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1999 Hauser III Segovia Model, Brazilian Rosewood/Spruce
Two names that have inspired generations, Hermann Hauser and Andrés Segovia. This gorgeous example of the living tradition in which Hauser III works comes to us from 1999 in Brazilian Rosewood and Spruce, opened up and balanced from tuners to bridge. The Segovia model is based on the man’s 1937 Hauser I, the very design that has so informed classical guitar for the better part of the last century.
Excellent note separation across the registers, and a warm bass response clarified by a focused fundamental. A veil of haunting treble overtones round out the voice and lend extra depth to sustained notes.
This Segovia model from Hauser III is a prime example of the heirloom-grade classical guitar. Here, tradition excels.
Other spellings: hausor, hasur, hausar, hoser, segavia, sogvia
SOLD Read moreScale Length 25.4 in Nut Width 2.04 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian Add to Compare2002 Hauser Segovia Brazilian/German
From the famed Reisbach workshop established by his Grandfather Hermann Hauser I, Hermann Hauser III is continuing the legacy of the finest German concert guitars in the world. Combining the knowledge learned firsthand from an early age with his deep study of the needs of modern players, Hauser III can offer guitarists the best of both worlds, old and new, traditional and sensational.
This beautiful Segovia Model guitar has the unmistakable clarity which is the hallmark of the Hauser sound. Each note is clear and separate and it is easy to shape the tone and power of each phrase. The playability of this particular instrument is superb and it has been well cared for. The German Spruce top is now alive and speaking fully, offering the player and wonderful palate of colors and emotion, and the Brazilian Rosewood back and sides offer a profound depth and vigorous richness.
SOLD Read moreScale Length 25.5 in Nut Width 2.07 in String Spacing 2.25 in Woods Spruce - German, Rosewood - Brazilian
Legendary guitar making Dynasty dating back to 1854, with Josef Hauser, precursor of a history and a legacy that has produced some of the brightest moments in the modern history of the guitar.
A saga that still maintains a worldwide prestige and whose work continues attracting the admiration of the best guitarists and the respect of the greatest luthiers.
Hermann Hauser III (1958) joined the workshop of his father at an early age and from 1974 began building his own guitars separately from those of his father, with his own name and signature, but keeping the same philosophy, “building only a few guitars so that you can vouch for each instrument, ensuring the highest level and maximum satisfaction of guitarists”.
To achieve such a target, Hermann Hauser III has devoted much time to the study of ancient instruments and to the construction techniques, always looking to get better, an instrument already considered by many as the perfect guitar. But the secret of the sound of a Hauser guitar is not only in the technical work, but in the selection of special woods, many between 50 and 100 years old, but especially to the dedication, time and love for the profession.