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2014 Style 3 Replicon Tricone Nickel plated Brass/Nickel plated Brass
If you need that vintage national look, feel, and sound but are having a hard time finding the real deal, this National Resophonics Replicon tri-cone is exactly what you need. This a 2014 Style 3 model, but to look at it you would think it was a well loved beauty from the thirties. This Replicon sports full body engraving with tasteful weathering done in the usual playing areas. Tonally this Resonator has the vintage tone to go with its looks, this guitar is sweet! whether you are playing slide or fingerpicking this tri-cone will transport you back to time gone by.
SOLD Read moreScale Length 25.7500 in Nut Width 1.8100 in String Spacing 2.03 in Woods Brass, Brass 
2011 Froggy Bottom F-12-DLX East Indian/Adirondack (Red)
We don’t often see a large body guitar from the Froggy Bottom crew, when we found out this one was coming in to the shop we had a pretty good idea that it was going to be special, and boy were we right. This is the F-12-DLX model in Adirondack (Red) Spruce and East Indian Rosewood. Red Spruce and East Indian Rosewood makes for a powerful combination, this guitar has power and headroom to spare, it will take what you put in to it with ease. That being said, the voice is beautiful and delicate if you want it to be, the bass will wow you with its presence and the mids through trebles join right in with warmth and evenness. Froggy Bottom is a house favorite here, we have yet to see a guitar from them that wasn’t stellar, this one holds up to that ideal and then some.
SOLD Read moreScale Length 25.4000 in Nut Width 1.7500 in String Spacing 2.1900 in Woods Spruce - Adirondack (Red), Rosewood - Indian 
2010 Martin 0-42 Custom Shop Madagascar/Engelmann
The folks who run the Custom Shop at Martin Guitars know what they’re doing: one look at the Custom 0-42, and you’ll see what we mean. In pairing Madagascar Rosewood back and sides with a European Spruce top, they gave this guitar a sumptuously rich voice with sparkling trebles and a room-filling bottom end. Not satisfied with an instrument which simply sounded great, the Martin Custom Shop then adorned this guitar with their 42-style Abalone appointments, from the torch headstock and snowflake fretboard inlay to the body bindings and rosette, making this guitar a stunning gem you won’t want to shut up in its case for long. Laid into with a thumbpick for Ragtime or Blues and this guitar barks with the best of them; strummed gently for Early American ballads, you’ve a sirensong on your hands. Regardless of your style, the notes which escape the Abalone-bound soundhole will hang in the air for what feels like a lifetime (which is about how long you’ll want to keep playing this 0-42 as well).
SOLD Sale! Read moreScale Length 24.8100 in Nut Width 1.7700 in String Spacing 2.3100 in Woods Spruce - Engelmann, Rosewood - Madagascar 
2007 Martin 000-42M Eric Clapton 94 of 250 Madagascar/Carpathian
Here we have a Martin 000-42M Eric Clapton in Carpathian Spruce and Madagascar Rosewood. If you know anything about Eric Clapton, you know he is an incredible guitarist with a discerning ear. He won’t let just anyone make a guitar model with his name on it, it has to be a great company and the good folks at Martin are just the people for the job. This 000-42M was modeled after Eric’s personal 1939 000-42, which in its own right is an incredibly famous guitar, big shoes to fill to be sure. We think they hit the ball out of the park with this one, it has the look and feel of that great pre-war 000 that Eric loves so much. Tonally this 000 is perfect for fingerpicking and performs brilliantly even under a flatpick. It has an ideal blend and balance from bass to mids to trebles, with a sublime voice and style.
SOLD Read moreScale Length 24.9000 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - Carpathian, Rosewood - Madagascar 
1976 Martin D-35 Shaded Top Indian/Sitka
Occasionally a guitar comes along with an exceptionally fine voice and the owner of whatever store it ends up in just has to buy it for him or herself. Such was the case for Danny Brevard, the founder of Acoustic Pro Musician, when this 1976 Martin D-35 Shaded Top came through the door. When we acquired Danny’s store upon his retirement, he decided to finally part ways with his long-time companion and placed it in our care to sell on his behalf. This guitar is the embodiment of what we have come to expect from the pairing of East Indian Rosewood and Sitka Spruce. It has a balanced voice with great projection that will cut nicely through in a group playing session. It is easy to see why Danny kept this one for himself for so long!
