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L.R. Baggs Venue DI
The folks at L.R. Baggs created the Venue DI so you can travel light, set up fast and sound incredible anywhere you plug in. The Venue DI gives you complete control by combining a full-isolation DI output, 5-band EQ with adjustable low & hi-mid bands, variable clean boost and chromatic tuner all in one acoustic pedal. With its all-discrete signal path, hi-graded semiconductors and exclusive use of audiophile grade film capacitors, the Venue DI is on par with the world’s elite preamps and provides a studio quality sound for the stage.
AER Compact-Mobile/2
The Compact Mobile acoustic guitar amp was developed to give musicians a system for acoustic instruments which provides AER sound and quality everywhere, independent of AC power. Based on the Compact 60, and identical in sound, but with adapted technology and slightly changed dimensions, you can play without AC power for three to four ho urs — whether you chose to play in the old town or on a glacier. The sound is clear and omnipresent.
Get used to people turning their heads. In case of insufficient battery power, the Compact Mobile’s intelligent power control gives a warning and thus saves you from lack of power during performance. It also prevents the batteries from being completely exhausted. Besides the features of the Compact 60, the Compact Mobile has got an AUX input that can be used to mix a battery-powered CD player to the sound.
The AER Compact Mobile amp has two channels that make it possible to operate a microphone and a musical instrument independently of each other. The dynamically controlled power amplifier and the broad-spectrum loudspeaker system guarantee distortion-free reproduction even at high volumes.
The Compact Mobile was developed after and was also based on the Acousticube, and it helped substantially to break out of the boutique corner. AER was able to prove to a bigger and increasingly more interested public that an all-round, small, powerful and yet simple complete amplification solution for stage, studio and home use does exist and that it works up to the highest demands and standards.
It has found many friends around the world with its size – smiled at in the beginning – being its second strongest side. Tried out during live performance it has become standard equipment of musicians who value sound, simplicity and independence.
This system, with its 8″-twin-cone speaker-system, 60 watts of power and fully developed dynamic control within the models small dimensions has not only found much appreciation but has also become the basis for a whole line of step by step, developed and refined AER acoustic systems.
Level control:
You can use the High/Low switch and the Gain control to adjust the various pick-up systems and signal sources to Compact Mobile. The clip indicator shows that the input signal is too high.Tone controls:
The three and two band tone controls of your Compact Mobile amp are designed to fulfill the special requirements of acoustic instruments and the general demands of other sources. The Color switch in Channel 1 activates a mid-cut treble-boost filter that is particularly appropriate for fingerstyle techniques.Effects:
The AER Compact Mobile has an integrated (internal) digital effect permitting you to choose between four effects by using the select push button. The select button allows you to choose between the four build-in-effects. They are indicated by the LEDs between the return and master controls. Pos. 1 is a warm hall reverb, pos. 2 is a bright hall reverb, pos. 3 is a chorus with reverb and pos. 4 is a flanger.The Return knob determines the intensity of the effect (as far to the left as possible means no effect). Furthermore, a supplementary effect device can be connected (external effect). For this purpose, use the sockets at the rear of Compact Mobile Send and Return (send to the input, return from the output of the external effect). The intensity will then be set by the external effect device. Using the Effect-Pan control, you can mix continuously variable effect portions into the channels.
Click Here to view the user’s manual.
AER Compact XL
The XL-member within the Compact family. A new discrete power amp design for additional dynamic headroom. A new speaker configuration for additional tonal range and the continuation of the well-proven features and functionality of the Compact 60.
A beautiful sounding powerhouse for those who need more volume, a more defined tone but yet love the straightforwardness of the Compact 60.
Visesnut Premier Series 1 Flight Case – Dreadnought, Black Pearl
Optional padded cover is available to specifically fit all Visesnut Dreadnought size cases.
Visesnut Dreadnought Interior Dimensions Inches
upper bout 11.97
waist 11.34
lower bout 16.02
body depth at neck heel 4.13
body depth at tail 5.04
body length 20.314
overall length 41.34
weight approximately 9 poundsVisesnut applies newly developed patented technology of guitar cases. Visesnut acoustic guitar flight cases are carefully constructed with high-quality materials and accessories, and come in elegant design and colors. Each guitar case is specially padded and equipped with built-in adjustable support belt to ensure stabilization of the guitar inside the case (please read and follow the product instructions for adjustment of the support belt). Each Visesnut case features an adjustable support developed and patented worldwide by Visesnut. This includes a built-in support belt, protective padding, and neck support cushion. The built-in support belt is adjustable to embrace and hold securely many different guitar body shapes and sizes, allowing one Visesnut case to give the excellent effect of custom-fitting more than one guitar.
