- Sort by Default
- Display 15 Products per page
-
2003 Martin OM-42 Quilted Maple II Quilted Maple/Italian
Here we have a Martin OM-42 Quilted Maple 2 number 6 of 30. This is the first of its kind that we have seen from Martin, the wood choice truly is unique and stunning. The Quilted Maple used on this guitar is nothing short of fantastic, and Martin and co. took it one step further by staining the wood, bringing forth a truly three dimensional effect. The maple is paired with a tight grained Italian Spruce top. This OM took us all by surprise in the tone department, it is crystal clear and responsive, favoring the fundamental with only a hint of warm overtones. This guitar is a rare collectors piece that not only looks stunning but sounds just the same.
SOLD Read moreScale Length 25.4000 in Nut Width 1.7500 in String Spacing 2.3100 in Woods Spruce - Italian, Maple 1997 Klein M-43 Indian/Sitka
Having a Steve Klein guitar in the shop is always a treat, and this M-43 is no exception. This monster is still young (having been brought to life only in 1997), but has a voice which seems to come from another place, another era altogether. Thanks to the 16 3/4″ lower bout, this larger-than-life guitar has a low-end which is cavernous and resounding, and yet is paired with trebles that are instantly responsive and crisp as bells. Despite its voluptuous dimensions, the M-43 feels natural in your lap, and is effortless to play–one of but several reasons why Joni Mitchell, Michael Hedges, Steve Miller, Andy Summers, and Sting prefer to play Kleins!
With Indian Rosewood back and sides and a Sitka Spruce top (both Master Grade), you can rest assured that the voice has herculean strength. The top is drum-thin and has a tap tone which resonates wildly. Klein achieves this degree of thinnness with his progressive bracing techniques, which manifest in an arching ply baffle in the M-43 which connects the soundhole to the sides and helps project sound outward. Bundled with a Calton Flight Case and a Highlander IP-1 pickup, this M-43 is the complete package: fingerpicked or strummed, acoustic or amplified, at home or on the road, this guitar delivers the goods.
SOLD Read moreScale Length 25.3800 in Nut Width 1.7500 in String Spacing 2.1300 in Woods Spruce - Sitka, Rosewood - Indian 1995 Franklin Stella 12-string Mahogany/Engelmann
This Franklin twelve string built by Nick Kukich may just be the most exciting twelve string you will ever play. Modeled after the old Stella twelve strings, this Franklin is meant to be tuned down low to a D standard tuning which makes for a great string feel. We have always found a good twelve string to be rejuvenating to a weary six string player, this one will pick you right up and have you writing new songs in a heartbeat. The combination of Mahogany and Sitka Spruce make for a lively tone with plenty of sparkle on those octave and unison strings.
This isn’t your run-of-the-mill 12-string, either: thanks to the metal tailpiece aned floating bridge, this guitar has a more dynamic, mellow voice than its fixed-bridge relatives, because the string tension is distributed more evenly across the top. The result is a 12-string that doesn’t have the bell-like sparkle of a Taylor 12, but instead has a more fully formed fundamental that is easy on the ears and the hands.
SOLD Read moreScale Length 26.5000 in Nut Width 1.8800 in String Spacing 2.1900 in Woods Spruce - Engelmann, Mahogany 2000 Bown Stella 12-string Koa/Spruce
We’ve got another Stella-inspired twelve string that we have in the shop! Ralph Bown, while better known for his smaller fingerstyle guitars like the OM that Clive Carrol plays, has proven himself an exceptionally dynamic luthier, building everything from Baritones and Harp Guitars to this Stella 12-string. Bown’s given us an extended scale length to allow for heavier gauge strings to be used in lowered tunings. We find that standard C or D works beautifully on this guitar; the voice is huge, lush, and projects outward with a cataclismic force. Moreover, at the reduced string tension of lowered tunings (which we recommend keeping this guitar in) fretting notes becomes fretless, so smooth is the action.
Decked out with a Sitka Spruce top and some seriously gorgeous Koa for the back and sides, the octave strings pairs exude rich tone like chocolate mousse. Designed for the Leadbelly approach to Country Blues, all thumbpicks and crackling treble strings, this guitar also behaves famously for flatpicked solos a la Jimi Hendrix (there’s a great clip of Jimi playing a 12-string on Youtube, if you haven’t seen it yet). If you’re looking for a 12-string with more snap, crackle, and pop than a bag full of flatpicks, this is the guitar for you.
