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New Bamburg OMB Claro Walnut/Sitka Bearclaw
This beauty was custom made for a customer. Beautiful Claro Walnut and Sitka Spruce. Call us today to get your Bamburg.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Walnut - Claro 
New Mervyn Davis SSBT2 African Kiaat/Sitka
Mervyn Davis has created a fresh and exciting guitar design that is not only artistic and eye-catching but completely musical and practical. His Smoothtalker design concept features very stiff back and sides, not unlike what many modern makers are doing these days, and a fan braced Spruce top that because of the body design is extremely lively and responsive. Soundports in the waist and near the neck flood the player with the beautiful voice. The result of this design is an instrument with serious projection and extreme clarity. The trebles strings simply soar, with more density and volume than the average guitar. The bass is focused and clear also with profound power. This Smoothtalker Baritone is simply amazing, the even articulation up the entire fingerboard is very useful on a Baritone and allows every note to ring true. It easily goes down to low A and remains clear, not muddy at all. The Smoothtalker also comes ready for a pickup if you wish. This is an inspirational new design straight from South Africa.
SOLD Read moreScale Length 27.5 in Nut Width 1.813 in String Spacing 2.25 in Woods xx, Blackwood - Tasmanian 
1948-1950 Gibson J-50 Mahogany/Spruce
This was the “natural” version of the popular Gibson J-45. In 1948 they switched from the Gibson script logo to the post-war gold block logo featured on this guitar. In 1950, they started using the upper belly bridge, so this is most likely either a 1948 or 1949 but could be an early 1950 as well. Whatever the year this is a GREAT ONE. Killer tone, that is bold and clear and the setup is excellent. This is one of the best playing Gibsons from this era you’ll find.
SOLD Read moreScale Length 24.75 in Nut Width 1.688 in String Spacing 2.125 in Woods Spruce, Mahogany 
1964 Martin D-18 Mahogany/Spruce
Here’s a terrific workhorse Martin D-18 from 1964. It’s got a few battle scars but that only gives it a story to tell. The playability is excellent with recent neck set and refret so it’s ready for another 5+ decades of music. This one is a true CANNON!, very loud and strong. Flatpickers lookout and strummers will love it to…
2007 Renaissance Dream Series #1 Flamed Maple/Flamed Maple
Here is a preowned example of the Dream Series RS-6 we did with Rick Turner and Renaissance Guitars. The idea for this series was simple, to create a high-end RS-6 that offered good value and features not typically available. This one features beautiful flamed Maple with a sunburst finish, wooden knobs and most importantly wider nut and saddle to facilitate fingerstyle play as well as strumming. This is a limited edition signed by Rick Turner.
1999 Simon Ambridge Concert Brazilian/Spruce
Simon Ambridge is a English Luthier well known for building worldclass concert guitars. In the late 1980s Simon received a grant from the Crafts Council of Great Britain, the membership of which included Jose Romanillos, David Rubio and Paul Fischer. But you need only play this guitar for a moment to know how he has earned his reputation. This beautiful Brazilian and Spruce Concert model is sublime, powerful and completely musical. The G string sings with lyrical prowess and the voiced is well balanced with strong basses and equally robust trebles. Perfectly maintained by it’s single owner and ready for a new musical partner.
SOLD Read moreScale Length 25.59 in Nut Width 2.09 in String Spacing 2.2 in Woods Spruce, Rosewood - Brazilian 
New Maingard GC Brazilian/Red Cedar
We asked Marc for something a little different and created this amazing instrument for us. This guitar commands attention with it’s bookmatched Brazilian Rosewood Fingerboard and Brazilian Bridge. The body is crafted of the most striking set of Brazilian Rosewood with dramatic sapwood in the center and rich, reddish-brown hues and embellished with armrest and ribrest bevels. There’s also a custom striped heelcap. It is indeed striking, but in a very natural way that let’s the beauty of the wood speak. The tone is all Maingard. Marc’s guitars are favored by our customers seeking a versatile guitar that can do it all and do it all superbly. For fingerstyle, strumming, flatpicking, lead work or accompaniament, this guitar sound amazing. This instrument features:
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Cedar - Red, Rosewood - Brazilian 
2005 Noble Concert Cocobolo/Curly Redwood
This Roy Noble Concert was made for Four Time Grammy Winning guitarist David Holt, who has played with Doc Watson among others. This guitar is simply stunning, crafted from Cocobolo Rosewood and an amazing Curly Redwood top. The deep, dark top hints at the voice that is rich and chocolaty, with fat, juicy trebles. This guitar is responsive and strong as well, making it versatile enough for many styles of fingerpicking.
