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1999 Walker Style C Special 12-Fret, Mahogany/Aged Sitka
We’d take this Kim Walker 000 over an ice cream sundae any day of the week—twice as sweet and no risk for cavities. Looking about as pretty as a fresh-minted penny but played in like a 50s silver dollar, this handsomely opened up slice of traditional taste from Kim is a dyed-in-the-wool home wrecker to your current collection. Aged Sitka Spruce top, light caramel-stained Mahogany back and sides, and a dark tortoise-style pickguard with bits of Spruce peaking up through the clear bands in the guard.
The 12-fret neck carve is generously curved in the C persuasion, and the Waverly tuners operate like the well-greased machines they are. While yes, this 12-fret Style C is from 1999, it’s in superb condition with but the faintest of fret wear, great playing action, and heaps of meat left in the saddle. Kim Walker’s guitars almost never crop up on the used market, so when’s the next time you’re like to see a piece of Mahogany and Sitka juicy tone to spare like this? So are you interested yet in the intersection between treble bells and woody bark, a dash of 12-fret richness and a propensity for open tunings? Congratulations: you have arrived at your destination. Don’t forget to breathe when you play this guitar; we don’t want anyone fainting on account of our little ole’ Kim Walker 000.
SOLD Read moreScale Length 25.25 in Nut Width 1.75 in String Spacing 2.38 in Woods Spruce - Sitka, Mahogany 2018 Greenfield G2, Malaysian Blackwood/Alpine Moonspruce
Juicy, fat, a full-bodied beauty: our like-new 2018 Greenfield G2 is a force of nature. Malaysian Blackwood back and sides, Alpine Moonspruce top, twin arm & rib bevels plus a Florentine cutaway—and that’s just for starters. Michael also installed his DADGAD multiscale board (26.125” to 25.4”), Baljak tuners, his “swoosh” heel, and Spalted rosette to tie it all together. And this beautiful package comes wrapped up in a Mainstage flight case to boot.
There’s some serious meat on these bones: the bass response is rich and enveloping, and those treble strings almost have a life of their own. The note-for-note balance is superb; somehow Michael manages to make individual notes juicy and larger-than-life, but clearly defined relative to adjacent ones. Loud and clear, indeed.
This 2018 Greenfield G2 is in a category all of its own.
Other keywords: lutherie, luthier, michael greenfield, fingerstyle, open d, altered tuning, open tuning, fanfret, EVO fret, pinless bridge
SOLD Read moreScale Length 25.4 in - 26.1250 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - Moonspruce, Blackwood - Malaysian 2016 Hill Performance Crossover 640, Indian Rosewood/Engelmann-Nomex-Cedar
The folks with Kenny Hill have been building crossover guitars for a number of years now, and a few years back they launched their custom Performance Crossover line—and they’ve never looked back. This particular example comes from 2016, is in great shape with Indian Rosewood back and sides, and boasts an impressive double top of layered Engelmann-Nomex-Red Cedar for projection and sustain. A short, 640mm scale and 1 7/8” nut make for easy playability, and the addition of twin soundports flanking the heel help the player keep in touch with their tone while performing. You’ll find the neck has more of a C-shaped profile than the traditional D of a Concert Classical, and it’s especially easy on the left hand. The overall weight is a slim 3lbs 8oz, and the radiuses fretboard helps make this Performance Crossover feel like a steel string guitar, but with the sensitivity and color of a nylon string instrument.
Other keywords: lutherie, luthier, crossover classical, classical, Engelmann Spruce, fingerstyle, jazz
SOLD Read moreScale Length 25.2000 in Nut Width 1.8750 in String Spacing 2.2500 in Woods Double Top - Englemann Spruce/Nomex/Western Red Cedar, Rosewood - Indian 2013 Michaud Made 00-R, Cocobolo/Lutz Spruce
The first Michaud to walk through our door feels like an old friend sliding back into town. This 2013 00-R “Interrupted” feels intimate and familiar in your hands, and responds easily to both strummed and fingerstyle approaches. Striking red Cocobolo back and sides, Lutz Spruce on top, and a 25 inch scale for warmth and easy playability. Trim punching weight of 4lbs 2oz, Wenge trim and Schertler tuners, and all of this wrapped up in an Ameritage case for safe keeping.