Before we made this guitar available for sale, Stephen Kinnaird, a certified Martin repairman, gave it a beautiful neck reset and full setup. The bridge, saddle, nut, finish and frets are all original. Danny replaced the pickguard (the original is still in the case) with a TorTis® pickguard and also installed upgraded Gotoh Gold open-backed tuners. The guitar is fabulous and the price is right. Original “Blue” Martin case included!
SOLD Read moreScale Length 25.4000 in Nut Width 1.6900 in String Spacing 2.1300 in Woods Spruce - Sitka, Rosewood - Indian 
2013 Collings DS3 MhA Varnish Mahogany/Adirondack (Red)
This is one sweet Slope D, we know Collings makes great guitars, but we have to say this one really has a little extra something special going on in the beauty and tone departments. This 2013 DS3 Shaded Top in Adirondack (Red) Spruce and Mahogany is a tone monster. If you have a need to drive a bluegrass jam this guitar will get you there, it has power and projection, while maintaining a warm and sweet side. We found this guitar to be wonderfully versatile it fingerpicks as well as it flatpicks and that makes this a hands down winner in our book.
SOLD Read moreScale Length 25.5000 in Nut Width 1.7500 in String Spacing 2.1900 in Woods Spruce - Adirondack (Red), Mahogany 
1991 Arnold Jimmie Rodgers Weymann Special Mahogany/Adirondack (Red)
Here we have a show-stopping kind of guitar that is one part art piece, one part tone maker, one part historic relic, and one part just plain fun. That may be more parts than most other guitars, but we promise you it fills all these categories and more!
The Weyman Jimmy Rodgers Special was originally designed back in 1927 and features Rib-Style Binding that we rarely see on guitars these days. Fast forward a few decades and John Arnold felt inspired to build a few of his own, and once you’ve held and played this one yourself it isn’t hard to see why: John’s gorgeous tribute to this unique instrument has a crisp, dry voice that swings big like the heavy hitters of the Pre-War Era. In John’s words, the Weyman Special is, “between a Martin and a Larson Brothers, tonally.”
Renowned both as a luthier and tonewood supplier, John Arnold picked out a great set of hand split Adirondack (Red) Spruce for this guitar that has Medullar Rays across the entire top, so you know it’s as perfect a cut as you can get. The Mahogany back and sides provide that nice midrange drive that so many players crave, and the setup is just perfect – as low as you can go without buzzing, even playing full force!
This particular guitar has accrued quite a bit of renown over the years and has even been featured by the Fretboard Journal! You can see what they had to say about this unique instrument when they interviewed John about the guitar here on their site: http://www.fretboardjournal.com/features/online/interview-john-arnold-and-weymann-jimmie-rodgers-special-model-guitar
SOLD Read moreScale Length 25.4000 in Nut Width 1.7800 in String Spacing 2.3200 in Woods Spruce - Adirondack (Red), Mahogany 
2010 Buscarino Virtuoso Flamed Honduran Mahogany/Sitka
John Buscarino builds some of the finest guitars around, bar none. John studied with two master Luthiers, Augustine LoPrinzi and Bob Benedetto, those are some serious credentials to be sure. Every guitar that John builds is rare, they are often customized and each instrument is highly different from the last. This one, however, is a truly rare bird. Built from Mahogany with “Plum Pudding” figure and Sitka Spruce, this Virtuoso will knock you out with its looks, this guitar is masterpiece. Tonally this Archtop has everything we have come to expect from John, clarity and power with a warmth that just envelops the player. We found that this Virtuoso can handle all the jazz you can throw at it from swing to gypsy this will fit the bill of whatever you need.
SOLD Read moreScale Length 25 in Nut Width 1.5900 in String Spacing 1.9400 in Woods Spruce - Sitka, Mahogany - Honduran 
1966 Martin D-35 Brazilian/Sitka
Here we have a great 1966 Martin D-35 in Sitka Spruce and three piece BaBrazilian Rosewood backand Brazilian Rosewood sides. This is a guitar just raring for the stage or bluegrass jam session, the Brazilian Rosewood ensures a full lush tone with great power and projection, perfectly suited for flatpicking or rhythm strumming. This guitar has the advantage of being well aged and lovingly played, the voice is wide open! The Playability is great for fast bluegrass licks, whether on the stage or off, in a jam session or on your couch this D-35 has the Martin tone and playability to see you happy for many years to come.
