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Fender tried—and Fender succeeded. Their custom shop phenoms pulled off a real showstopper with the 2014 Artist Series Merle Haggard Signature Tele, a gorgeous tribute to the Hag himself. This Telecaster Thinline is modified with chambered Alder wings, laminated Maple top (gorgeous figure) and a Maple center block and set-neck setup, gold hardware throughout, and powerhouse Texas Special pickups at the bridge and neck. Four-way switching gives the player even more options, and the play feel of the Figured Maple neck is like organic, grass-fed butter.

Other keywords: fender custom, electric, us11080970, chicken picking

This one is a sweet slice of guitar heaven from Keystone Guitars. Dramatically figured Brazilian Rosewood back and sides pair up with Adirondack Spruce: this combo makes for a steely, crisp projection and a lively rich midrange. An excellent fingerstyle guitar, hands down. Additionally, this SJ is further customized with dramatic Snakewood appointments everywhere, from the headstock to the fretboard, the bridge and the rosette, bindings–the works.

Other keywords: lutherie, luthier, bespoke, keisuke neishi, modern guitar, flattop

Ah, we love gorgeous this 2021 OM from Don Musser. He picked out a stellar set of Cocobolo Rosewood for the body, and paired it with Colorado Blue Spruce on top and Curly Maple bindings—and it sounds as lovely as it looks. Nearly new from 2021 and the voice is already expansive and balanced across the registers.

Here’s an additional demo with our own Billy Presnell: https://youtu.be/p3z6KaCHcz4.

Other keywords: tone wood, fingerstyle, abalone, mop, mother of pearl, fingerpicking, 25.5, 356, cocobola

John Slobod brings it home with this one, and we’re so excited to offer it to you now. This 2012 Circa OM-42 epitomizes the OM ideals of versatility, dynamism, playability. The voice is lively and wide open, with a warm and transparent bass that pairs handsomely with the glassy trebles. Great note separation across the registers; really lovely string energy gives a vibrant quality to the voice that’s particularly engrossing. Visually, this is 42-style done right. Perfectly executed Abalone trim borders the top and fretboard extension, pairing with Abalone at the rosette and along the fretboard in the shape of snowflakes, diamonds, and squares—with an MOP “Circa” inlaid at the headstock suggestive of the prewar C.F. Martin block inlay. Gold Waverly tuners (engraved at the knobs), creamy Grained Ivoroid bindings throughout, rectangular pyramid bridge to round it out. On the tonewood front, the classic combination of Brazilian Rosewood and Adirondack Spruce. Our Circa OM-42 is expressive and elegant in equal measure.

Other keywords: american guitar, circa guitars, fingerstyle, orchestra model, 133, brazilain, adriondack, ameritage

New Zealand’s Laurie Williams utilizes gorgeous and unique tonewoods from his native land to build exquisite modern instruments—and here we’ve got the cream of that exclusive crop. The back and sides on this 2012 Signature Model are Laurie’s coveted “Whitebait” Premium Kauri, some of the most dynamically figured tonewood on the planet (to rival even The Tree Mahogany). This wood is so called “Whitebait” for its similarity to the lightshow to behold when a school of whitebait fish shimmer beneath the surface: the Kauri shines and glows with incredible depth and chatoyance. You can lose yourself in those depths. The top is also Kauri, and boasts a hand-carved rosette of intricate vines. Twin arm and rib bevels, venetian cutaway, and Gotoh 510 tuners complete the package of a true collector guitar. The voice is equally clear and colorful, with fat trebles that put out sweet overtones to really fill it out.

Other keywords: fingerstyle, exotic wood, tone wood, 12170, white bait, figured wood

What a beauty. We love African Blackwood, it’s one of the best contenders with Brazilian Rosewood for king of the tonewoods, and here paired with Adirondack Spruce in Lowden’s F-50c body the result is a powerful voice that’s dynamic, colorful, and expressive. We’ve got a lovely example here from 2015 that’s already opened up handsomely, and plays so smoothly. Figured Koa bindings incorporate a Ryan-style arm bevel plus venetian cutaway, and the 5-ply Mahogany-Rosewood-Mahogany neck is carved in the GL Standard profile; just the right amount of heft for the left hand to connect with. This F-50c weighs in under five pounds and feels solid on the leg. Lowden’s team balanced the neck and body here for an easy playing experience, made apparent with the slick setup and satin finish. Please note, this Lowden now has a K&K Trinity pickup installed (photos were taken before the install, so show an empty endpin slot).

