Instrument Details

2005 Goodall Grand Concert Cutaway AAA Brazilian/Red Cedar
SOLD
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Specs
Status
Sold
Brand
Goodall
Product Year
2005
Model
Grand Concert Cutaway
Serial #
BRGCC4013
New/Preowned
Preowned
SKU
3858
Condition
Near Mint Like New
Body Type(s)
Medium, Grand Concert
Back & Sides
Rosewood - Brazilian
Top
Cedar - Red
Neck Wood
Mahogany
Bridge
Ebony
Top Trim
Violin Lines
Fingerboard
Ebony
Fingerboard Bindings
Maple - Flamed
Fret Markers
Diamond
Frets to Body
14
Headplate
Rosewood - Brazilian
Headstock Inlay
Builder Logo
Body Bindings
Maple - Flamed
Tuners
Gotoh 510 Mini
Tuner Finish
Gold with Ebony Buttons
Cutaway
Venetian
Pickguard
Clear
Pickup
None, we can install one, ask about options
Body Length
19.375 in
Upper Bout
11 in
Lower Bout
15.125 in
Body Depth Heel
4 in
Body Depth Tail
4 in
Scale Length
25.5 in
Scale Length (mm)
647.7 mm
Nut Width
1.75 in
Nut Width (mm)
44.5 mm
String Spacing
2.26 in
String Spacing (mm)
57.4 mm
Weight
0 lb. 0 oz.
Case
Hardshell - Calton Flight Case
Audio File
Description

James Goodall worked closely with this guitar's original owner to build the best "perfectly voiced" fingerstyle guitar he possibly could. The attention he gave this instrument is evident in every detail, from the drop dead gorgeous Brazilian Rosewood sides and back, to the beautifully fine-grained Western Red Cedar top, to the contrasting extra-curly maple binding. Although it was built for a fingerstylist, this one also offers strummers and single line players plenty of shimmer and sustain as well.

This may be the first Cedar/Braz Goodall I've laid hands on and it is sweet and beautiful. It excels at emoting with beautiful warmth and those wonderful Goodall overtones.
 
Such a beautiful instrument. I love the feel of the neck and the nice warm balanced tone. Every one of these is consistently great.
 
Accessories
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SCALE LENGTH 25.5 in
NUT WIDTH 1.75 in
STRING SPACING 2.26 in
WOODS CEDAR - RED,
ROSEWOOD - BRAZILIAN

James Goodall worked closely with this guitar's original owner to build the best "perfectly voiced" fingerstyle guitar he possibly could. The attention he gave this instrument is evident in every detail, from the drop dead gorgeous Brazilian Rosewood sides and back, to the beautifully fine-grained Western Red Cedar top, to the contrasting extra-curly maple binding.
 

This may be the first Cedar/Braz Goodall I've laid hands on and it is sweet and beautiful. It excels at emoting with beautiful warmth and those wonderful Goodall overtones.
 
Such a beautiful instrument. I love the feel of the neck and the nice warm balanced tone.
 
16149
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