- Sort by Default
- Display 15 Products per page
-
2017 Tippin Crescendo Al Petteway, Brazilian Rosewood/Swiss Moonspruce
Just when you think you’ve seen and heard it all, along comes a guitar with the perfect combination of breathtaking visuals and a rapturous voice: our 2017 Al Petteway Crescendo from Bill Tippin. Dream’s own Brazilian Rosewood for the back and sides, paired with a Swiss Moonspruce top, Abalone trim to bind the top, rosette, fretboard, and center seam; flamed Koa arm bevel, rosette ring, and inlaid just below the nut at the first fret; French Polish on top, Nitrocellulose everywhere else; Bill’s signature soundport in the upper bout. This is a guitar that’s difficult to turn away from.
Tonally, the balance is equal parts bass, treble, and mids, with an overtone swell in the upper middle register to crank up the lushness and color. This is practically a brand new guitar, but it has the kind of cool, rolling bass notes and crisp trebles that you’d expect to find, instead, on a weather-worn and broken-in guitar from decades past. We shudder to think what this piece of beauty will sound like in the next few years. It’s a natural choice for open tunings like DADGAD, but the 25 1/2 inch scale and 14-fret neck also lets you drop down into C territory without compromising play feel.
It’s quality and style like this that make Bill Tippin one of our all-time favorite luthiers. This is a treasure you’ll want to keep close.
Here’s an additional demo the last time this beauty passed through: https://youtu.be/GOKZEVs0TB4. https://youtu.be/LJqHBxPU0Sc
$20,800 Add to cartScale Length 25.5 in Nut Width 1.78 in String Spacing 2.31 in Woods Spruce - Moonspruce, Rosewood - Brazilian 
2015 Matsuda Parlor, Bubinga/Bearclaw Spruce
Such a treat to visit with this Parlor model from Michi Matsuda. Not only does Michi manage to build a visually arresting design, he also does so while maintaining utmost attention to the voice of the instrument as well. This is a petite Parlor that very much punches up above its weight. The trebles in particular have real strength to them that grabbed us right out the gate. Michi’s inventive flair manifests here with tightly figured Bubinga back and sides, Bearclaw Spruce top, an elevated fingerboard, and one of this two-tone bridges comprised of a Rosewood-Ebony laminate. All this culminates at the headstock rendered in a stair-step pattern that’s reminscent to our eye of a Stauffer style headstock with the tuners along the bass side. All told, this 2015 Parlor from Michi Matsuda is a captivating example of when the bleeding edge of modern lutherie works–one-of-a-kind, powerful, and clear.
Other keywords: lutherie, luthier, guitarbuilding, somogyi, 102, Hoffee
Additional demo: https://youtu.be/3ksQX4K5eOg
$26,000 Add to cartScale Length 24.75 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce, Bubinga 
Brand New Maingard 000, Brazilian Rosewood/Spruce
Brand new from Marc Maingard, we’re excited to offer this stunning 000 model crafted from Brazilian Rosewood and Spruce. True to Maingard’s signature style, it features an arm bevel, sound port, and a delightfully comfortable neck profile. Despite being fresh out of the workshop, it doesn’t have that typical ‘new guitar’ sound—it already feels well matured.
With Schertler tuners adding a modern touch, the headplate and rosette feature matching Brazilian Rosewood veneer, tying the design together beautifully. This guitar is an excellent example of modern aesthetics and voicing, all while letting the natural materials shine both sonically and visually. It comes safely wrapped in a Hiscox case. Don’t miss your chance to own this masterpiece!
Other keywords/misspellings: Luthier, lutherie, bespoke, south africa, cape st francis, casimi,
$19,240 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.188 in Woods Spruce, Rosewood - Brazilian 
Brand New, Sergei de Jonge 00, Ziricote/Sitka Spruce
What a treat to have a brand-new 00 from the one and only Sergei de Jonge. Crafted with Ziricote back and sides and a Sitka Spruce top, this guitar features a hand-rubbed French Polish finish on the body and neck that allows it to resonate beautifully. With Hipshot tuners and Ziricote appointments, this instrument is visually stunning and sonically extraordinary.
While its dimensions may resemble a Martin 00, it surpasses those boundaries in every way. Sergei de Jonge, a significant influence on many of today’s top builders, delivers an instrument that defies the stereotypes of smaller-bodied guitars. It offers a big, bold voice, a comfortable feel, and a subtle, natural aesthetic. Equipped with a K&K Pure Mini pickup, this guitar is ready for anything. Truly a joy to experience.
