Here at Dream Guitars we love guitars with a history of their own, and history is exactly what you’ll find in this brand new Thomas Rodriguez concert. This guitar pulls you in with the allure of a beautiful split-billet Cedar top and its striking three-piece Brazilian Rosewood back and sides (The rosewood being fifty plus year old, from the very same batch as his 100th guitar). The neck is Honduras mahogany from the early 60’s, purchased from an estate, and the nut, saddle, side dots, and tie block are all of fossilized walrus ivory. Tom’s signature asymmetrical lattice bracing gives the hand-split Cedar top’s voice a round, open clarity, allowing every note to be heard distinctly from those surrounding it. The boisterous bass and sweet trebles balance fantastically and we’re excited to offer this guitar we’re sure you’ll play and enjoy for many years to come.
Whenever I play this guitar, I feel as if I'm sitting by a warm campfire on a cool autumn night. Granted, I wouldn't take an instrument like this out in the woods, but I think you understand my meaning. Rich, warm bass rolls effortlessly from this instrument, balancing out and bolstering the sweet, dancing trebles that sing from the hand split Cedar top and Brazilian Rosewood body. What more could you want from a beautiful classical guitar? | Scale Length | 25.59 in |
|---|---|
| Nut Width | 2.07 in |
| String Spacing | 2.25 in |
| Woods | Cedar, Rosewood - Brazilian |
Here at Dream Guitars we love guitars with a history of their own, and history is exactly what you'll find in this brand new Thomas Rodriguez concert. This guitar pulls you in with the allure of a beautiful split-billet Cedar top and its striking three-piece Brazilian Rosewood back and sides (The rosewood being fifty plus year old, from the very same batch as his 100th guitar)
Whenever I play this guitar, I feel as if I'm sitting by a warm campfire on a cool autumn night. Granted, I wouldn't take an instrument like this out in the woods, but I think you understand my meaning 