Here we have an incredible example of how and why Greg Smallman changed the world of the classical guitar. From 1999 this instrument has more than stood the test of time, and it shows in sonorous saturation of the air around it when it is played. The progenitor of the “Australian Style” classical guitar, Smallman’s work is unparalleled and often imitated. Brazilian Rosewood for the back and sides, Cedar top–these are quintessential ingredients for the Australian sound, and this instrument delivers that in abundance.
Other keywords/misspellings: luthier, lutherie, bespoke, nylon string, leona, carved back, andy jurik
Stunning voice! Sweet, warm, and all the power you expect from a Smallman. The beauty from 1999 is mature and alive and extremely satisfying to play. If you are a pro player or simply ready for true inspiration, this is for you. 
A rare experience, to play an actual Smallman. The legends are true: power and projection for a lifetime. | Scale Length | 25.625 in |
|---|---|
| Nut Width | 2.063 in |
| String Spacing | 2.313 in |
| Woods | Cedar, Rosewood - Brazilian |
Here we have an incredible example of how and why Greg Smallman changed the world of the classical guitar. From 1999 this instrument has more than stood the test of time, and it shows in sonorous saturation of the air around it when it is played
Stunning voice. Sweet, warm, and all the power you expect from a Smallman
A rare experience, to play an actual Smallman. The legends are true: power and projection for a lifetime. Select at least 2 products
to compare
