If it’s good enough for Laurence Juber, you know it’s good enough for us. And here we’ve landed a 1998 Collings OM2BaA from the man himself! What better way to open up the premium Brazilian Rosewood body and Adirondack Spruce top than to have Mr. Juber’s hands at the helm? It’s certainly wide awake, with a quick and lively string energy across the registers, plus trebles that really cut through the mix. A venetian cutaway gives unrestricted access to those topmost frets, and herringbone trim throughout plus Ivoroid bindings for classic Collings aesthetics.
Other keywords: brazilain, adriondack, lutherie, bill collings, 4250
You have to imagine that when Collings made this guitar for fingerstyle recording artist Laurence Juber that they did their best possible work and used their best woods. I'm here to tell you you can hear it in this guitar, it is just so alive. It may have been born that way or maybe it's 24 years of Laurence Juber playing the guitar, including on his album Altered Reality, but this one is the definition of a mature and beautiful sounding Brazilian rosewood and Adirondack Spruce guitar. 
It's a delight to visit with this Collings from such a powerhouse as Laurence Juber. Wide awake midrange, very punchy trebles. Excellent definition for a wide range of fingerstyle approaches. | Scale Length | 25.5000 in |
|---|---|
| Nut Width | 1.7200 in |
| String Spacing | 2.1880 in |
| Woods | Spruce - Adirondack (Red), Rosewood - Brazilian |
If it's good enough for Laurence Juber, you know it's good enough for us. And here we've landed a 1998 Collings OM2BaA from the man himself
You have to imagine that when Collings made this guitar for fingerstyle recording artist Laurence Juber that they did their best possible work and used their best woods. I'm here to tell you you can hear it in this guitar, it is just so alive
It's a delight to visit with this Collings from such a powerhouse as Laurence Juber. Wide awake midrange, very punchy trebles Select at least 2 products
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