The interior padding is lined with a well-selected soft and smooth material. The padding has the ability to memorize shape. Together with the support belt and the neck support cushion, it helps to ensure firm support resulting in the least possible movement of the guitar inside the case. Once the support belt is adjusted to fit a guitar, the size and shape details of the guitar are memorized by the padding material at that time, and the supporting means is always ready to be adjusted for another particular guitar for the next use. The material, however, recovers its shape, if the support belt is readjusted to carry different guitars. The case body has a double-walled structure for enhanced protection. It is designed to withstand certain stress loads and absorb impact from drops and shocks. The double-walled structure also acts as an insulation that minimizes the effect of sudden temperature changes on the guitar by decelerating the transfer of temperature into the case.
Leather Handle Every Visesnut case comes with a sturdy handle, handcrafted with genuine leather for flexibility and durability. High-Quality Accessories High-quality stainless steel and metal accessories to complement all Visesnut cases. Part of their value is never to compromise for anything less than fine workmanship. Well-Balanced Standing Positions Although designed for horizontal access, all Visesnut cases are well balanced to stand firmly in both horizontal or vertical positions.
L.R. Baggs Anthem
Studio Mic’d Sound Wherever You Perform The Award-winning Anthem series, featuring our patented TRU•MIC technology, seamlessly combines a proprietary condenser microphone with our acclaimed Element pickup to deliver the warmth and fidelity of a studio-mic’d guitar anywhere you perform.
TRU•MIC TECHNOLOGY At the heart of the Anthem is a revolutionary microphone engineered to capture a dynamic studio-mic’d sound for any live performance. The TRU•MIC mounts to the underside of the bridge plate and hovers just 3 mm above its surface to take advantage of the PZM or “boundary” effect. This proprietary mounting system, combined with noise cancellation, frees the mic to perform as if it were outside of the guitar in a studio and maintain remarkable feedback suppression for the stage. The result is a balanced frequency response with excellent clarity for the purest sound you have ever heard amplified. We have paired the Element pickup with the TRU•MIC to provide solidity and punch for low frequencies.
The Anthem has all of the essential tools in one complete system. The feather-weight preamp and controls include: volume, mix, phase and a battery check. The mix control blends from the augmented TRU•MIC position to Element pickup only.
FEATURES
Anthem TRU•MIC carries the majority of the guitars’ frequency range while the Element Pickup carries only the lowest frequencies
The mic is highly feedback-resistant
Noise cancelling microphone technology eliminates any annoying honky or boxy qualities from the inside of the guitar
Mic installs easily on the bridgeplate with peel and stick adhesive
Mic and pickup levels preset for optimum performance
Soundhole remote includes volume and mic trim controls
All discrete pre-contoured endpin preamp with preset crossover
Element Pickup fits most common string spacings and saddle width
Comes with battery bag for secure and unobtrusive battery retention
Patent-pending
AER Domino 2.A
The Domino started out as mono, multi-channel acoustic solution for bigger stages.
It allows 4 signals at the same time and is fully equipped to work as a complete system for small and medium sized venues especially in combination with the active extensions AS 281.
To maintain almost the same sound quality, we decided to multiply the sound systems rather than using standard configurations like 12“ and tweeter for higher volumes. Thus the Domino is equipped with two 8“ twin cone speakers plus tweeter and two combined 60 watt amps working as a 100 watt power unit. This gives it accuracy in the midrange and the speed for a realistic and vivid sound.
Henriksen JazzAmp 312
Bud Henriksen, after searching for years for a guitar amplifier that sounded the way he thought it should for jazz guitar, finally decided to just build one the way he wanted it. Sticking to a few key principles such as an analog design with no filters and no tone controls, and keeping it simple with just an input and a 5-band EQ, the JazzAmp prototypes were born in 2005. The fist production model was shipped in October of 2006, and the JazzAmp has since evolved to include significant increases in power and essential features which do not detract from the original tone of the first prototypes. The JazzAmpTM features an Eminence Beta speaker and a defeat-able Eminence tweeter for an even, full range response in port tuned cabinets designed to handle the low end of an upright bass yet maintain high end complexities necessary for guitar or other instruments. The Beta speaker gives you a warm, dark and mellow tone and the tweeter creates a high frequency dimension that sparkles and really brings out acoustic qualities of your guitar, and will add an acoustic quality to your solid body guitars or EUB’s. The feature set on the JazzAmp includes an input gain control along with the 1/4″/XLR phantom powered combo jack to accommodate almost any pickup system. The 5-band EQ offers the ability to adjust the amplifier to the room without altering the original tone of the instrument. There is also an extension speaker output, FX loop, tweeter defeat switch, balanced XLR line out and a headphone jack. Optional gig bag shown for reference but sold separately.
