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Add to Compare$30,025 Add to cart
Scale Length 25.4 in Nut Width 1.75 in String Spacing 2.31 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2005 Greenfield G4, Highly Figured AAA Koa/Figured Adirondack Spruce
An earlier build from the bench of Michael Greenfield, this G4 ‘Jumbo’ from 2005 has lots of everything. Being newer, it features a soundport and Laskin-style armrest, dressed in gorgeously figured Adirondack Spruce and highly figured Koa. Equipped with a Seymour Duncan Magnetic soundhole pickup and D-Tar undersaddle pickup (stereo out), this guitar is ready for anything. Played well and exceptionally taken care of, this guitar is a great way to get into the Greenfield family. Tone, comfort, and collectability all come together in one compelling package.
Other keywords/misspellings: Luthier, lutherie, adi, andy mckee, fingerstyle, calton, gotoh, g.4, g-4,83
$15,450 Add to cartScale Length 26 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Koa - Figured Add to Compare2018 Jang OM, Madagascar Rosewood/Adirondack Spruce
The epitome of modern lutherie, this 2018 OM from Isaac Jang, made of Madagascar Rosewood and Adirondack Spruce, being 6 years old at the time of publication, has allowed for some excellent opening up of the Adirondack. Featuring all the qualities we know and love from Isaac’s work, including the Uchida-style bendaway, it offers not only a sleek aesthetic but also easy access to the fingerboard extension. This instrument has been well-played and well-cared-for. This guitar really speaks for itself.
Other keywords/misspelling: Luthier, bespoke, fingerstyle, los angeles, mainstage, IXOMUB.019.ADI.0418
$22,660 Add to cartScale Length 25.4 in Nut Width 1.781 in String Spacing 2.281 in Woods Spruce - Adirondack (Red), Rosewood - Madagascar Add to Compare1982 Brian Cohen, Classical Brazilian Rosewood/Cedar
This 1982 Brian Cohen Classical, with its Brazilian Rosewood back and sides and Cedar top, exemplifies craftsmanship and tonal beauty. The combination of woods offers a rich, resonant bass and warm, clear trebles, making it a prized instrument for its powerful yet nuanced sound. A true collector’s piece, it showcases the artistry and acoustic excellence synonymous with Cohen’s work.
Other keywords/misspellings: Luthier, lutherie, concert, hiscox, london, hiscox
$7,210 Add to cartScale Length 25.625 in Nut Width 2.125 in String Spacing 2.313 in Woods Cedar, Rosewood - Brazilian Add to Compare1996 Klein L457 Mushrooms Brazilian Rosewood/Spruce
Klein & Kaufman crafted this beast in 1996. An absolute stunning set of Brazilian Rosewood for the back and sides, with a gorgeous Spruce top. This guitar has had nearly 30 years of play at time of publication, and it certainly lets you know. All of the characteristics that we know and love about Klein & Kaufman guitars are present in this build. Powerful bass, and trebles that truly stand out. You’ll notice that there is something funky about this particular instrument, funky? Fungal? Ah yes, there are beautiful abalone mushrooms filling in the fingerboard and headplate. This is such a unique and singular piece that it made its way into the book “The Guitar” by Nick Freeth and Charles Alexander. These guitars are beloved by many famous wielders of the axe! Steve Martin, Joni Mitchell and Andy Summers to name a few. If you’re looking for an incredibly inspirational instrument as well as an exciting addition to any collection–look no further.
Additional keywords/misspellings: Luthier, lutherie, fingerstyle, modern, calton, 90’s s-3/044
$12,875 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian Add to CompareBrand New Porter Quantum Classical, Indian Rosewood/Carpathian Spruce
From Steve Porter our latest Quantum model! This one features Indian Rosewood and Carpathian Spruce. Along with all of the appointments you would come to expect from the California-based luthier. Soundports, French polish, elevated fingerboard and an intricate lattice braced top.
Other keywords/misspellings: Luthier, lutherie, classical, raised fingerboard, sloane, 54
$8,860 Add to cartScale Length 25.625 in Nut Width 2 in String Spacing 2.313 in Woods Spruce - Carpathian, Rosewood - Indian Add to Compare2021 Buendia 00, Brazilian Rosewood/Swiss Moonspruce
To borrow an overused expression, this guitar is an inspiration. Leo Buendia is one of our all-time favorite builders, one who we’ve been very fortunate to work with for a number of years now–and no surprise, his instruments continue to humble and delight us every time. This is the first time we’ve had one of his slim 00 models, and we pray that it is not the last. Excellent dynamic range, gorgeously appointed, and outfitted with some of the finals materials on the scene. Brazilian Rosewood back and sides with dramatic figuring and coloration, pairing with Swiss Moonspruce on top and a series of flawlessly executed chip carvings at the rosette, endgraft, and even the headplate. It’s a fearsome amount of work for just one of these carvings, let alone three. The entire instrument is finished in matte that feels gossamer to the touch, and makes the grain of the wood pop. Additional features include custom Rodgers tuners with reconstituted malachite buttons, a first for us, offset position markers and Leo’s “stick” style, and even a Brazilian Rosewood bridge. This heirloom instrument was built in 2021, and is essentially new.
