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1928 Martin 0-18K All-Koa
In 1928 Mickey Mouse debut’s in Steamboat Willie, Amelia Earhart crosses the Atlantic Ocean, Hoover becomes the U.S. President and this Martin 0-18K Guitar was born. This vintage Martin 0-18K, in all-Koa, was crafted by C.F. Martin and Company and, according to the hand written note inside, given ‘To Ruth from Pop’. It’s great to see the personal history of this beautiful prewar Martin Guitar. The top, back and sides are all beautiful Koa wood and this guitar is full of energy. It’s one of those that was braced lightly so that it fills the air with boisterous notes. It’s a superb blues and rag guitar thanks to it’s very strong voice. It’s in very good condition, has modern frets, so it plays great and is solid throughout. Here’s a wonderful Martin from 1928 that can be your piece of guitar history.
1966 Martin D-35 Brazilian/Sitka Wayne Henderson Top
Here we have a rare find, a 1966 Martin D-35 retopped in 1995 by none other than Wayne Henderson. The D-35 had some of the straight grain dark Brazilian we all long for and Wayne scallop braced a master grade Sitka top as only he can do. This soundboard is just full of medullary rays (silking) and sounds nothing short of amazing. All of this adds up to a ’66 Martin D-35 that we would put up against most any 40s or 50s D-28 on the planet. This guitar roars! The trebles are super strong and clear and the bass pounds your chest. Want the sound everyone dreams? This is it!
Learn about Wayne Henderson in the book Clapton’s Guitar: Watching Wayne Henderson Build the Perfect Instrument. This book talks about the process of building a guitar for Eric Clapton.
SOLD Read moreScale Length 25.4 in Nut Width 1.69 in String Spacing 2.06 in Woods Spruce - Sitka, Rosewood - Brazilian 
1997 Bourgeois D-150 Custom Brazilian/Adirondack Owned By Ricky Skaggs
Why break in your own guitar when you can have country and bluegrass legend Ricky Skaggs do it for you??!! That’s right – this seriously fine Bourgeois D-150 Custom guitar was “played in” on stage by none other than Ricky himself. For a guitar with such a rich past, it’s in great shape, and heart-stopping tone. Words fail to describe the big authentic tone of this guitar. The Brazilian Rosewood is superb and has some lovely sapwood stripes and rich grain. The Adirondack top is wide grained, perfect for bluegrass. If you’re a fan of Dana Bourgeois, or a fan of Ricky — don’t let this one slip away! It’s that good!
SOLD Read moreScale Length 25.5 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
1962 Bozo 12 String Brazilian/Sitka Kotke Played One
Bozo Podunavac’s guitars always inspire strong reactions. Whether simple or ornate, once you’ve played one it is hard to forget. Back in the early 70’s Bozo built a few guitars for Leo Kottke — this one predates those! In fact, our research has uncovered that this very guitar is the 2nd 12-string ever built by Bozo! This one is crafted from superb old Brazilian Rosewood and topped with Sitka Spruce. There is a custom rosette and headstock inlay that showcase Bozo’s wonderful hand inlay work. Historically it is a very interesting piece, but what makes this guitar so special is it’s character. With its bold, authoritative sound, and the appearance of a road warrior, this guitar gives off the vibe that it has seen it all, and taken it in stride. Collectors and payers alike will love this guitar.
SOLD Read moreScale Length 25.4 in Nut Width 1.88 in String Spacing 2.31 in Woods Spruce - Sitka, Rosewood - Brazilian 
2005 Bills Genesis Indian/Redwood
Tom Bills says, “Seeing , hearing, and playing one of my guitars is not a one time event, its a journey that keeps getting richer and more interesting with each new discovery as you unravel its mystery and begin to share its voice through your music.”
With drop dead looks, and stellar tone, this this Tom Bills Genesis model could rewrite your definition of what you think acoustic guitars are capable of. It has an absolutely huge voice, that makes it’s presence known throughout the dynamic range. Single note lines are jump out with authority, and chords sound big and wide and soaked in overtones. If you are looking for a great playing, beautiful instrument that has a deep authoritative voice, this Bills masterpiece is just may be the guitar you’ve been waiting for.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.19 in Woods Redwood, Rosewood - Indian 
New Greg German Agave Bolivian/Bearclaw Sitka
Greg German is making exquisite guitars. This Agave model is proof. The level of detail and beauty is off the charts, yet they remain sublime. The purflings and inlays are all elegant and truly add to the aesthetic of the instrument. But it’s the tonal character we love, clarity and beauty are in every note on the fingerboard. The Bolivian Rosewood(aka Pau Ferro) and Figured Sitka top blend perfectly to produce pure music. The playability is superb and accurate. This is a player’s instrument that is also a gentleman’s guitar.
