughout, especially at the flower and vine rosette and tieblock. Snakewood heelcap and buttons on Rodgers tuners are icing on the cake. Additionally, the provenance of this Fischer includes previous ownership from Douglas James, classical guitar professor of NC’s Appalachian State.
Other keywords: andy jurik, 987, brazilain, fingerstyle, nylon string
The master at work brings us a rich and responsive classical that has the added benefit of being played in and opened up.
Pay Over Time
Pay Over Time
Scale Length
25.6 in
Nut Width
2 in
String Spacing
2.188 in
Woods
Spruce, Rosewood - Brazilian
Ah, the sweetness that comes with age. This Paul Fischer Classical comes to us from 1998 and exhibits all the qualities we find only appear after years' of music: breathy, expansive projection, an articulate and developed midrange, versatile response for a range of styles
The master at work brings us a rich and responsive classical that has the added benefit of being played in and opened up.