$13,000 Add to cartScale Length 25 in Nut Width 1.719 in String Spacing 2.125 in Woods Spruce - Sitka, Ziricote 
2007 Franklin OM Brazilian Rosewood/German Spruce
2007 Franklin OM featuring Brazilian Rosewood and German Spruce. OM guitars are renowned for their versatility, and this one exemplifies that reputation. With wide spacing at the nut and saddle (1 13/16″ and 2 11/32″), it excels whether you’re fingerpicking or flatpicking. Minimalist natural appointments make it unassuming, yet it delivers vivid and powerful tones. This is everything an OM should be.
Other keywords/misspellings: Luthier, lutherie, bespoke, missouri, 575, orchestra, model,
$13,000 Add to cartScale Length 25.4 in Nut Width 1.813 in String Spacing 2.344 in Woods Spruce - German, Rosewood - Brazilian 
2014 Martin John Mayer 00-42, Cocobolo Rosewood/Sitka Spruce
Why, Georgia, why is this guitar so good? Oh, it’s a John Mayer Stagecoach Signature—that’s why. With 42-style abalone appointments, extra-wide spacing at both the nut and saddle (1 7/8″ and 2 5/16″), Cocobolo back and sides, and Sitka Spruce on top, this guitar is destined to be a classic collectible one day. It’s fun, easy to play, and just looks so dang good. Playing it feels like Slow Dancing in a Burning Room. Alright, we’ll stop with the John Mayer references.
Other keywords/misspellings: Luthier, lutherie, C.F., Nazareth, pa, team built,
$14,560 Add to cartScale Length 24.9 in Nut Width 1.875 in String Spacing 2.313 in Woods Spruce - Sitka, Rosewood - Cocobolo 
2008 Martin OM-30DB Pat Donohue, Indian Rosewood/Adirondack Spruce
From 2008, we have a Martin OM-30DB Pat Donohue. Pat Donohue is renowned for his work on the highly acclaimed radio production A Prairie Home Companion, where he was a member of the program for 20 years. He has received numerous accolades, including praise from Chet Atkins, who called him ‘one of the greatest fingerpickers in the world today.’ In 2008, Martin Guitars honored him with a signature model, the OM-30DB Pat Donohue Custom Edition.
This guitar features extra-wide spacing at the nut and saddle, along with a full neck profile, making it an ideal instrument for any fingerpicker. Crafted with Indian Rosewood for the back and sides and topped with Adirondack Spruce, it boasts rich, balanced tones. The top trim also showcases the ‘Flag of Many Nations’ inlay, a unique and striking detail on this exceptional guitar.
Other keywords/misspellings: Donahue, Lutherie, luthier, nazareth, npr, apm, minnesota, fingerstyle, folk, blues,
$6,760 Add to cartScale Length 25.4 in Nut Width 1.813 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Rosewood - Indian 
Brand New Alliance FS000, Indian Rosewood/Italian Spruce
A brand new Alliance FS000 with Indian Rosewood and Italian Spruce—this time with no cutaway! The neck profile is fuller, with a wider nut width at 1 3/4″ on this model. It’s a fantastic modern fingerstyle guitar at an even better price. This guitar proves that, in the right hands, Indian Rosewood is nothing to turn your nose up at.
$7,800 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Italian, Rosewood - Indian 
1954 Martin D-28, Brazilian Rosewood/Spruce
Oh, the sweets to be had with a well played and wide awake Martin D-28. This beau comes from 1954–70 years young today–and has seen lots of musical action since then. We always love to see a guitar that hasn’t hidden in the shadows, but instead has been out and about and making music. We’ve got Spruce on top, Brazilian Rosewood back and sides with some nice spiderwebbing in the figure, and a number of solid repairs from years of use. The top has the marks to prove it, and the neck is worn in with an instantly familiar feel.
Ready to step into a vintage Martin that’s seen lots of music, and is ready for even more? Give us a shout to schedule a live demo, or take it home on trial.
Other keywords/misspellings – d28, brazilain, 140188, dreadnaught, dreadnought, 50s
$15,600 Add to cartScale Length 25.4 in Nut Width 1.68 in String Spacing 2.188 in Woods Spruce, Rosewood - Brazilian 
2020 Santa Cruz, OMC Brazilian Rosewood/Moonspruce
2023 Santa Cruz OMC with Brazilian Rosewood back and sides and Moonspruce top. Features include snakewood appointments, herringbone trim, and an abalone songbird motif inlaid on the headstock. An elegant balance of modern design and traditional guitar craftsmanship—a fingerstyle paradise.
Other keywords/misspellings: Luthier, lutherie, bespoke, team build, richard hoover, ameritage 5670
$15,600 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Moonspruce, Rosewood - Brazilian 
2027 Casimi Guitars Build Slot # 1
This 2027 build slot with Casimi Guitars is currently available! Simply purchase this deposit price, and we will reach out to discuss your custom build, what your needs are, and any special features you’re interested in exploring.