SOLD Read moreScale Length 25.25 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Bolivian (Pau Ferro) 
New Posch OM Mahogany/Appalachian
Not For Sale, Permanent Demo. This wonder Leo Posch OM in Mahogany and Spruce is our permanent demo guitar. It is available for trials in our shop or in your home. Call us today to discuss playing this fine Posch and ordering your very own custom Posch guitar.
This is a classic OM with all the prewar energy players love. It’s clear, powerful and just plain fun to play. Watch the vide and hear it for yourself.
SOLD Read moreScale Length 25.4 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce - Adirondack (Red), Mahogany 
Lucas LSJW, Wedge Body Rare Figured Koa/Adirondack Recorded by Tony McManus
Here we have a Lucas LSJW in rare Micro Curl Koa and Adirondack. Randy Lucas has a long history of building the finest guitars as well as doing some amazing restoration work which gives him unusual insights into tone and strucural integrity. Randy’s current focus is on his new wedge body shapes that are among the most versatile instruments you will find. He builds with only seasoned woods and hide glue and draws on his vast knowledge of vintage guitars to create his own wonderful voice. You have never seen Koa this special, it has super tight ‘micro curl’, fiddle back style flame everywhere. The Adirondack top is master grade and perfect. Curly Maple bindings and abalone trim wrap the guitar in a wonderful contrast that is elegant and sublime. This is a big sounding guitar, that is kept in control thanks to the wedge body shape, which also makes it easy to hold.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods xx, Rosewood - Brazilian 
New Spalt Nouveau Series 12 String Mahogany/Various
Just off a showing at the Museum of Making Music in Carlsbad, California. The Nouveau Series is a special project developed by author and musician Paul Schmidt and luthier Michael Spalt. A series of electric guitars that transcend the six string and blend it seemlessly with true art. The series was inspired by Art Nouveau and these instruments are at once art and the most serious of musical tools. Michael Spalt and Paul Schmidt spent several years developing the idea, finding artwork and artifacts, sketching, collaborating and finally building these exquisite gems.
The pieces are based on the Klein acoustic shape with inclusions of art nouveau artifacts, natural woods, bone and the finest hardware. Not only are these instruments stunning visual works of art, but they are ergonomic masterpieces as well. The bodies feel immediately familiar and the solid Rosewood necks, with there flat sheen, feel played for 50 years. The BoneTop pickups are extraordinary – Gorgeous hand crafted Bone bobbins died in a variety of colors with Alnico magnets for the Bridge and Ceramic for the Neck. They voice is stellar, clear and loud with other-worldly sustain. Each instrument also has it’s own custom case that continues the guitars individual statement as well as a signed copy of the book ‘The Nouveau Series’ by Paul Schmidt.
‘Nouveau 12 String’
“The only 12 string built in this collaboration.”
Click here to read about the Nouveau Series on builder Michael Spalt’s website.
Click Here to view the book ‘The Nouveau Series’ by Paul Schmidt.
Click Here to view photos from the Museum Showing at the Museum of Making Music.
New Spalt Nouveau Series Spinning Arachnid Mahogany/Various
Just off a showing at the Museum of Making Music in Carlsbad, California. The Nouveau Series is a special project developed by author and musician Paul Schmidt and luthier Michael Spalt. A series of electric guitars that transcend the six string and blend it seemlessly with true art. The series was inspired by Art Nouveau and these instruments are at once art and the most serious of musical tools. Michael Spalt and Paul Schmidt spent several years developing the idea, finding artwork and artifacts, sketching, collaborating and finally building these exquisite gems.
The pieces are based on the Klein acoustic shape with inclusions of art nouveau artifacts, natural woods, bone and the finest hardware. Not only are these instruments stunning visual works of art, but they are ergonomic masterpieces as well. The bodies feel immediately familiar and the solid Rosewood necks, with there flat sheen, feel played for 50 years. The BoneTop pickups are extraordinary – Gorgeous hand crafted Bone bobbins died in a variety of colors with Alnico magnets for the Bridge and Ceramic for the Neck. They voice is stellar, clear and loud with other-worldly sustain. Each instrument also has it’s own custom case that continues the guitars individual statement as well as a signed copy of the book ‘The Nouveau Series’ by Paul Schmidt.
‘Spinning Arachnid’
“Like our L’Image-themed instrument, the glass selected to theme this instrument was not signed but was still selected for its beauty and uniqueness. The yellow-green glass of swirling brown lines and blue stripes suspended over gold-leaf inspires the startling fingerboard image – a pearl web, abalone arachnid, coloured bone green leaf and orange berries. The spider was also a favoured image for Nouveau for its indefatigable spinning and weaving. Like the serpent, its image is significant to many cultures’ mythologies – Asian, Greek, West African, and Indo-European.”
Click here to read about the Nouveau Series on builder Michael Spalt’s website.
Click Here to view the book ‘The Nouveau Series’ by Paul Schmidt.
Click Here to view photos from the Museum Showing at the Museum of Making Music.