Other keywords: hiscox, lutherie, luthier, guitarbuilding, fingerpicking, liteflite, tonewood, 19493

This is one Lowden which graduated at the top of its class in 2016. What a powerhouse! George Lowden’s F model does it all, and does so exceedingly well. We love this F-50c for strumming as much as fingerstyle; it’s got plenty of warmth in the mids to match the crisp trebles, and a sweet bass response that really fills out the voice. With a 25.5” scale for added punch, this Lowden cuts right through the mix and also handles lowered tunings with ease. A natural choice for DADGAD and even other, more eccentric tunings. The body is comprised of master grade Madagascar Rosewood (so, so lovely) and master Sinker Redwood on top (hence all that warmth), and comes to us today with hardly a mark to be found. Pale Maple bindings come together with an arm bevel on the top plate and a rounded cutaway for creature comfort. GL Standard neck profile; Gotoh 510 tuners; silky satin finish throughout.

Other keywords: hiscox, lutherie, luthier, guitarbuilding, fingerpicking, liteflite, tonewood, 19926

Kevin Caton pulls out the big body stops for this Carolina model in Curly Katalox and Engelmann Spruce. A powerful, clean voice, with some sort of indescribable quality to it that’s captivating and sets it apart from the crowd. Which Kevin’s innovative soundport-arm bevel combo also achieves. Combined with an asymmetrical body and lovely tonewoods, and the result is a modern guitar quite unlike any other. This one excels at fingerstyle play in a range of tunings, and it’s got enough headroom for flatpicking as well. In a nutshell, this Caton Carolina has a full gear box.

Other keywords: lutherie, luthier, guitarbuilding, kevin caton guitars, finger style, fingerpicking, tkl, gotoh, 67, 2021

If crisp, lively power is what you need, this Marchione is here to deliver. Stephen’s OMC model threads the needle between room-filling projection and intimate playability, which this beauty from 2019 does just that. Notes fire right out from the soundhole, with an evenness between the registers that’s excellent for both fingerstyle and flatpicking. On the tonewood, front, Stephen outfitted this OMC with gorgeous, gorgeous Brazilian Rosewood and Swiss Spruce (note the light bearclaw figure), Honduran Mahogany neck, and Figured Maple bindings. Hot hide glue construction throughout, plus stainless steel frets for longevity. Moreover, Marchione installed an example of his unique, five-piece piezo pickup system that he developed with Will Brahm—and this puppy sounds delightfully natural and organic when plugged in.

Other keywords: marchione guitars, stephen marchione, water buffalo bone, 062119, fingerpicking, cutaway, calton

The Martin M-36 fits that big box, small feel niche you’ve been looking for. 16 inches across the lower bout like a jumbo or grand auditorium, but slim sides like an OM, the M-36 pumps out proper bass response without compromising the mids and trebles (here on display with great clarity and presence). Three-piece back of Indian Rosewood pairs up with Sitka Spruce on top and a white trim package, and this beauty is like new from 2015 and ready for a new home!

Other keywords: lutherie, luthier, c.f. martin, martin guitars, stika, fingerstyle, m36, 1877306

Herringbone, anyone? We’ve landed a lovely HD-28 from 2013 that’s wide awake and itching for attention! Straight-grain Indian Rosewood back and sides paired up with Sitka Spruce on top with a herringbone top border and white bindings, Martin’s Low Profile shape on a Mahogany neck, and a frankly buttery setup that’s easy on the hands—what more could you want? This is a proper workhorse for flatpicking and strumming, hardly a mark on it, but with a few years’ opening up already under its belt.

Other keywords: lutherie, luthier, c.f. martin, martin guitars, 1755024, dreadnaught

Here we’ve got an absolute monster of a baritone in the shop: our latest brand new G4 Baritone from Michael Greenfield. Fallen Giant Guatemalan Mahogany back and sides plus Adirondack Spruce top, multiscale setup at 29 to 28 inches, cutaway plus arm and rib bevels–the list goes on. Suffice it to say, this is a force of nature, but in particular a force of nature that retains great note clarity and separation across the strings. Strength without compromising the velvet. Ready for a room rattling experience? This Greenfield G4 Baritone is ready. We are excited to offer such a powerful, and simultaneously precise, G4 Baritone from Michael.

Other keywords: lutherie, greenfield guitars, 354, evo, accord, andy mckee

The holy grail of old school square necks! We’re in love with this Weissenborn Style 1 from the early 1900s, decked out in gorgeous Koa from tuner to tail and singing loud and oh so clear with its voice of the ages. The voice is characterized by a sweetness and warmth in the mids that spills out into the bottom and top ends for an enveloping, mellow flavor. It’s just a joy to hear. Our repair folks have gone over this one and given it a clean bill of health, too, so it’s ready to keep on making music!

