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2008 Stelling Virginian, Maple
2008 Stelling Virginian comes upgraded with a Tony Pass Old Wood rim, Maple resonator and flame neck, a slim neck profile, and extensive bird-and-flower inlays rendered in MOP and Abalone.
Other keywords: billy presnell, bluegrass, claw, 6544
SOLD Read moreScale Length 26.125 in Nut Width 1.281 in String Spacing 1.75 in Woods Coated Banjo Head, Maple - Figured Add to Compare1988 Stelling Staghorn, Tony Pass Lost Timber Rim
This Stelling Staghorn might have fewer strings than a standard guitar, but we can’t hold that against it for long: it’s got a helluva sound. And it’s still looking fantastic after its 1988 build date, here updated in 2008 with a Tony Pass Lost Timber rim. Nickel hardware throughout, plus extensive MOP position markers and the ubiquitous stag horns at the headstock. D-tuners are installed, fine, and functional and ready for action!
Other keywords: lutherie, luthier, allenn shadd, bluegrass, scruggs, banjo, 3426
SOLD Read moreScale Length 26.125 in Nut Width 1.25 in String Spacing 1.75 in Woods Skin - Fiber, Maple Add to Compare2004 Stelling Crusader, Mahogany
Stelling’s first Mahogany model, the Crusader, has been going strong since the 70s! This beauty comes to us from 2004 with a Tony Pass Lost Timbre rim with Stelling Wedge Fit flathead tone ring, nickel hardware, and Mahogany resonator. Long scale at around 26 1/2” for added power (see: sizzling trebles), and playing smooth as butter with an easy setup, and railroad spikes already installed.
Other keywords: bluegrass, al petteway, fingerpicking, mahagony, 5803
SOLD Read moreScale Length 26.5 in Nut Width 1.25 in String Spacing 1.69 in Woods Skin - Fiber, Mahogany
Since 1959, while still in high school, Geoff Stelling has been either playing the banjo or trying to improve on its design. Stelling Banjo Works was established in 1974 while Geoff was stationed at a Naval Base in San Diego. As a semi-professional banjo and bass player in various bluegrass bands since the mid-60’s, Geoff developed an ear for banjo tone and experimented with the mechanics of banjo construction until he patented a revolutionary design that his banjos are famous for today: the wedge-fitted pot assembly. Prior to Geoff’s design, tone rings and flanges were machined to slip-fit over the wood rim. Such a design proved to be less than perfect when changes of humidity and temperature manifested themselves as changes in tone and volume. The patented Stelling wedge-fit assures the best possible tone ring and flange to wood rim fit possible under all circumstances. The resulting purity of tone and unrelenting power are unparalleled.