Our process is straightforward:
1. Place the deposit amount to secure the spot on the calendar
2. Paul will get in touch directly to make additional choices of materials and upgrades
3. We will stay in touch all the way until deliveryClick here to read an interview with Casimi Guitars
A note from Paul on the build process:
I really enjoy the process of custom building instruments for players. I got into this whole business because I’m a player first and a songwriter. As a player, I have intimate knowledge of what makers, body shapes, woods, and other attributes of a guitar will most help a player get to their dream instrument. It’s really important to me that a guitar inspires a player to make music. That’s the whole reason I started this business long ago.
I see this process of working with a client and a builder as service. To me, it’s an important part of my life and something I’m really passionate about. The process along the way can be as detailed or relaxed as you want and I guarantee you it is always fun. We start usually by talking about the woods that will get the tone that you want after I hear more about what you play and what you’d like to be able to play. Then we will go on to looking at photos of actual sets of materials and talk about everything from the nut width to the saddle width to the case color that you want. We will then get into the details of the instrument as far as the feel goes and the ergonomics. There’s a lot to talk about here and we have a lot of experience again because of all the guitars we’ve played over the years. We’ll talk about the contour of the neck and we have a special process for that where we use a tool that we can send you to give us shapes of your favorite guitar necks which we can then use as a basis or even completely copy.
Another big value that Dream Guitars has to offer in this process is our shop full of amazing guitars. After we get your initial specs down, you’re welcome to visit the shop as sometimes we will have months before the build starts. You and I can sit and play the world’s finest guitars and confirm that the choices we made are right for you as far as the wood types and specs and you also might find some ideas you want to Incorporate, maybe an armrest bevel, a soundport, or even something you’ve never tried before. Along the way my team and I will be talking to the builder on your behalf and making sure that you get exactly what you want in the end.
The custom guitar world can be really confusing. There’s so many makers now and so many different materials and body shapes, you need someone to really guide you through all the options. One of the big parts of my job is to go to various guitar shows every year all around the world so that I can see what’s happening. I meet with all the makers I’ve been working with for sometimes decades and I stay in touch with what they’re changing, what their new models are, what they have to offer, and what their sounds are evolving into. I also get a chance to visit many of the maker’s shops so that I can be very familiar with what they do, what they love to do, what they don’t want to do, what woods they like, what woods they don’t like, so that I can give you really objective third-party advice all along the way.
By working with you directly myself I allow the builder to stay at the workbench whittling wood and making guitars. While this frees them up a bit, they are always available as well should you really want to have a conversation with the builder. We will facilitate that as well. We always see it as a three way partnership.
Another thing that’s really important to me is the personalities involved in each instrument so I get to know the makers really well year year after year, every time I visit with them at guitar shows, visit their shops, or just have a meal with them. I think their personalities come through in the end result of the guitar so as I’m getting to know you and matching you with the builder I’ll be keeping all of that in mind as well.
The bottom line is this. I’ve been playing guitar since I was ten years old. Every time I have the opportunity to help a client find a guitar of their dreams, that inspires them to make music, it feels like my life’s purpose.
I look forward to helping you build a guitar that will inspire you and I promise we’ll have fun all along the way.
2027 Casimi Guitars Build Slot # 2
This 2027 build slot with Casimi Guitars is currently available! Simply purchase this deposit price, and we will reach out to discuss your custom build, what your needs are, and any special features you’re interested in exploring.
Our process is straightforward:
1. Place the deposit amount to secure the spot on the calendar
2. Paul will get in touch directly to make additional choices of materials and upgrades
3. We will stay in touch all the way until deliveryClick here to read an interview with Casimi Guitars
A note from Paul on the build process:
I really enjoy the process of custom building instruments for players. I got into this whole business because I’m a player first and a songwriter. As a player, I have intimate knowledge of what makers, body shapes, woods, and other attributes of a guitar will most help a player get to their dream instrument. It’s really important to me that a guitar inspires a player to make music. That’s the whole reason I started this business long ago.
I see this process of working with a client and a builder as service. To me, it’s an important part of my life and something I’m really passionate about. The process along the way can be as detailed or relaxed as you want and I guarantee you it is always fun. We start usually by talking about the woods that will get the tone that you want after I hear more about what you play and what you’d like to be able to play. Then we will go on to looking at photos of actual sets of materials and talk about everything from the nut width to the saddle width to the case color that you want. We will then get into the details of the instrument as far as the feel goes and the ergonomics. There’s a lot to talk about here and we have a lot of experience again because of all the guitars we’ve played over the years. We’ll talk about the contour of the neck and we have a special process for that where we use a tool that we can send you to give us shapes of your favorite guitar necks which we can then use as a basis or even completely copy.