SOLD Read moreScale Length 25.4000 in Nut Width 1.6700 in String Spacing 2.1600 in Woods Spruce - Sitka, Rosewood - Brazilian 
1968 Martin D12-35 Brazilian/Sitka
Here we have a great 12 string D-35 from the fine folks at C.F. Martin and Co. This D12-35 is made from a three piece Brazilian Rosewood back and sides and Sitka Spruce top. There really is nothing quite like a Martin 12 string, this one has plenty of that famous Martin tone to offer up, whether you are strumming or doing some light fingerpicking, this guitar will rumble on the lows on sparkle on the highs. Playability is a big issue on 12 string guitars, often the action is exceptionally tough on the left hand, not so here, this one plays as easy as its 6 string counterpart.
SOLD Read moreScale Length 24.8800 in Nut Width 1.8800 in String Spacing 2.3100 in Woods Spruce - Sitka, Rosewood - Brazilian 
1988 Gibson Chet Atkins CEC Black Mahogany/Cedar
Chet Atkins came to Gibson with the idea for this guitar, he wanted a solid body guitar that would not feed back on stage but still had a great acoustic sound. What Gibson came back to Chet with was this, the CEC model. It is a solid body nylon strung guitar with acoustic chambers to assist with the acoustic sound. This guitar has a nice smooth sound when plugged in, equiped with a volume and tone control, and the often over looked volume control for each individual string located in the body cavity. This will make a great performing guitar that is sure to provide you with many decades more enjoyment.
SOLD Read moreScale Length 25.5000 in Nut Width 1.8400 in String Spacing 2.2200 in Woods Cedar, Mahogany 
2012 Bresnan GS Brazilian/Adirondack
This is a custom made GS by Dan Bresnan. The GS is slightly larger than an OM, offering terrific balance and slightly more bass response. This is a wonderful fingerstyle guitar thanks to it’s tonewoods, Brazilian Rosewood and Adirondack (Red) Spruce. This proven, classic combination makes for a voice with depth, power and articulation. There really is nothing this guitar can’t do, it’s versatile and very inspiring. It is nicely adorned with handmade Alessi Tuners from Italy and a custom Celtic Knot style rosette. The finest woods in the hands of a craftsmen who cares produces something special.
SOLD Read moreScale Length 25.3400 in Nut Width 1.7800 in String Spacing 2.2500 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
2005 Martin OMC-28M Laurence Juber Custom Edition #32 Madagascar/Adirondack (Red)
When the likes of legendary fingerstylist Laurence Juber and Martin Guitars put their heads together, you know an incredible instrument will be born as a result. They chose to go with the winning combination of Madagascar Rosewood and Adirondack (Red) Spruce, and we’re glad they did! This is a guitar that can handle Blues, Celtic and more, and has the power and snap to keep up with even the big bad jumbos and dreadnoughts. The smooth venetian cutaway provides easy playing all the way to the edge of the fingerboard. Once you start playing this one you just won’t want to stop!
SOLD Read moreScale Length 25.4000 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - Adirondack (Red), Rosewood - Madagascar 
1979 Franklin OM Indian/Sitka
Nick Kukich of Franklin Guitars is a master luthier with an incredible ear. Every Franklin that finds it’s way to Dream Guitars seems to embody that “Holy Grail” Prewar Martin voice, and this awesome OM in super-silky Sitka Spruce and Indian Rosewood follows that trend. In fantastic condition for its age, the voice is clear, brilliant, and open, with that distinctive vintage flavor that makes it a great instrument for recording. With the addition of a pickup, this would also make an excellent gigging guitar. Dramatic ink lines in the sides look very much like Brazilian.
SOLD Sale! Read moreScale Length 25.3800 in Nut Width 1.6900 in String Spacing 2.3400 in Woods Spruce - Sitka, Rosewood - Indian 
2005 Taylor Guitars T5-S Sapele/Sitka
There are very few guitars in the world that are as easy and fun to play as the Taylor T5. This T5 in Sitka Spruce and Sapele is such a blast to play that everyone in the Dream Guitars shop wants to take it home for themselves, and that may yet happen so grab it while you can! The tone of this guitar is the definition of versatility thanks to the two humbuckers and the body sensor. The T5 can have a sweet acoustic sound or that full on electric vibe, and it does all of them well. Combine the great tone with that classic Taylor playability and you have one wicked guitar that you won’t want to put down!
SOLD Read moreScale Length 24.7500 in Nut Width 1.6700 in String Spacing 2.1900 in Woods Spruce - Sitka, Sapele