SOLD Read moreScale Length 25.4 in Nut Width 1.81 in String Spacing 2.13 in Woods Redwood, Rosewood - Cocobolo 
2003 Gibson SJ 200 Flamed Maple/Sitka
From the Gibson website: The SJ-200 True Vintage acoustic guitar delivers the look, feel, and sound of Gibson’s original Super Jumbo as it first appeared in 1937. Gibson Acoustic’s master luthiers in Bozeman, Montana have recreated a legend. The SJ-200 was originally built to cut through the loudest acoustic ensembles, but ended up defining the new American music scene of the 1930s on its way to becoming the world’s most famous acoustic guitar. The SJ-200 True Vintage captures the deep, well-balanced tone and powerful sound of these celebrated guitars, and are almost identical in makeup and structure as the most popular 1950’s versions.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.13 in Woods Spruce - Sitka, Maple 
2006 Greven Next Generation 000 Brazilian/Adirondack Red
We are delighted to see this wonderful Greven guitar again. The minute I played this guitar at the Newport Guitar Festival we nabbed it for our customers. John Greven told me it was special and with the first few notes I was hooked. He calls his new 14 fret 000 design the NextGen because it merges the killer tone and liveliness of a 1930’s guitar with accurate intonation, a truss rod and modern tuners. So in the NextGen you get best of yesterday and today. Crafted from beautiful old growth Brazilian Rosewood and stunning Adirondack spruce, the tone is at once classic and fresh and the voice is simply huge.
SOLD Read moreScale Length 24.88 in Nut Width 1.88 in String Spacing 2.31 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
1995 Dobro Roundneck steel/steel
Here we have a like-new Dobro from 1995. The steel body with its single cone and biscuit bridge offers up that classic clank and wail reminiscent of old Bukka White recordings. The body is finished in a tobacco burst which blends nicely with the Rosewood fingerboard. The action is set for slide and fingers and the sound is great.
2003 Kirk Sand Richard Smith Model Indian/Spruce
If you haven’t seen Richard Smith play live, you need to! I caught him Add the Station Inn in Nashville a few years back and he blew me away. its easy to see how his amazing playing influenced this Richard Smith model guitar from Kirk Sand. The deep cutaway allows full access up to the 17th fret and beyond, the RMC pickup system provides fully adjustable volume for each string making it perfect for on stage use. This one is crafted from beautiful straight grain rosewood and Engelman spruce. It has abalone fret markers as well as a abalone top border, Rosette and tie block. We also like the clever placement of small fret dots on the upper frets of the high string for reference while playing. The tone is pure and lively acoustically, and the amplified sound is natural and hasslefree. This is a superb performance instrument. Watch Richard Smith tear it up on his Kirk Sand guitar.
SOLD Read moreScale Length 25.4 in Nut Width 1.91 in String Spacing 2.2 in Woods Spruce - Engelmann, Rosewood - Indian 
2004 Flammang GC Brazilian/Adirondack Red
Here’s one for the player who loves the feel of a short scale 12 fretter with a wide fingerboard. This FLammang Guitar feels like butter with it’s short 24.75 string length. The 12 neck joint not only makes for a comfortable reach for the left-hand but also puts the bridge directly in the sweet spot of the top for maximum tone. And tone this one has, Brazilian Rosewood topped with Adirondack spruce for classic voicing. It’s adorned in the 42 style abalone and fingerboard pattern, capped with a beautiful torch inlay on the headstock. This is by far the best sounding and playing Flammang guitar we have ever seen. A treasure.
SOLD Read moreScale Length 24.75 in Nut Width 1.88 in String Spacing 2.31 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
1910 Gibson F-2 Maple/Spruce
Here we have a very sweet Gibson F-2 Mandolin from 1910. FON #1191, and featuring Inlaid Handel Tuners as well as the original Tooled Leather Case with the ‘drop out’ bottom design. This one appears to be all original and plays beautifully. There is a label inside reading ‘Sole British Agent: A. de Vekey indicating this one has spent it’s life on the other side of the pond until coming back home to America now. Collectors and players alike will love this, nearly 100 year old, mandolin.
New BCKingston Fusion Mahogany/Quilted Maple Fralin Pickups
What player hasn’t longed for one of those great old Gibson 335s. Well once you play this Kingston Fusion you’ll never want a Gibson again. The craftsmenship and tone of this guitar are extraordinary. Much more responsive than a factory build semi-hollow guitar and the woods are top notch. We love the rich brown stain on this stunning solid Quilted Maple carved top. The Bigsby Tremolo and custom Fralin Pickups give it versatility and style. The playability and tone are superb, as you would expect from a luthier with over 30 years of experience. This is the real deal, a custom, handmade semi-hollow guitar perfect for blues, jazz and of course Fusion. From Brian Kingston “The Fusion is my take on this venerable guitar. To find more tone I’ve replaced the plywood top, back and sides of the “335” with solid select tone woods. The Fusions mahagony neck, sides, kerfing, centerblock and fully carved back form a homogenous unit that really warms the tone and feeds the sustain. When the bite of the fully carved premium quilted or European curly maple top is coupled with the clarity, articulation and punch of the custom order Lindy Fralin humbuckers and added to the equation; the result is that the Fusion is capable of almost pure acoustic sounds right up thru those big, fat, creamy Duane Allman sounds.”