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Here we’ve landed a wide awake and expressive Redgate from 1996! Brazilian Rosewood body (with arched back) and Cedar top, lattice braced, 650mm scale, and the play marks to show for hundreds of hours of play time. The voice is expressive and clear, and the setup is extra dial-in-able with the inclusion of an adjustable truss rod. Slightly slender neck profile with a flattened U shape; original hardshell case plus case cover.
Other keywords: andy jurik, fingerstyle, concert classical, brazilain
By the nineties Jim Redgate had built over 70 instruments, and this 1996 example is a great one for someone who needs a wide range, clarity, and the special opened up quality that only comes with time and hours of music. 
Played in extensively, this is a great example of Jim Redgate's earlier work--and also of just how expressive a classical becomes when it's had a lot of play time. | Scale Length | 25.625 in |
|---|---|
| Nut Width | 2.063 in |
| String Spacing | 2.25 in |
| Woods | Cedar, Rosewood - Brazilian |
Here we've landed a wide awake and expressive Redgate from 1996. Brazilian Rosewood body (with arched back) and Cedar top, lattice braced, 650mm scale, and the play marks to show for hundreds of hours of play time
By the nineties Jim Redgate had built over 70 instruments, and this 1996 example is a great one for someone who needs a wide range, clarity, and the special opened up quality that only comes with time and hours of music.
Played in extensively, this is a great example of Jim Redgate's earlier work--and also of just how expressive a classical becomes when it's had a lot of play time. 