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1996 Martin D-45CFMB 200th Anniversary, 2 of 91 Brazilian/Sitka
This guitar is #2 of the 91 made for the 200th anniversary of Christian Frederich Martin Sr.’s birth in 1796. It has pre-ban Brazilian rosewood for its sides, back and peg head and a fossil ivory saddle and bridge pins. The vintage toner, forward shifted scalloped bracing and modified “V” shaped neck give it a distinctive vintage look, feel and sound. There are gorgeous 45 style appointments including abalone trim not just on the fingerboard but on the neck following the fingerboard, headstock and heel. This guitar has been kept in excellent condition by its single owner. The Brazilian set is beautiful and dark with lovely figure as well. This is a truly collectible Martin D-45, particularly having serial #2.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.31 in Woods Spruce - Sitka, Rosewood - Brazilian 2004 Hoffman Jumbo Western Big Leaf Maple /Sitka
From Charles Hoffman: For some years now I have been thinking about building a Jumbo shaped guitar, but have not been enamored of the larger jumbos like the Gibson J-200. So, using an old Gibson J-185 as my guide I have designed this guitar. The shape is quite similar but the body is quite a bit thinner, front to back. This seems to give the round warm sound of a wide soundboard without any tendency to boominess or “thump.” The maple that I use is western Big Leaf maple which is a softer lighter wood than the hard or sugar eastern maple that was used for so many years by Gibson and guild. I think that the Big Leaf has a less strident tone and much prefer it. We have to agree with Charlie, this guitar is loud and clear and far more balance than the average Jumbo. The woods here are gorgeous to boot…
SOLD Read moreScale Length 24.75 in Nut Width 1.75 in String Spacing 2.38 in Woods Spruce - Sitka, Maple - Bigleaf 2002 Martin D-28CW Clarence White – 80 of 150 Indian/Adirondack
This guitar is a faithful recreation of Clarence White’s D-28 that Tony Rice now owns. It has a larger soundhole, no tongue brace, and even the fingerboard is slightly cantilevered over the soundhole. The label is signed By C. F. Martin IV & Michelle White Bledsoe, Numbered in Sequence w/ Total (Limited to 150). The wide grained Adirondack top on this particular CW makes this one a cannon, its very strong and clear.
SOLD Read moreScale Length 25.4 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce - Adirondack (Red), Rosewood - Indian 2006 Kraut OM African Wenge/Bearclaw Sitka
Ray Kraut built this beautiful OM under apprenticeship to Ervin Somogyi. He’s been working with Ervin for several years now and blending Ervin’s amazing voicing and stylistic details with his own resulting in fantastic instruments with tons of style. This OM features a body of African Wenge and it has power and bass response far beyond it’s size. The trebles are full and vibrant making this a very versatile instrument that likes the pick as well as fingers. The pickup system is the amazing Trance Audio Amulet stereo unit with preamp and a Sunrise pickup as well. So you can be assured of the best tone possible on stage.
SOLD Read moreScale Length 25 in Nut Width 1.75 in String Spacing 2.13 in Woods Spruce - Sitka, Wenge