Matt Mustapick’s work with multiscale designs have yielded some incredible results, like this wonderchild OM from 2008. Gorgeous Brazilian Rosewood back and sides pair up Bearclaw Spruce plus Cocobolo appointments throughout. Koa bindings transition gracefully into a Ryan-style arm bevel on top, and match up with the rosette and fingerboard bindings. Tonally, this Mustapick has a great dynamic range and a wide color palette from solid, powerful trebles to a warm and intimately expressive bottom end. The multiscale range offers a spread from 26 1/4” at the bass to 25 1/2” at the trebles, perfect for Standard, DADGAD, C9, and beyond.
Other keywords: lutherie, luthier, guitarbuilding, kevin ryan, fan fret, fanned fret, multi scale, multi-scale, 57, cedar creek
I'm a big fan of multiscale instruments. I think they give many advantages and have no negatives. On this guitar you will hardly notice the difference under the left hand but the bass strings will hold up nicely when tuned lower. Beautiful woods and Brazilian to boot! 
I love how wide awake and expressive this one is. The trebles are liquid and clear. And the multiscale setup is easy on the hands and great for going down to C territory. | Scale Length | 25.5 in - 26.25 in |
|---|---|
| Nut Width | 1.813 in |
| String Spacing | 2.25 in |
| Woods | Spruce, Rosewood - Brazilian |
Matt Mustapick’s work with multiscale designs have yielded some incredible results, like this wonderchild OM from 2008. Gorgeous Brazilian Rosewood back and sides pair up Bearclaw Spruce plus Cocobolo appointments throughout
I'm a big fan of multiscale instruments. I think they give many advantages and have no negatives
I love how wide awake and expressive this one is. The trebles are liquid and clear 