The voice has a focused quality that projects notes directly outward from the soundhole, rendering arrangements with added clarity and definition. The bass response has a touch of added warmth that mellows the overall balance of the instrument. When combined with this Michaud’s added focus and clarity, the effect is a warm tone that’s bounded by crisp definition—a combination that easily stands out.Other keywords: lutherie, luthier, fingerpicking, cocobolo rosewood, nitrocellulose lacquer, 14-fret
SOLD Read moreScale Length 25 in Nut Width 1.7500 in String Spacing 2.1250 in Woods Spruce - Lutz, Rosewood - Cocobolo New Rein Concert Classical, Indian Rosewood/Cedar
Our latest Concert Classical from Thomas Rein comes to us in high style, with forest-grown Indian Rosewood and a tight-grained Red Cedar top. The Rosewood was processed in Germany in the 1960s before it was sold to Joseph Wallo in Arlington, Virginia, who then sold it to Rein in the 1990s when he closed up shop. Accordingly, this brand of Indian Rosewood proceeds the era of plantation-grown Rosewood, and as a result of having been “wild” harvested, it looks (and sounds) quite different from the Indian Rosewood found predominantly in the guitar world today.
The resonance and clarity of this Classical are delightful, especially for a brand new guitar. Extra warmth in the bass and miss fleshes out the voice, and the treble strings provide a crisp flavor to the top end. The Cedar top is French Polished for maximum resonance, and the rest of the instrument is finished in Catalyzed Urethane for durability. Ringing in the soundhole is a custom mosaic rosette, and Tom added premium Gotoh tuners to the headstock for a touch of smooth-operating elegance. The Spanish Cedar neck has a full, D profile that’s glass-smooth—as is the setup on top—and everything comes wrapped up in a TKL hardshell case for safe keeping.Other keywords: lutherie, luthier, classical guitar, nylon string, nylon-string, fingerstyle
SOLD Read moreScale Length 25.6250 in Nut Width 2.063 in String Spacing 2.2500 in Woods Cedar, Rosewood - Indian 2008 Greenfield G3, Brazilian Rosewood/Lutz Spruce
Fingerstyle comes in many packages from big to small, but there’s a niche in the in between that really sings. Michael Greenfield’s G3 model is right there in the middle with a 13-fret neck and a 14 5/8” lower bout: slim for comfort, but built for big tone. To that end, Michael added a Laskin-style arm bevel to this 2008 G3, and put a 25” scale length together with a 1 7/8” nut for a wide, easy-playing fretboard perfect for fingerpicking goodness. Brazilian Rosewood back and sides, Lutz Spruce on top, and Michael’s preferred Honduran Mahogany neck for stability and sustain. This G3 feels solid in your hands.
It’s very energetic and lively, even under a light attack. The trebles cut particularly well through the mix, without overpowering. The roomy string spacing makes quick work of complex chords to prevent your fingers from stumbling onto each other. This Greenfield responds well for a variety of styles, and it loves to ring out with sustained notes; they keep hanging for quite a while.Other keywords: lutherie, luthier, carbon graphite, tone halo, calton case, gotoh 510, hide glue, papa heart abalone, spalted maple
SOLD Read moreScale Length 25 in Nut Width 1.8750 in String Spacing 2.2500 in Woods Spruce - Lutz, Rosewood - Brazilian New Kraut Modified Dreadnought, Madagascar Rosewood/Swiss Moonspruce
Our favorite guitars are those which fill us with childlike wonder. When a guitar makes you forget about the outside world, when you’re relaxed and excited simultaneously at the possibilities waiting along the fretboard beneath your fingers. Playing this brand new Kraut Mod D, it’s like breathing. Ray’s neck profile is slim, the setup glassy, and the 25.25” scale has a touch of added warmth in the lower mids to fill out the voice. From treble to bass, frets one to 20, this Kraut sings and rings like a piano. We love the consistent response across all the registers. There are no dead notes, no wolf tones, just smooth definition and clarity.
Madagascar Rosewood makes up the back and sides, as well as the fretboard and headstock veneer, and is paired with a pale Swiss Moonspruce top with Maple trim and Ray’s hallmark segmented Burl rosette. This guitar only weighs 4lbs 6oz, and projects each note easily at a light touch, and can also handle a more aggressive attack with aplomb.
A guitar like this is a form of inspiration that we don’t want to part with, sustained acoustic expression. Our brand new Kraut Mod D is a guitar with an immense amount to give.Other keywords: lutherie, luthier, somogyi, fingerstyle, alessi, visesnut, dadgad, modified dreadnought, modified dreadnaught, fingerpicking, MD
SOLD Read moreScale Length 25.2500 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - Moonspruce, Rosewood - Madagascar 2003 Martin 00-45S 1902, Brazilian Rosewood/Adirondack Spruce
The folks at Martin have brought another historic gem back to new life with a limited run of recreated Martins from the turn of the twentieth century. This is their 00-45S 1902 model, built in 2003 to match exactly the specs of one of four 45-style prototypes built in 1902 (the 45 didn’t come onto the scene until 1904). Thus, this beautiful 00 has Brazilian Rosewood back and sides, Adirondack Spruce top, and the Abalone trim and appointments we’ve all come to expect from a 45-style Martin—except this prototype also features an integrated pickguard between the bridge and soundhole in the style of Martin mandolin pickguards of the time.
