Milburn Guitars Learn More +
- Sort by Default
- Display 15 Products per page
-
Add to Compare
2005 Milburn Concert – Hauser Style African Blackwood/European
The father and son team of Orville and Robert Milburn have built here what we consider to be an exceptional Hauser style Concert Classical. Built from beautiful African Blackwood and European Spruce with Snakewood appointments, this guitar is stunning to behold. A classic look and feel permeate the construction of this guitar. Tonally, this Concert has all you could ask for, Sharp cutting trebles, warm mids and powerful, gut rumbling bass. This one checks all the boxes on our list and we bet it does on yours, too.
Here’s an additional demo from the inimitable David Stevenson: https://youtu.be/j8dE0kA7ys4
SOLD Read moreScale Length 25.59 in Nut Width 2.07 in String Spacing 2.25 in Woods Spruce - European, Blackwood - African Add to Compare1998 Milburn Classical Indian/Spruce
This Milburn concert guitar has a full bodied voice that is rich and charactered. It’s a musical voice with lyrical trebles and round, warm bass response. Crafted in impeccable fashion from fine Rosewood and Spruce which provides wonderful power and versatility as well. An aged spruce top such as this can be a great tool for the player offering expression, articulation and strength. There are Snakewood bindings that add mystique and beauty. This is a wonderful concert guitar that we all adore here in the shop.
SOLD Read moreScale Length 25.59 in Nut Width 2.08 in String Spacing 2.24 in Woods Spruce, Rosewood - Indian
Guitar building began in 1989 simply as an interesting and challenging father-and-son project. Bob was a pharmacist and Orville a retired building inspector. Orville brought years of woodworking experience as well as his years spent as a piano technician during the 1970’s to the luthiery work. Orville played classical guitar for most of his life and passed on the love of the instrument to Bob.
To them, luthiery is an interesting balance of art, craft and science. They don’t believe that any one simple, formulaic method is very useful, but do believe scientific methods are the key to repeatable, successful instruments. Careful observation can lead to the development of a hypothesis. Well-designed experiments can then be used to test an hypothesis. And the results of these experiments can be incorporated into new instruments. In this context they don’t look at any one instrument as an end-point but rather a point along a continuous path of learning and refinement.
Every Milburn I’ve played has been sweet, strong and very musical.