SOLD Read moreScale Length 26.5630 in Nut Width 1.9700 in String Spacing 2.5000 in Woods Spruce, Koa 1932 Gibson L Century Maple/Adirondack (Red)
Here we have what may be on of the most recognizable guitars ever built, the Gibson L-Century. Sporting a MOTS fingerboard and headstock, with full body sunburst, this little guitar is a stunner that stands out in a crowd. Built from Maple and Adirondack Spruce, there is tone here that belies it’s small size, you can play through an old blues song and the folks in back will hear you just fine. We think this is a perfect blues box with its woody growl and crisp tonal quality.
SOLD Read moreScale Length 24.7500 in Nut Width 1.7500 in String Spacing 2.1600 in Woods Spruce - Adirondack (Red), Maple 1995 Martin D-28S Brazilian/Adirondack (Red)
Here we have a rare and collectable bird from the Martin guitar company, a D-28S 12 fret slope shoulder Dreadnought in Brazilian Rosewood and Sitka Spruce. This guitar is all about the tone – it is sweet and rich thanks to the twelve fret neck, while thundering and powerful thanks to the large body size. If you are looking to play intimate fingerstyle passages or you just want to blow peoples hats off, this is the guitar to do it with. And with its perfect set up you’re sure to enjoy every minute of your playing.
SOLD Read moreScale Length 25.5000 in Nut Width 1.8800 in String Spacing 2.3300 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 1933 Martin 00-40H Brazilian/Adirondack (Red)
We have been extremely fortunate recently to have two truly great pre-war Martins come in to the shop, both of which happen to be 00s. This is a 00-40H built from top shelf Brazilian Rosewood (good luck finding a set of Brazilian this nice these days) and a fine, tight-grained Adirondack Spruce top. The pre-war tone in full force here: this guitar is loud, with the mature complexity that you can’t find in a new guitar. Playing this guitar is all romance; it takes you back in time to that golden era–and this 00-40H plays incredibly smoothly. A proud survivor of the 80 years, this guitar has decades of music left in it, and let’s face it, they don’t make ’em like these anymore: you owe it to yourself to play this guitar before all of its brethren disappear.
We loved this one so much that we teamed up with Al Petteway and recorded it on our latest album: Dream Guitars Volume II Hand Picked, track #1, “I Don’t Want To Be Sad No More.”
SOLD Sale! Read moreScale Length 24.7500 in Nut Width 1.8800 in String Spacing 2.4000 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 2008 Contreras II Double Top Cocobolo/Cedar
Manuel Contreras II has built a masterpiece in this Double Top (Doble Tapa) guitar. The ‘double top’ in this case actually refers to a layer of Cedar added to the back of the guitar which warms the reflections inside the body creating a truly magical voice. The notes on this Contreras are three dimensional each carrying weight and projection clearly. The Cocobolo Rosewood adds it’s rich, Brazilian-like character, while the Cedar top insure the dark, Spanish sound. We fell in love with this one immediately.
SOLD Sale! Read moreScale Length 25.5900 in Nut Width 2.1300 in String Spacing 2.1900 in Woods Cedar, Rosewood - Cocobolo 1957 Gibson J-200 Maple/Spruce
The Gibson J-200 is a legend in the American music scene, valued for its big, open sound and it’s ability to cut through the fray of a noisy setting. Picking up and playing this guitar, it’s easy to understand why this instrument is so sought after. This is a 1957 J-200, right from the heyday of this design. Built from lightly figured Maple and Sitka Spruce this time tested beauty has a crisp, clean tone that singer songwriters will fall over for. Strumming sounds out clear with a distinct presence from every string. This is a guitar sure to inspire the new generation with its old soul.
SOLD Read moreScale Length 25.4000 in Nut Width 1.6900 in String Spacing 2.1300 in Woods Spruce, Maple 2007 Beauregard OM Brazilian/Italian
Mario Beauregard was one of the early apprentices of Ervin Somogyi along with Michihiro Matsuda. Mario’s guitars are superbly built, with a little of that Somogyi flare that he picked up during the apprenticeship. This OM in Italian Spruce and Brazilian Rosewood is an all out fingerpickers dream. The tone is decadent, trebles blend perfectly with the bass creating a nice fat sound that is just brilliant. There is a good reason why renowned fingerstyle player Antoine Dufour plays a Beauregaurd as his main guitar, they are responsive and able to produce any tone you can dream up.