The Collector’s Passion by Al Petteway (CD)
Solo Acoustic Fingerstyle guitar tunes played on fine handcrafted guitars from the collections of Tony Russo and Al Petteway. Think of it as a greatest hits album featuring many newly recorded favorites along with some brand new tunes.
Here’s a link to an interview with Paul and Al to discuss the CD’s origins, Al’s recording techniques, and the various guitars found on the album: https://www.youtube.com/watch?v=zxaYC_1TznA&feature=youtu.be
All Songs are performed by Al Petteway
Crossing Back (The Return) – Traugott BK Fan Fret, German Spruce/Brazilian Rosewood
Critter Caper – Martin Custom 00-42, High Altitude Swiss Spruce/Guatemalan Rosewood
Rebecca’s Waltz – Greenfield G1.2, Moon Spruce/Malaysian Blackwood
Finding My Way in the Dark – Toppin Crescendo “Al Petteway Signature,” Moon Spruce/Brazilian Rosewood
Thumbing It – Walker OM, Adirondack Spruce/Mahogany
Midsummer Moon – Sifel “Dryad” Dreadnought, Spruce/Brazilian Rosewood
Chesapeake – Lowden 40th Anniversary O35, Redwood/Brazilian Rosewood
Mama Bear Rag – Traugott R, German Spruce/Brazilian Rosewood
Final Passage – Olson SJ, Red Cedar/Brazilian Rosewood
Lakeside Waltz – Circa OM-28, Adirondack Spruce/Madagascar Rosewood
Scarborough Faire – Smallman Classical, Red Cedar/South American Rosewood
Magick – Knags “Sifel Night Sky,” Adirondack Spruce/Brazilian Rosewood
Tony’s Rag – Martin OM-45GE, Adirondack Spruce/Brazilian Rosewood
Shadows On The Marsh/Wetland Spring – Thompson 000-12BA, Adirondack Spruce/Brazilian Rosewood
Smoky Mt. Morning – Ryan Mission Grand Concert, Red Cedar/Indian Rosewood
Seven Swans – Somogyi OM, European Spruce/Brazilian Rosewood
The South Wind – Olson SJ, Red Cedar/Brazilian Rosewood
North Country Moor – Lowden 40th Anniversary O35, Redwood/Brazilian Rosewood
River – Somogyi OM, European Spruce/Brazilian Rosewood
Sligo Creek – Lowden 40th Anniversary O35, Redwood/Brazilian Rosewood
Whispering Stones – Traugott BK Fan Fret, German Spruce/Brazilian Rosewood
Spindrift – Greenfield G1.2, Moon Spruce/Malaysian Blackwood
G7th Performance 2 Capo – Satin Black
Since the launch of the company in 2004, G7th has repeatedly raised the bar in capo design and development.
The original Performance capo set a completely new standard in style and performance, consistently winning the gold medal for Best Capo in the coveted Player’s Choice Awards* every year since 2005!Why should you buy or upgrade to the G7th Performance 2?
Easy one-handed adjustment. The Performance 2 is so easy to use: simply squeeze on and squeeze off. It can be moved seamlessly from fret to fret, or guitar to guitar.
Unique Tension Control System™. This is key to your guitar’s tuning stability. You intuitively squeeze the capo to set the minimum tension needed to fret cleanly. Just like playing a barre chord.
Safeguards your Tone & protects your neck. As on all G7th capos, the inert silicone wrap around rubber and internal G7th design features eliminate deadening of tone and avoid metal to wood contact on your guitar neck.How does the Performance 2 compare to the original model?
Faster and easier to use. Flipping the internal clutch mechanism through 180° gives the Performance 2 it’s unique squeeze on, squeeze off one-handed action.
25% smaller. It’s new slimmed down shape is much lower profile than the original model.
33% lighter. Some players found the original quite heavy. You don’t notice the Performance 2 on your guitar neck.
Choosing G7th means less time positioning your capo and retuning your guitar. Great on stage and in the studio! You get to focus on your music, not on your capo.
G7th Performance 2 Capo – 18kt Gold Plate
Since the launch of the company in 2004, G7th has repeatedly raised the bar in capo design and development.
The original Performance capo set a completely new standard in style and performance, consistently winning the gold medal for Best Capo in the coveted Player’s Choice Awards* every year since 2005!Why should you buy or upgrade to the G7th Performance 2?
Easy one-handed adjustment. The Performance 2 is so easy to use: simply squeeze on and squeeze off. It can be moved seamlessly from fret to fret, or guitar to guitar.