New Spalt Nouveau Series Loetz Gilded Serpent Mahogany/Various
Just off a showing at the Museum of Making Music in Carlsbad, California. The Nouveau Series is a special project developed by author and musician Paul Schmidt and luthier Michael Spalt. A series of electric guitars that transcend the six string and blend it seemlessly with true art. The series was inspired by Art Nouveau and these instruments are at once art and the most serious of musical tools. Michael Spalt and Paul Schmidt spent several years developing the idea, finding artwork and artifacts, sketching, collaborating and finally building these exquisite gems.
The pieces are based on the Klein acoustic shape with inclusions of art nouveau artifacts, natural woods, bone and the finest hardware. Not only are these instruments stunning visual works of art, but they are ergonomic masterpieces as well. The bodies feel immediately familiar and the solid Rosewood necks, with there flat sheen, feel played for 50 years. The BoneTop pickups are extraordinary – Gorgeous hand crafted Bone bobbins died in a variety of colors with Alnico magnets for the Bridge and Ceramic for the Neck. They voice is stellar, clear and loud with other-worldly sustain. Each instrument also has it’s own custom case that continues the guitars individual statement as well as a signed copy of the book ‘The Nouveau Series’ by Paul Schmidt.
‘Loetz Gilded Serpent’
“The glass chosen for this instrument features contrasting iridescent to opaque golden hues and organic shapes expressing the vitality and boldness of nature’s pervading strength and wildness. This is some of the most strident art glass from the period. The serpent theme, derived from the shapes found in the glass, is consistent with Art Nouveau’s attentions to the power and mystery of nature. The symbology of the serpent is vast and was often used to represent the sacred primal energy of matter. It was an inspiring figure in the mythologies and rituals of Africa, Ancient China, and many cultures, most notably the Greek gods of poetry, music, healing, and divination. The obvious serpentine shapes in the glass invite the blonde flamed Maple serpent images for the body, which, though softer in colour than the golden and light green glass, speak through their size, shape, and historical reference. The earthen-toned spalted Maple that comprises much of the top offers a texture and vibrancy that enhances the vividness of both the serpents and the glass. Additional woods are Redwood burl, and Rosewood. The inlays are artfully rendered in silver and pearl, and the knobs and switch are resin and Catalin respectively. Perhaps the most aggressive instrument of the Nouveau Series brimming with boldness, gold, and more boldness.”
Click here to read about the Nouveau Series on builder Michael Spalt’s website.
Click Here to view the book ‘The Nouveau Series’ by Paul Schmidt.
Click Here to view photos from the Museum Showing at the Museum of Making Music.
2009 Phillips Parlor German Silver, Handmade
Ron Phillips hand makes his resonators with vintage style and big tone. He specializes in small body resos, like this little Parlor. It has a big authentic sound that is rich with overtones. Some of the country blues players Ron has built for include: late John Jackson and John Cephas, Del Rey, Steve James, Robert Lowery, Andra Faye, Annie Raines, Cathy Fink and many more. German Silver and handspun cones give Phillips Resonators a round attack that is full and powerful. This 2009 model is in excellent condition, dont’ miss adding a special voice to your collection.
1995 Collings DS-41 Indian/Sitka
Here is a nicely appointed Collings DS-41 from 1995, a time when Collings seem to really have something extra special. This one certainly has mojo, it’s loud and energetic and just sounds mature and open. It has a lovely Torch headplate, 42 Style Snowflake Markers, a full abalone top border and rosette. Ivoroid bindings from head to to and a slothead complete the vintage vibe on this one. The DS features a wide 12 fret neck that makes it a gem for fingerstyle, but you can strum and flatpick this one all day. It’s in excellent shape and better than new because of it’s played in tone. Don’t miss this great Collings.
SOLD Read moreScale Length 25.4 in Nut Width 1.81 in String Spacing 2.38 in Woods Spruce - Sitka, Rosewood - Indian 
New Jenkins Gitjo Bubinga/Fiber Skin
The Gitjo was made to offer guitarist a chance to make that banjo twang. The six string banjo is not a new concept, however this Lame Horse Gitjo by Jeremy Jenkins is full of style and has a sound everyone loves. The tone ring is crafted from multiple pieces of Maple and Bubinga with a lovely pattern. The 7 piece neck meets the body via a thick brass plate that add wonderful sustain and power. This is a really fun instrument that will give you a whole other sound on stage, in the studio or on your front porch. From Blues to Old Time to Celtic you’ll love having this in your arsenal.
SOLD Read moreScale Length 25.5 in Nut Width 1.69 in String Spacing 2.19 in Woods Skin - Fiber, Bubinga 
2003 Lowden 0 32 Indian/Sitka
Here’s one of the famous Lowden O-32 models. A Jumbo body of Indian Rosewood and Sitka Spruce that produces a big, clear Lowden voice. The trebles are bright and strong and bass is resounding. This one has been played and has normal wear, but it also has the great tone that a well played guitar embodies. The neck is straight and it plays great.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.13 in Woods Spruce - Sitka, Rosewood - Indian