This particular example, number nine of 100, is in wonderful condition. The voice is revelatory, with a dark and colorful bass response that’s rare to find in such a small body. The treble strings are well tuned to balance that darkness with a sweet top end and overtone response. This 00-45S has a peculiar way of drawing your ear down the soundhole as you play; it’s engrossing and hard to put down.
Wrapped up in a coffin hardshell case in true 1900s fashion, this 2003 Martin 00-45S is ready to be the centerpiece of your collection, and the first guitar you reach for when inspiration comes calling.Other keywords: parlor guitar, martin guitars, brazilain, fingerstyle, fingerpicking, abalone, waverly, slot head, 12-fret, 12 fret
SOLD Read moreScale Length 24.9000 in Nut Width 1.8750 in String Spacing 2.3750 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 2018 Koumridis Concert Classical Lattice, Bocote Rosewood/Western Red Cedar
This is a new one for us: a 2018 Concert Classical from Charalampos Koumridis with Smallman-inspired lattice bracing. With Bocote back and sides and a Red Cedar top, this Koumridis is incredibly responsive; the bass is characterized by smoothness and an enveloping quality that blends seamlessly with the other registers. True to Greg Smallman’s build philosophy, this Koumridis is solidly built with a heavy frame, which allows the top plate to vibrate as freely as possible for projection and sustain. Additionally, the added weight means the guitar stays right in your lap: no chasing this one around.
Creature comforts include a Stallman-style armrest, elevated fingerboard, and glass-smooth Alessi tuners. Hiscox Pro II case, French Polish finish, and a lovely vine-themed mosaic rosette.
Other keywords: lutherie, luthier, classical, nylon string, nylon-string, lattice-braced, greg smallman, john williams
SOLD Read moreScale Length 25.6250 in Nut Width 2 in String Spacing 2.3130 in Woods Cedar - Western Red, Rosewood - Bocote 2018 Traugott R, Brazilian Rosewood/German Spruce
We’re excited to offer a like new, 2018 Traugott R in Jeff’s classic Brazilian Rosewood and German Spruce combo. This Model R has all the properties that we’ve come to expect from Jeff’s work: unique definition and responsiveness all along the fretboard, glassy playability, and immaculate string-to-string balance that lets the voice ring out in true clarity. All that in a practically new package; already the voice is inspirational, and we can’t imagine how all the ways it’s going to grow and open up in the coming months and years.
The fit and finish are flawless, executed in Jeff’s restrained style for an elegant, understated aesthetic that provides a hint as to the kind of precision and control that the voice will offer up when you put finger to string. This is an excellent opportunity to own an instrument from one of America’s finest luthiers: our 2018 Traugott Model R is money well spent.Other keywords: lutherie, brazilain, fingerstyle, fingerpicking, jeff traugott, hoffee, gotoh, abalone, contemporary guitar, mint
SOLD Read moreScale Length 25.4000 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - German, Rosewood - Brazilian 2015 Big Hollow 00, Macassar Ebony/Adirondack Spruce
This is the first Big Hollow that’s landed on our doorstep, and we were impressed the moment we tuned it up. This 2015 00 was built with four-piece, quartersawn Macassar Ebony back and sides and an Adirondack Spruce top, which lends extra power to the voice. We found this 00 to have a clean, focused sound, and the individual note separation precise and to the point. This small body 12-fretter responds surprisingly well to a flatpick, and is a natural choice for fingerpicking in standard tuning, as well as Open D.
EVO frets mean you won’t have to worry about a fret dress for quite some time to come, and the oil varnish finish has been buffed to a high sheen to keep the instrument as light and resonant as possible (this beauty is a trim 3lbs 14oz). Bloodwood bindings throughout are paired with herringbone appointments and matte gold Rubner tuners. Pyramid bridge for a touch of the traditional, but Bevan’s upper bout curves cut a more contemporary figure that sets this Big Hollow 00 apart from the crowd.Other keywords: lutherie, luthier, oo, parlor guitar, adirondack, macasser, ameritage, fingerstyle
SOLD Read moreScale Length 24.9000 in Nut Width 1.7500 in String Spacing 2.2800 in Woods Spruce - Adirondack (Red), Ebony - Macassar 2010 Greenfield G2 African Blackwood/German Spruce
Smooth, smooth sailing. Michael Greenfield’s guitars are always a dream come true, and we love this 2010 G2 in African Blackwood and German Spruce. Liquid trebles, well-balanced bass register, pianistic response all along the fretboard—an excellent companion for fingerstyle or picks, and altered tunings feel right at home thanks to the 25 3/4” scale length. Michael added an arm bevel for creature comfort, and a heel “swoosh” carve to help the left hand get around the neck to those pesky upper frets, and rang in the soundhole with a Paua Abalone and Spalted Maple rosette that sets off the German Spruce top with style.