other keywords/misspellings: lutherie, somogyi, brazilain, moon spruce, 083, fingerstyle, bespoke, rogers, hoffee, EVO, chip-carved
$48,410 Add to cartScale Length 25.25 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Moonspruce, Rosewood - Brazilian Add to CompareJames May Engineering Ultra Tonic Pickup UTP V3.2-CK for Acoustic Guitar – INSTALLED
Ultra Tonic™ V3 Pickup with Sound-Hole Volume Control converts a K&K Pure Mini into an Ultra Tonic equivalent. Includes an extra K&K-like disc to bolster a weak high E string. Comes with a sound-hole mounted volume control that works with no compromises into any impedance of 500Kohm or more..
At last, a pickup that offers the richness of a sound board transducer, with the feedback immunity of an under saddle transducer. With patent pending feedback suppression technology, James May Engineering is proud to offer a unique solution for guitarist who care about their sound and need to play at elevated levels.
So how does it sound? It’s similar to the most popular sound board transducer, the K&K Pure Mini, a great sounding pickup. But the Ultra Tonic goes further: it cleans up the low end mud and boom and as a result sounds a bit clearer and crisper on top as well. It has a lot more feedback immunity – typically at least 10dB more at the fundamental chamber resonance of 100-110Hz. Audio clips can be heard on Soundcloud – https://soundcloud.com/user-232280722/ultra-tonic-pickup-and-tonedexter-demo-martin-omc The pickup and included circuit board are totally passive. Yet, it has a low output impedance and a high output level so you can plug into just about anything with an input impedance of 100Kohms or greater. 1Mohm is recommended (more is okay).
By itself it is highly impressive, offering a much richer sound than any under-saddle transducer can give. When paired with ToneDexter, it will knock your socks off! If you aren’t yet familiar with ToneDexter, you might want to check it out. https://www.dreamguitars.com/shop/amplification/preamps-and-di-boxes/audio-sprockets/audio-sprockets-tonedexter.html
$309 Add to cartAdd to CompareJames May Engineering Ultra Tonic Pickup UTP V3.2-ST for Acoustic Guitar – INSTALLED
Ultra Tonic™ V3 Pickup with Sound-Hole Volume Control for steel string guitars and nylon string guitars with no center brace.
At last, a pickup that offers the richness of a sound board transducer, with the feedback immunity of an under saddle transducer. With patent pending feedback suppression technology, James May Engineering is proud to offer a unique solution for guitarist who care about their sound and need to play at elevated levels.
So how does it sound? It’s similar to the most popular sound board transducer, the K&K Pure Mini, a great sounding pickup. But the Ultra Tonic goes further: it cleans up the low end mud and boom and as a result sounds a bit clearer and crisper on top as well. It has a lot more feedback immunity – typically at least 10dB more at the fundamental chamber resonance of 100-110Hz. Audio clips can be heard on Soundcloud – https://soundcloud.com/user-232280722/ultra-tonic-pickup-and-tonedexter-demo-martin-omc The pickup and included circuit board are totally passive. Yet, it has a low output impedance and a high output level so you can plug into just about anything with an input impedance of 100Kohms or greater. 1Mohm is recommended (more is okay).
By itself it is highly impressive, offering a much richer sound than any under-saddle transducer can give. When paired with ToneDexter, it will knock your socks off! If you aren’t yet familiar with ToneDexter, you might want to check it out. https://www.dreamguitars.com/shop/amplification/preamps-and-di-boxes/audio-sprockets/audio-sprockets-tonedexter.html NOTE:
The Ultra Tonic Pickup UTP V3.2-ST works with steel string guitars with bridge plates that don’t have an internal center brace, as well as nylon string guitars with and without bridge plates.
$399 Add to cartAdd to CompareJames May Engineering Ultra Tonic Pickup UTP V3.2-CL for Acoustic Guitar – INSTALLED
Ultra Tonic™ V3 Pickup with Sound-Hole Volume Control for steel string guitars and nylon string guitars with no center brace.
At last, a pickup that offers the richness of a sound board transducer, with the feedback immunity of an under saddle transducer. With patent pending feedback suppression technology, James May Engineering is proud to offer a unique solution for guitarist who care about their sound and need to play at elevated levels.
So how does it sound? It’s similar to the most popular sound board transducer, the K&K Pure Mini, a great sounding pickup. But the Ultra Tonic goes further: it cleans up the low end mud and boom and as a result sounds a bit clearer and crisper on top as well. It has a lot more feedback immunity – typically at least 10dB more at the fundamental chamber resonance of 100-110Hz. Audio clips can be heard on Soundcloud – https://soundcloud.com/user-232280722/ultra-tonic-pickup-and-tonedexter-demo-martin-omc The pickup and included circuit board are totally passive. Yet, it has a low output impedance and a high output level so you can plug into just about anything with an input impedance of 100Kohms or greater. 1Mohm is recommended (more is okay).
