We suspect this guitar was already powerful and clear when Ervin finished the build in 2007–and the intervening years have only built upon that solid foundation. The voice now is rich and open, with a blooming bass register and round trebles. This is an excellent example of the matured Somogyi voice. Brazilian Rosewood body with European Spruce top in an OM Cutaway design that pairs his strong bass register with an expansive and articulate midrange and trebles. Exceptional balance across the ranges. The aesthetics are characterized by a delicate, understated motif at the rosette and carved bridge, with some intricacy and drama added with the position markers.
Other keywords/misspellings: lutherie, bespoke, the responsive guitar, kostal, matsuda, kraut, buendia, 368, calton, fingerstyle, finger style
An excellent example of Ervin when he's firing on all cylinders. This OMC has opened up a ton and has beautiful, shimmering trebles to complement the bass and midrange. 
Ervin's OM design here balances his signature bass response with an expansive midrange that draws my ear right in and doesn't let go. Trebles are cool and glassy for a complete, engrossing voice. | Scale Length | 25 in |
|---|---|
| Nut Width | 1.719 in |
| String Spacing | 2.125 in |
| Woods | Spruce - European, Rosewood - Brazilian |
We suspect this guitar was already powerful and clear when Ervin finished the build in 2007--and the intervening years have only built upon that solid foundation. The voice now is rich and open, with a blooming bass register and round trebles
An excellent example of Ervin when he's firing on all cylinders. This OMC has opened up a ton and has beautiful, shimmering trebles to complement the bass and midrange.
Ervin's OM design here balances his signature bass response with an expansive midrange that draws my ear right in and doesn't let go. Trebles are cool and glassy for a complete, engrossing voice. 