Other keywords: lap steel, lapsteel, dobro, hawaiiian slack key, weisenborn, 1900’s, vintage

Matthew and Matthias of Casimi Guitars continue to raise the bar with each build that graces our shop. Look no further than this fabulous 2020 C2S, like new and ready for action! Night-dark African Blackwood back and sides with a creamy Moonspruce top, trademark 12 fret neck and open headstock, and the Casimi Signature appointment package to make these woods pop even more. Geometric designs bookend the raised rosette—which motif continues to the center of the back—and a subtle Ryan-style arm bevel plus soundport add to the creature comforts of this already smooth operator. Koa purflings throughout, and all wrapped up in a custom Hoffee flight case for maximum safety. The voice is characterized by a pianistic response and articulation; big chords ring out in full technicolor glory. The trebles mix a crisp fundamental with a warm overtone effect that’s mesmerizing, and they pair so sweetly with the articulate midrange and expressive bottom end.

Other keywords: lutherie, luthier, south africa, guitarbuilidng, custom guitar, bespoke guitar, fingerpicking

You will love this powerhouse Bresnan Model GS. If you would like to commission a custom build of your own, please check our site for available build slots, or you can reach out to us through our contact page to discuss a build to your own specs here.
This beauty comes with Dan’s primo stash of Brazilian Rosewood and a master grade German Spruce top, Alessi tuners, BRW headplate and bridge—and Dan’s #3 rosette in BRW and African Satinwood.

Other keywords: lutherie, luthier, guitarbuilding, custom guitar, fingerstyle, sean bresnan, fingerpicking

Our latest and greatest from John McQuarrie of Northwood Guitars is a well-oiled machine characterized by glassy play feel and a crisp, clear, and articulate voice. It’s a brand new beauty with Madagascar Rosewood back and sides with Austrian Moonspruce on top, Koa bindings, Fossilized Mammoth Ivory nut & saddle, and a lovely bluejay inlay at the heelcap to top it all off. The Mahogany neck is finished in a delicious satin touch that’s friction free in hand, and really lends an effortless air to the setup. This 12 Fret 000 is a well-rounded workhorse for fingers and for picks, and part of that is from the 25.5” scale that adds some extra bite to the trebles to tighten up the warm 000 body response.

Other keywords: fingerstyle, 901, gotoh, macassar

Luthiers Matthew Rice and Matthias Roux of Casimi Guitars are pushing the envelope with each new build, exemplifying the qualities of modern boutique guitarbuilding that we revere. Here, then, is a new first from them! Their first baritone build, C5C #31, is a finely honed force of nature. African Blackwood back and sides pair with Moonspruce on top and a multiscale setup from 28 inches to 27. Koa trim throughout. We here at Dream Guitars love baritones, the power and presence that comes with these builds always shakes us out of music ruts and inspires new and exciting tunes. So much so that Paul’s taken this one for himself! If you are interested in acquiring one yourself, don’t hesitate to ask. We love working with our clients and our builders to commission the bespoke guitar of your dreams.

Other keywords: lutherie, luthier, south africa, custom guitar, fingerpicking

Italy’s Mirko Borghino has collaborated with Italy’s Francesco Buzzurro for this boutique hybrid archtop nylon string 2019 BB1 equally at home for jazz and the classical repertoire. An arched Italian Walnut body is paired with a carved Italian Spruce top from the Val di Fiemme, Alessi tuners, and the dynamite Graph Tech Ghost nylon string pickup system. This offers both 1/4” and MIDI outputs plus volume knobs for both outputs, and bass, treble, mid, and mid sweep tone. So many options! The Borghino BB1 is immensely fun to play, hands down. It handles a wide range of styles and attacks with aplomb, plays effortlessly, and has a lively and quick response that translates perfectly from an acoustic setting into amplified territory.

Other keywords: crossover guitar, fingerstyle, cutaway, andy jurik, hiscox

Mike Lewis knew how to build ‘em! This Fine Resophonics beauty from 2017 is a powerhouse single cone with all-Koa body, 25” scale, and a built-in Schertler pickup for dynamite amplification. We loved this one for its sweet spot setup that caters to the player who plays with both fingers and a slide. The tone is quick and lively, with an even response across the registers, which translates faithfully when amplified. Weighing in at a relatively trim six pounds, this (mighty) Fine Resophonics single cone is an easy player.

