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2009 Taylor NS Custom Madagascar/Sitka
This is custom shop Taylor NS ordered with wonderful tonewoods and narrower fingerboard making it an easy to play Crossover Nylon String. For starters just look at this set of Madagascar Rosewood, it’s stunning and adds warmth and richness to the voice. The top is a sublimely silky Sitka Spruce with tons of medullary rays showing it’s quality. The nut is 48 mm or 1 7/8 in. and the string spacing at the saddle is 56 mm or 2 3/16 in. so it will feel very comfortable to the steel string player or Crossover player moving back and forth between instruments. Completing this guitar is a gorgeous Rosette of wood and abalone with great flair. The price as ordered from Taylor was $6320, so you’ll save a bunch as well.
SOLD Read moreScale Length 25.6 in Nut Width 1.889 in String Spacing 2.205 in Woods Spruce - Sitka, Rosewood - Madagascar 
2000 Keller Parlor Indian/Cedar
Michael Keller has been building guitars for a long time. Through the decades his instruments have continued to evolve, into something very special indeed. His guitars are sophisticated and complex, with strong fundamental tones and sparking overtones. We are very proud to offer his wonderful guitars at Dream Guitars. This little Keller Parlor Guitar is a gem of an instrument. Its small Indian/Cedar body is extremely comfortable to hold and the playability is sublime. This is a very fine guitar built by the Luthier who introduces James Olson to Cedar tops. A perfect ‘companion’ guitar that you’ll want to keep close at home or the office, so you can always have the joy of music at arm’s reach.
SOLD Read moreScale Length 24 in Nut Width 1.69 in String Spacing 2.19 in Woods Cedar, Rosewood - Indian 
2004 Moll Quat-Not-Troport Flamed Maple/Adirondack
Simply Stunning Custom Quat-Not-Troport Archtop by Bill Moll. This very special guitar is one of a kind and is based on John Monteleone’s Quattroport design. Outstanding workmanship and incredible tone that has attributes of a Fine Archtop and Flattop and is equally at home playing straight ahead Jazz or Fingerstyle Blues. Excellent volume and clarity thanks to the three extra sound ports on the bass side of the body and the stunningly flamed Bigleaf Maple back and sides and Adirondack Spruce top. There is also a Piezo pickup built in. The tailpiece, fingerboard and pickguard are each crafted from figured Macassar Ebony in stunning detail. Superbly playable, this instrument is an attention-getter.
SOLD Read moreScale Length 25.4 in Nut Width 1.81 in String Spacing 2.06 in Woods Spruce - Adirondack (Red), Maple - Bigleaf 
New Jenkins Gitjo Koa/Maple
The Lame Horse Gitjo from Chris and Jeremy Jenkins was made to offer guitarist a chance to make that banjo twang. The six string banjo is not a new concept, however this Lame Horse Gitjo is full of style and has a sound everyone loves. The tone ring is crafted from superbly figured Koa and Maple with a lovely pattern. The multi piece neck meets the body via a thick brass plate that add wonderful sustain and power. This is a really fun instrument that will give you a whole other sound on stage, in the studio or on your front porch. From Blues to Old Time to Celtic you’ll love having this in your arsenal.
1973 Fender Tele Custom Ash, Mocha Finish Rare Condition!
The pickups in the 70’s Fender Telecaster Customs are legendary for their great tone. Utilizing CuNiFe threaded magnets, this guitar gets a great clean and clear sound in the neck position and has a strong and not brittle sounding bridge. If you love Teles but think they’re too bright, this may be the guitar for you, it is not dark sounding, but it lacks the harsh ice-picky tones some Teles produce.
This 1973 Tele Custom, in Mocha finish, is in rare condition with very little wear for it’s age. This beauty has a significantly thinner neck than its ancestors from the 1950’s. In all, it’s a fun vintage guitar that offers a unique take on the classic Fender sound!
