Franklin OMs are a force to be reckoned with, and this gem from 1980 backs that up with a handsomely opened up voice and easy playability. Brazilian Rosewood and Spruce, 25.4 inch scale, Grained Ivoroid bindings, Herringbone trim—all the appointments of a traditional Martin-style guitar. This OM goes one step further with a well-rounded C profile neck and a fast setup.
The voice has that easy, opened up flavor that makes the best vintage instruments stand out from the pack, with a hint of airiness in the bass that keeps its richness from overpowering the other registers. Trebles are crisp and focused. We put this Franklin through its paces with a flatpick for Bluegrass riffs—excellent. Dropping it into DADGAD for fingerstyle—even better.
The complete package: gorgeous woods, smooth setup, and a dynamic response that lends itself to a variety of styles.
Older Franklins are among my favorite traditional-style acoustics. This one plays great and responds well to even a delicate touch. 
Great-sounding reproduction of a Martin OM with all of the character that comes with an older guitar. These early Franklins are sought after by many and being the definitive sound of that era. | Scale Length | 25.4 in |
|---|---|
| Nut Width | 1.68 in |
| String Spacing | 2.3 in |
| Woods | Spruce, Rosewood - Brazilian |
Franklin OMs are a force to be reckoned with, and this gem from 1980 backs that up with a handsomely opened up voice and easy playability. Brazilian Rosewood and Spruce, 25.4 inch scale, Grained Ivoroid bindings, Herringbone trim—all the appointments of a traditional Martin-style guitar
Older Franklins are among my favorite traditional-style acoustics. This one plays great and responds well to even a delicate touch.
Great-sounding reproduction of a Martin OM with all of the character that comes with an older guitar. These early Franklins are sought after by many and being the definitive sound of that era. 