Other keywords: fingerstyle, bottleneck, blues guitar, fingerpicking, reso guitar, schaller

We’ve brought this bad boy back to life with a brand new neck from National Reso-Phonic, making this 1931 National Duolian the perfect combination of vintage and contemporary: plays like fresh butter, rings out like a veteran crooner. Steel body plus single cone resonator, 12 frets to the body, and the perfect amount of patina and play wear to look the part. Clean, clear trebles really bring a lot of color to the voice, and the bass and mids fill it out the rest of the way with a delightful warmth.

Other keywords: slide guitar, nrp, national guitar, reso guitar, duolion, fingerstyle, C110

Power and control at once. We love Wayne Henderson’s guitars, especially his Dreads, and D-28 numbers 380 is a doozie. Brazilian Rosewood body with Adirondack Spruce on top, 28-style appointments with herringbone trim and a zigzag backstrip, plus Wayne’s fiddle headstock and Waverly tuners. Grained Ivoroid bindings plus a soft brown tortoise-style pickguard remarkably reminiscent of prewar guards round out the package. This Henderson has been played in and opened up handsomely since 2006 when it rolled off Wayne’s bench and into eager hands. The voice balances some potent drive with a sweetness in the trebles that really fills out the sound. It’s a natural flatpicker, but we’re happy to report it’s sensitive enough for fingerpicking as well.

Other keywords: w.c. henderson, dreadnaught, allen shadd, 28 style, bluegrass

It’s not easy to make a new name for yourself in the archtop, electric world, but we think Tyler Wells of LHT Guitars has what it takes. This 2020 Rose Burl Fugue is nothing short of a work of functional art. Curvaceous yet comfortable, stands apart from the crowd yet at the same time approachable and familiar. This guitar feels effortless in hand, from the multiscale setup (24.7-25.7”) to the lightweight build and cutaway ergonomics. The neck and body are perfectly balanced to play off your leg when seated, and Tyler’s handsomely executed single bass offset soundhole broadcasts cleanly straight into the player’s ear. Acoustically, the Fugue has impressive presence and range, and would record very well on that level alone. When amplified with a Parallelogram Kent Armstrong humbucker (volume and tone under the Burl pickguard), the tone rolls out fat and round with fingers, and responds beautifully with added crispness and punch under a flatpick attack.
The body is Flame Maple, here paired with a carved Sitka Spruce top and a 4-piece Flame Maple neck with carbon fiber reinforcement. Black ABS bindings, and Bodega Bay driftwood burl appointments throughout give this Fugue its “Burl” designation (with a gorgeous, gorgeous red Nitro burst for the “Rose”).
The LHT Fugue is what successful modern lutherie looks like: pushing the envelope without forgetting its roots, exploring contemporary aesthetics with an eye for ease of play and an ear for dynamics.

Other keywords: kent parker, arched top, jazz guitar, fan fret, fanned fret, 3007, ska, flamed maple, duane simpson

This is simply one of the most sought after Signature models that Martin has released to date: the Martin D-45SS Stephen Stills Signature Edition. Conceived in 1998 as a run of 91, each D-45SS boasts Alpine Spruce over premium Brazilian Rosewood, Stills’ signature inlaid at the fretboard extension, and the southern star inlaid at the pickguard. Elsewhere, this model is based on Stills’ 1939 Martin D-45, so here represented with the hexagonal 45 treatment along the fretboard, through-saddle belly bridge, and gold Waverly tuners. Here is number 19 of that ultra rare 91, single owner and well cared for. Available now, but it won’t linger.

Other keywords: cf martin, martin guitar, american guitar, 668777, dreadnaught, dreadnought, allen shadd, flatpicking, signature guitar, csn, crosby stills & nash

Snatch this beauty up before we bite the bullet ourselves. A primo 2015 OM-28 from the fine folks at Preston Thompson Guitars with Shipwreck Brazilian Rosewood and Adirondack Spruce—yes, please! We love the feel of the V neck and the easy playability; 1 3/4” at the nut but 2 5/16” at the saddle for a bit more room for the right hand. It performs handsomely for fingerpicking, and has enough power under the hood with Adirondack Spruce on top to handle flatpicking as well. This one’s had an L.R. Baggs Anthem pickup system installed as well, so it’s ready for the stage! Outfitted with an anchor inlaid at the headstock in Shell.

Other keywords: lutherie, luthier, PKT, abolane, abolone, adriondack, herringbone, guardian