Unique Tension Control System™. This is key to your guitar’s tuning stability. You intuitively squeeze the capo to set the minimum tension needed to fret cleanly. Just like playing a barre chord.
Safeguards your Tone & protects your neck. As on all G7th capos, the inert silicone wrap around rubber and internal G7th design features eliminate deadening of tone and avoid metal to wood contact on your guitar neck.How does the Performance 2 compare to the original model?
Faster and easier to use. Flipping the internal clutch mechanism through 180° gives the Performance 2 it’s unique squeeze on, squeeze off one-handed action.
25% smaller. It’s new slimmed down shape is much lower profile than the original model.
33% lighter. Some players found the original quite heavy. You don’t notice the Performance 2 on your guitar neck.
Choosing G7th means less time positioning your capo and retuning your guitar. Great on stage and in the studio! You get to focus on your music, not on your capo.
Padded Cover for Visesnut Classical Case
Protect your Visesnut case from scratches and add an extra layer of thermal protection for your instrument. This cover is designed specifically for the Visesnut classical guitar case, and fits both Premier and Active Series cases. This cover is not sized to fit other brands of Classical cases.
Karura OM Guitar Carbon Fiber Flight Case, Smoke Grey/Grey
Karura is an American owned and operated company. Established near the turn of the last century, the KARURA Case Company is guided by a single purpose: to create the most trusted and useful travel cases and accessories for today’s touring musicians. To achieve this goal, KARURA continually consults with renowned luthiers and professional musicians to enhance the development of its products. Karura’s customers continually provide invaluable input to the development of the original Musician’s Flight Case™.
Karura’s instrument cases blend the fine touch of hand-craftsmanship with the extraordinary material qualities of carbon fiber. Utilizing recent discoveries in the treatment of carbon, Karura designs guitar cases of unparalleled strength, elegance, and lightness that protect both the instrument and give the musician peace of mind. Technical Information Professional musicians worldwide rely on Karura daily to protect their guitar from damage, heat, moisture, and dust while flying to international concert halls or road-tripping from city to city. Unsurpassed Strength to Weight Karura cases offer unsurpassed strength to weight ratios. No other case comes close.
Karura Cases have been rigorously tested Karura case designs have been laboratory certified to withstand over 1000 kg (2200 lbs) over one ton!) of compression without structural failure or permanent deformation. Very low deflection even under these extreme loads prevents your guitars from being crushed when packed under heavy loads.
Karura has completed extensive controlled drop testing on its case designs to that the Karura case shell and suspension system protect the instrument from extreme mishandling. During each drop test, a single case (and instrument) is dropped from 16 different orientations (all major axes plus the 45s) from a height two meters (6.5 Feet) onto a concrete floor. At the conclusion of this these tests, there was no damage to any of the instruments.
Custom Order Cases are available. Typical delivery time is 8-10 weeks. Please contact us today!
Guitar shown in photographs is for demonstration only and is not included.
Karura OM Guitar Carbon Fiber Flight Case, Penthouse Blue/Black
Karura is an American-owned and operated company. Established near the turn of the last century, the Karura Case Company has been guided by a single purpose: to create the most trusted and useful travel cases and accessories for today’s touring musicians. To achieve this goal, Karura continually consults with renowned luthiers and professional musicians to enhance the development of its products. Karura’s customers continually provide invaluable input to the development of the original Musician’s Flight Case™. Simply put, one of the finest acoustic guitar flight cases on the market.
Karura’s instrument cases blend the fine touch of hand-craftsmanship with the extraordinary material qualities of carbon fiber. Utilizing recent discoveries in the treatment of carbon, Karura designs guitar cases of unparalleled strength, elegance, and lightness that protect both the instrument and give the musician peace of mind.
Technical Information:
Professional musicians worldwide rely on Karura daily to protect their guitar from damage, heat, moisture, and dust while flying to international concert halls or road-tripping from city to city.
Unsurpassed Strength to Weight
Karura cases offer unsurpassed strength to weight ratios. No other case comes close.
Karura Cases have been rigorously tested
Karura case designs have been laboratory certified to withstand over 1000 kg (2200 lbs) over one ton!) of compression without structural failure or permanent deformation. Very low deflection even under these extreme loads prevents your guitars from being crushed when packed under heavy loads.
Karura has completed extensive controlled drop testing on its case designs to that the Karura case shell and suspension system protect the instrument from extreme mishandling. During each drop test, a single case (and instrument) is dropped from 16 different orientations (all major axes plus the 45s) from a height two meters (6.5 Feet) onto a concrete floor. At the conclusion of this these tests, there was no damage to any of the instruments.
Custom Order are available and typically deliver in 8-12 weeks. Call us today for assistance.