2009 Rick Turner Model 1 Featherweight Macassar Ebony Limited Edition
This is a wonderful limited edition Turner Model 1 Featherweight featuring gorgeous Macassar Ebony for the top, back and headplate. Very few were made with this beautiful wood. The body is a hollow construction with a Cedar center for lightweight and open voicing. This is the guitar made famous by Lindsey Buckingham of Fleetwood Mac fame and currently played by John Mayer as well. It has the rare ability to produce great acoustic sounds and electric guitar sounds by having both Piezo and Magnetic pickups on board along with the controls to blend them any way you wish. This is a very unique and high-end Turner Model 1 for the discerning player who wants the best.
Click Here to watch John Mayer playing his Turner Model 1
Click Here to watch Lindsey Buckingham playing his Turner Model 1
SOLD Read moreScale Length 24.5 in Nut Width 1.63 in String Spacing 2 in Woods Ebony - Macassar, Ebony - Macassar 
2003 Gibson Les Paul Bob Marley Limited Edition Mahogany/Mahogany
Gibson celebrated the late Bob Marley with this limited-edition, Bob Marley Les Paul Special, a reissue built to the exact specifications of his guitar on display at the Bob Marley Museum in Kingston, Jamaica. The solidbody mahogany guitar from Gibson’s Custom Shop, Art & Historic division replicates a number of unique appointments including Marley’s trademark white binding on the headstock and fingerboard – now yellowed with age – and small pearl block inlays similar to a mid-1960s ES-335.
Gibson duplicates these characteristics as well as the aluminum pickguard and aluminum football-shaped switchwasher around the 3-way selector switch. A carefully aged Cherry finish as well as marks and scratches copied from the original instrument complete the well-worn look and feel of the guitar; Marley’s signature appears on the headstock. This guitar is #98 of only 200 ever made. This edition is now sold-out making this a rare find.
SOLD Read moreScale Length 24.625 in Nut Width 1.63 in String Spacing 2 in Woods Mahogany, Mahogany 
2006 Redgate Lattice Braced Cocobolo/Red Cedar
Jim Redgate has an extremely impressive list of players that endorse his instruments, which is easily understood as soon as you play one. Ana Vidovic and Odair Assad both create music on a Redgate. This particular lattice braced beauty from 2006 is stunning in every way. The low end is very full and has a pleasantly warm sounding, and the trebles are extremely thick and strong. The carved Cocobolo Rosewood back is highly figured and along with the lattice braced Cedar top creates the deeply beautiful voice of this guitar. The power and projection are other-worldly, yet it offers extreme expression as well. Stunning.
SOLD Read moreScale Length 25.59 in Nut Width 2.05 in String Spacing 2.28 in Woods Cedar - Red, Rosewood - Cocobolo 
1972 Edgar Mönch Concert Brazilian/German
Here we have a wonderful guitar from German luthier Edgar Mönch, built in 1972 in his Frieburg, Germany shop. Later Mönch moved from from Munich to Toronto, Canada in 1965. There, he trained such guitar luminaries as Jean Larrivee who in turn taught Sergei de Jonge. John Williams played a Edgar Monch guitar early in his career. It isn’t very often that these outstanding instruments come up on the market, and when they do, they are usually snatched up quickly.
This fine guitar was built in 1972, and overall is in great shape. The body is Brazilian Rosewood and German Spruce and together the woods combine for a strong projection and clear ‘German’ tone. It’s easy to be articulate and accurate on this guitar. See what John Williams discovered in the magnificent voice of this suberb guitar from Edgar Monch!
SOLD Read moreScale Length 25.5 in Nut Width 2.08 in String Spacing 2.2 in Woods Spruce - German, Rosewood - Brazilian 
Circa 7/8ths Dread Cocobolo/Adirondack Red
John Slobod, builder of Circa Guitars, has made many instruments with Julius Borges and Dana Bourgeois and is one of the modern luthiers building guitars as good or better than the prewar giants. Here is this 7/8th Dread, John has designed a versatile guitar that can handle both flatpicking and fingerstyle duties with ease and is more comfortable to hold. The Cocobolo and Adirondack body put forth a strong voice, at once clear and warm. There is nothing this guitar cannot do. The craftsmanship is impeccable, something else Slobod is known for. These tend to fly out the door, so don’t miss your chance.