This beauty is as easy on the eyes as it is the hands: the setup is all glass, and the high gloss finish shines just the same. This Greenfield G2 is the complete package.Other keywords: lutherie, luthier, florentine cutaway, karura, gotoh, c neck, pinless bridge, fingerpicking
SOLD Read moreScale Length 25.7500 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - German, Blackwood - African 1945 Stromberg Ultra Deluxe, Figured Maple/Spruce
A beautifully preserved piece of history sits in your lap, and what else could you want? It’s one of the only of its kind, bedecked with pearl and brass and rosewood, Figured Maple back and sides, Spruce top—the 1945 Stromberg Ultra Deluxe. Grover sta-tite tuners, original pickguard, and wrapped up in the original velvet-lined hardshell case, this is an all-original example of one of the early-to-mid 1900s archtop builders work at the peak of their powers.
Elmer Stromberg worked to keep his instruments in the hands of players during the Great Depression fo the 1930s, and during this time evolved his archtops to better compete with a full orchestra by widening the lower bout to a full 17 3/8”, enhancing the volume of this Ultra Deluxe and lending an extra cutting ‘oomph’ to the trebles. The slim neck and narrow nut (1 11/16”) make for a deft left-hand work, and the setup is in a tasty sweet spot for both solos and rhythm.
It is an inspiration just to see an all-original vintage instrument of such rare provenance in person, but this Stromberg follows up that with the seasoned voice of a well-preserved and eminently playable piece of history.Other keywords: jazz, arch top, flatpick, jazz guitar, birdseye maple, mop, f holes, f-holes
SOLD Read moreScale Length 25 in Nut Width 1.7200 in String Spacing 2 in Woods Spruce, Maple - Figured New Indian Hill Concert, Mahogany/Engelmann Spruce
Definition, power, and playability—we don’t know how Michael Kennedy builds such energetic guitars, but we’re sure glad he does. This is our latest Indian Hill Grand Concert in Mahogany and Engelmann Spruce, with a few extra features under the hood. Namely, a small upper bout soyndport to keep the player in the know, and the installation of a tornavoz around the inside of the soundhole.
This GC is a particularly lively and loud guitar, exhibiting all the woody, dry characteristics of Mahogany that make for a quick and responsive instrument. Played with either flatpicks or fingertips, this Indian Hill is immensely fun; it’s easy to lose track of time. The back and sides and neck are finished in satin, and your left hand slides oh so smoothly along the neck. It’s really one of those guitars that practically plays itself. The pinless bridge makes for quick string changes and eliminates the risk of launching a bridge pin off the top and into your audience—set off with spalted appointments here and the rosette.
Brand new but already a livewire tone machine! Our latest Indian Hill GC is a hearthrob you won’t want to miss.Other keywords: lutherie, luthier, canadian, fingerstyle, dadgad, alternate tunings, gotoh
SOLD Read moreScale Length 35.4000 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - Engelmann, Mahogany New Klein 457 “Blanca,” English Sycamore/Engelmann Spruce
The latest 457 from Klein & Kauffman has arrived—and it’s not one we’ll soon forget. The brand new “Blanca” 457 in English Sycamore and Engelmann Spruce is a force of nature. The lower bout measures in at 18 inches (even though the total weight is a slim 4lbs 7oz), and the expansive Engelmann top is tuned for instant response, even with a light touch. Played with flatpicks or fingertips, we could only find bright, balanced notes and easy-on-the-ears string separation, and Kauffman’s dialed in the setup on this Blanca to be nice and easy on the hands.
Here you’ll find Holly bindings, integrated Ivoroid nut, and Klein’s hallmark bridge with individual saddles. The sharp headstock angle maintains a consistent break angle for the strings for extra clarity and projection, and the whole package comes wrapped up in a custom Ameritage hardshell case that fits snug and secure.Other keywords: steve klein, steve kauffman, fingerstyle, carbon fiber, gotoh
SOLD Read moreScale Length 25.4000 in Nut Width 1.7500 in String Spacing 2.1250 in Woods Spruce - Engelmann, Sycamore - English