By itself it is highly impressive, offering a much richer sound than any under-saddle transducer can give. When paired with ToneDexter, it will knock your socks off! If you aren’t yet familiar with ToneDexter, you might want to check it out. https://www.dreamguitars.com/shop/amplification/preamps-and-di-boxes/audio-sprockets/audio-sprockets-tonedexter.html NOTE:
The Ultra Tonic Pickup UTP V3.2-ST works with steel string guitars with bridge plates that do have an internal center brace, as well as nylon string guitars with and without bridge plates.
$399 Add to cartAdd to CompareL.R. Baggs Anthem
Studio Mic’d Sound Wherever You Perform The Award-winning Anthem series, featuring our patented TRU•MIC technology, seamlessly combines a proprietary condenser microphone with our acclaimed Element pickup to deliver the warmth and fidelity of a studio-mic’d guitar anywhere you perform.
TRU•MIC TECHNOLOGY At the heart of the Anthem is a revolutionary microphone engineered to capture a dynamic studio-mic’d sound for any live performance. The TRU•MIC mounts to the underside of the bridge plate and hovers just 3 mm above its surface to take advantage of the PZM or “boundary” effect. This proprietary mounting system, combined with noise cancellation, frees the mic to perform as if it were outside of the guitar in a studio and maintain remarkable feedback suppression for the stage. The result is a balanced frequency response with excellent clarity for the purest sound you have ever heard amplified. We have paired the Element pickup with the TRU•MIC to provide solidity and punch for low frequencies.
The Anthem has all of the essential tools in one complete system. The feather-weight preamp and controls include: volume, mix, phase and a battery check. The mix control blends from the augmented TRU•MIC position to Element pickup only.
FEATURES
Anthem TRU•MIC carries the majority of the guitars’ frequency range while the Element Pickup carries only the lowest frequencies
The mic is highly feedback-resistant
Noise cancelling microphone technology eliminates any annoying honky or boxy qualities from the inside of the guitar
Mic installs easily on the bridgeplate with peel and stick adhesive
Mic and pickup levels preset for optimum performance
Soundhole remote includes volume and mic trim controls
All discrete pre-contoured endpin preamp with preset crossover
Element Pickup fits most common string spacings and saddle width
Comes with battery bag for secure and unobtrusive battery retention
Patent-pending
$299 Add to cartAdd to CompareK&K Pure Mini Pickup with Volume Control for Steel String Acoustic Guitar – INSTALLED
The Pure Pickup is K&K’s award-winning, signature pickup for acoustic guitars. Installed on the guitar’s bridge plate, the Pure Pickup is a fantastic choice for achieving a rich, natural guitar sound — even without a preamp!
The Pure Pickup is an excellent plug-and-play solution for the musician who wants a warm, full-range signal without worrying about cluttering up their instrument, adjusting onboard electronics, or having to remember to change the battery. The Pure Pickup’s position on the bridge plate provides the perfect balance of sound, picking up all the strings without sounding harsh or percussive and “listening” to the sound board to amplify the unique characteristics of your guitar. The result is a warm, full-range signal that represents the true character of your guitar.
Dream Guitars has considerable experience with installing these pickups and can add one to your guitar. Price shown includes the pickup and labor.
$335 Add to cartAdd to CompareHenriksen The Blu Amplifier with Padded Gig Bag
We wanted to create a single channel version of our enormously successful amp, The Bud, but we also wanted to try a slightly different design concept which allows us to keep the same great sound but 5 lbs lighter! At 12 lbs and 120 watts with all the essential features and Bluetooth auxiliary channel, The Blu is professional-grade through and through with the same great tone as The Bud. In the beginning, Bud Henriksen’s goal was to create a small, simple, plug-n-play amplifier that sounded great and was loud enough to gig. His original amplifiers had a blue painted baffle, so we used that as the inspiration for The Blu’s design.
The Blu has a 5-band graphic EQ, FX loop, reverb, full 48 volt phantom power and a Bluetooth auxiliary input for backing tracks or set break music. There is also a studio-grade balanced XLR line out, a headphone output, and a parallel extension speaker output to make full use of The Blu’s output power.
- 120 watts • 12 lbs • 9″x9″x9″
- Included gig bag
- Bluetooth Auxilary Input
- 5-band EQ • Reverb
- 48 volt phantom powered XLR,1/4” combo input
- TRS send/return FX loop • XLR balanced line out
- OEM 6.5″ Eminence Beta speaker with special fluid-cooled, high-yield neodymium tweeter (defeat-able)
- Ext. Speaker out
- Headphone Jack
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