SOLD Sale! Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.19 in Woods Spruce - Adirondack (Red), Rosewood - Cocobolo 
1993 Kohno Special Brazilian/Red Cedar
Legendary Masaru Kohno began building guitars in the late 1940’s. In the 1960’s he traveled to Madrid and studied at the workshop of Arcangel Fernandez. Within a few short years he was awarded the Gold Medal in Elizabeth’s Concourse Belgium, international competition in guitar lutherie.
This delightful Kohno Special from 1993 is one of the most elegant classical guitars you’ll ever hold. Crafted from Brazilian Rosewood and Cedar, the playability and tone are sublime. Though the back has had several repaired cracks, this wonderful instrument is structurally sound and ready for a lifetime of enjoyment.
SOLD Read moreScale Length 25.6 in Nut Width 2.01 in String Spacing 2.24 in Woods Cedar - Red, Rosewood - Brazilian 
1993 Humphrey Millennium Brazilian/Red Cedar
Here we have a lovely 1993 Humphrey Millenium Concert Guitar. Gorgeous old-growth Brazilian Rosewood and Red Cedar form the body with it’s distinctive Millenium shape. The elevated fingerboard and forward sloping top act to ‘preload’ the energy of the strings and create a very strong voice capable of filling large halls. This Humphrey Millenium has tremendous volume and dynamic range, and also yields soft, delicate phrases when asked. A superb example and a worldclass instrument in every way.
SOLD Read moreScale Length 25.59 in Nut Width 2.13 in String Spacing 2.24 in Woods Cedar - Red, Rosewood - Brazilian 
2004 Jose Ruiz Pedregosa Concert Indian/Red Cedar
What a powerhouse. This Jose Ruiz Pedregosa guitar is a big guitar with a bold voice. Pedregosa studied with Jeronimo Pena Fernandez and builds wonderful, world-class instruments that are powerful and beautiful. This Concert guitar from 2004 has a large body reaching 15 1/4″ at the lower bout and a 660 scale length for a robust voice capable of filling any hall. The notes are rich, warm and full sounding. There are many fine details on this guitar as well. The Headstock and Bridge are fully carved as is the fingerboard terminus. There are also Ebony inlays in the back of the neck and back of the headstock. The sort of elegant details you find on very few guitars.
SOLD Read moreScale Length 26 in Nut Width 2.17 in String Spacing 2.28 in Woods Cedar - Red, Rosewood - Indian 
New Bozung CB Special Dream Series Brazilian/Adirondack
The Dream Series from Chris Bozung is the ultimate Bozung. For this series Chris starts with the very best old growth Brazilian Rosewood, adds Adirondack Spruce, Vintage voicing and his amazing 1930s style sunburst. The result is a top quality modern L-00 that captures the true character and spirit of the vintage Gibson design. We all love the old Gibsons but we don’t like the nagging problems vintage guitars always have. Here you not only get reliability and major tone, but killer Brazilian Rosewood to boot. Hearing this one it’s little wonder why Pete Huttlinger raved about his so much!
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
1974 Heinz Rossner Concert Brazilian/Cedar Player Pricing!
This Heinz Rossner Concert guitar in Brazilian Rosewood and Cedar is a perfect student instrument for the player seeking premium tonewoods and who does not mind some play wear. Built in 1974, this guitar is mature and alive, but does so cosmetic signs of use. The woods are beautiful and offer a big, warm voice with strong projection. The neck is somewhat slender, front to back, and very easy to play.
SOLD Sale! Read moreScale Length 25.59 in Nut Width 2.13 in String Spacing 2.28 in Woods Cedar, Rosewood - Brazilian