Another big value that Dream Guitars has to offer in this process is our shop full of amazing guitars. After we get your initial specs down, you’re welcome to visit the shop as sometimes we will have months before the build starts. You and I can sit and play the world’s finest guitars and confirm that the choices we made are right for you as far as the wood types and specs and you also might find some ideas you want to Incorporate, maybe an armrest bevel, a soundport, or even something you’ve never tried before. Along the way my team and I will be talking to the builder on your behalf and making sure that you get exactly what you want in the end.
The custom guitar world can be really confusing. There’s so many makers now and so many different materials and body shapes, you need someone to really guide you through all the options. One of the big parts of my job is to go to various guitar shows every year all around the world so that I can see what’s happening. I meet with all the makers I’ve been working with for sometimes decades and I stay in touch with what they’re changing, what their new models are, what they have to offer, and what their sounds are evolving into. I also get a chance to visit many of the maker’s shops so that I can be very familiar with what they do, what they love to do, what they don’t want to do, what woods they like, what woods they don’t like, so that I can give you really objective third-party advice all along the way.
By working with you directly myself I allow the builder to stay at the workbench whittling wood and making guitars. While this frees them up a bit, they are always available as well should you really want to have a conversation with the builder. We will facilitate that as well. We always see it as a three way partnership.
Another thing that’s really important to me is the personalities involved in each instrument so I get to know the makers really well year year after year, every time I visit with them at guitar shows, visit their shops, or just have a meal with them. I think their personalities come through in the end result of the guitar so as I’m getting to know you and matching you with the builder I’ll be keeping all of that in mind as well.
The bottom line is this. I’ve been playing guitar since I was ten years old. Every time I have the opportunity to help a client find a guitar of their dreams, that inspires them to make music, it feels like my life’s purpose.
I look forward to helping you build a guitar that will inspire you and I promise we’ll have fun all along the way.
Brand New Lame Horse Big Hoss “War Horse” Birdseye Maple/Italian Spruce
Lame Horse presents the 2024 Big Hoss ‘War Horse,’ a Grand Concert body style guitar adorned inside and out with the striking War Horse motif. Crafted with Italian Spruce and Birdseye Maple, it includes a K&K Pure Mini pickup with volume control. The rosette showcases a detailed image of a Comanche War Horse, composed of 77 pieces of intricate inlay using awabi abalone, black phenolic, coral, red pearl polyester, turquoise, paua abalone, and acrylic.
This guitar offers more than meets the eye, featuring an adjustable neck and an access panel on the tail. Opening the panel reveals that the artistry extends beyond the surface, embracing the instrument’s inner workings. Be sure to view the photos and watch the demo to fully appreciate this incredible piece of craftsmanship. See and hear it for yourself.
Other keywords/misspellings: Luthier, lutherie, austin, texas, calton,
$11,440 Add to cartScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Italian, Maple - Birdseye 
Brand New Galloup G.6C, Koa/Cedar
Brand new at the time of listing, this 2024 Galloup G.6C is dressed in stunning Koa and Cedar. You may be wondering, a Galloup in Cedar? Yes, it’s that rare. Which means this is some seriously fine Cedar for the top. Bryan has rigorous standards for the tops of his guitars, and Cedar rarely makes the cut, so you know this one is special. Reconstructed stone appointments in a lovely mint green provide a striking contrast to the earthy tones of the Cedar and Koa. This guitar features all the qualities we know and love about Galloup guitars, with a fresh twist on materials. It’s one of those instruments that’s hard to put down and makes it tough to get any work done.
Other keywords/misspellings: Luthier, lutherie, bespoke, michigan, studios, cedar creek, pinless 2401
$23,920 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.21 in Woods Cedar, Koa - Figured 
2005 Sheppard, Ave Maria Grand Auditorium, Flamed Koa/Engelmann Spruce
From 2005, we have this Grand Auditorium, ‘Ave Maria,’ from Sheppard Guitars. It features Koa back and sides with an Engelmann spruce top, a Florentine cutaway, and abalone inlay traced in red-dyed wood throughout. Nearly 20 years old at the time of this writing, it has a very open and powerful sound. It’s also equipped with an LR Baggs iBeam. With a comfortable profile and setup, this guitar is ready for any application.
Other keywords/misspellings: Luthier, lutherie, bespoke, cedar creek, shepard, 9606
$7,800 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.125 in Woods Spruce - Engelmann, Koa - Flamed