SOLD Read moreScale Length 25 in Nut Width 1.7500 in String Spacing 2.3800 in Woods Spruce - Italian, Rosewood - Brazilian 2011 McConnell 16 Inch Rosewood – Brazilian/Spruce – German
Here is a very rare preowned guitar from Jordan McConnell. Jordan is one of the hottest builders on the scene today, having quietly built dozens of guitars for his fellow touring musicians such as Seth Avett and John Doyle. Jordan also plays in the group the Duhks. As a touring pro he knows what musicians need from an instrument and boy does he delivery. Dream Guitars owner Paul Heumiller himself owns a McConnell SJ, “the best fingerstyle guitar [he’s] ever played.” This one is a custom Brazilian Rosewood SJ multiscale with a German Spruce top, cutaway, Graf tuners and a custom Hoffee Carbon Flight Case. The combination of the 26″ scale on the bass and the 25″ scale on the treble is perfect for moving between alternate tunings like DADGAD and Standard. This one does it all!
Other keywords: joran mcconnell, fingerstyle, dadgad, fanfret, fanned fret, multi scale, multi-scale, exclusive
SOLD Read moreScale Length 26 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - German, Rosewood - Brazilian 2011 Borges L-00 Figured Maple/Adirondack
Julius Borges is one of the top names in replicating vintage guitars, play this gorgeous L-00 and you won’t be left wondering why. The term “3d” gets thrown around often when describing the figure of wood, and frequently the wood falls short of the description. That is not the case here with this set of Figured Maple. It is so intensely figured it almost looks like it is made from crumpled up paper! Paired with a straight grain Adirondack (Red) Spruce top, this guitar has head room and power to spare. Play this guitar with a delicate touch and it is instantly ready to respond with clear trebles and mids with warmth not often heard from maple. This is a guitar that will knock your socks off for a lifetime.
SOLD Sale! Read moreScale Length 24.7500 in Nut Width 1.7700 in String Spacing 2.3600 in Woods Spruce - Adirondack (Red), Maple New Wilborn OM Cocobolo/Bearclaw Sitka
We are constantly impressed by the quality of builders that are out on the scene right now, even the builders we are just finding out about. That is the case with Ben Wilborn, this is the first instrument we have had from Ben and it is thoroughly amazing. The build quality on this Orchestra model is outstanding, hold this guitar for only a minute and you can tell it was built by a professional who is passionate about his work. What’s more amazing is the quality of voice Ben achieved on this guitar, it is so full and mature you would think this was a decades old guitar, it truly is astounding!
SOLD Read moreScale Length 25.4000 in Nut Width 1.7500 in String Spacing 2.1900 in Woods Spruce - Sitka, Rosewood - Cocobolo New MacCubbin Orchestra Series – Heron Sunset Brazilian Kingwood/Sitka
Here we have a MacCubbin Heron Sunset model. This guitar was a part of a special project called the “Chesapeake Bay Guitar Project.” This was a project founded to help raise awareness and funds for the preservation of the Chesapeake Bay area. David built six guitars for this project, each highly ornamented, inlaid with scenes of the Bay. Craig Lavin did the expert inlay work on this guitar and it is some of the best we have seen – the colors used are vibrant and well suited to the chosen setting. Built from Sitka Spruce and Brazilian Kingwood, this guitar is as beautiful to listen to as it is to look at. The voicing of this guitar is shifted towards fingerstyle with a clear and articulate sound across the board. This is a highly rare and beautiful guitar that will have players and collectors alike clamoring to own it.
SOLD Read moreScale Length 25.4000 in Nut Width 1.7500 in String Spacing 2.2500 in Woods Spruce - Sitka, Brazilian Kingwood New Keystone Modified Dreadnought, Granadillo/Adirondack Spruce
We love getting in guitars from builders we haven’t had in the shop before. It is at once a fun and inspiring experience to see what new ideas luthiers are coming up with. Keisuke Nishi, the man behind Keystone guitars, was an apprentice of Mario Beauregard, who trained under insdustry legend Ervin Somogyi himself. The fact that Nishi worked under such a capable master was a major indicator for us that Keisuke has incredible skill and talent for building guitars, so we were already excited to see his work. Then we heard and played it and couldn’t be happier!
This Keystone Mod-D in Granadillo and Adirondack (Red) Spruce has the build quality and voice we have come to expect from a builder coming out of the Somogyi school of building. This Mod-D sings as sweet as a bird when fingerpicked and has a full, resonant bass that seems to jump at a player’s touch. Pick it lightly and it will resonate with warmth and brilliance. Pick it a little bit harder and it will shine and shimmer. This is a guitar that has a mastery of all things fingerstyle and will surely bring you to new heights as a player.
SOLD Read moreScale Length 25.4000 in Nut Width 1.7300 in String Spacing 2.1900 in Woods Spruce - Adirondack (Red), Granadillo