Uncategorized
- Sort by Default
- Display 15 Products per page
-
2004 Santa Cruz Bob Brozman Baritone, Koa/Adirondack Spruce
What a complex beast this instrument is! This 2004 Santa Cruz Bob Brozman Baritone has stunning Koa back and sides paired with an Adirondack Spruce top. With its 27″ scale length and 12-fret-to-body construction, it delivers exceptional depth and resonance. Elegant abalone trim throughout complements its beauty, and a L.R. Baggs RTS II pickup makes it stage-ready. Comes protected in a Calton case.
Other keywords/Misspellings: Luthier, lutherie, bespoke, team built, slack key, hawaii
$8,320 Add to cartScale Length 27 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Koa 
2021 Pepe Romero Classical Cypress/Spruce
From famed luthier Pepe Romero Jr., we’ve got a 2021 Classical that’s raring to go. Built with beautifully figured Cypress for the back and sides and Spruce on top, the 640mm scale and 51mm nut, paired with a well-rounded neck profile, make for an incredibly comfortable playing experience. Weighing in at just 3lbs 1oz, it’s lightweight and responsive in hand. The natural beauty of the Cypress is on full display, with its clean, golden hues brought to life by Pepe’s masterful French Polish finish. The voice delivers an ideal balance of quick response and crisp string energy, making it as dynamic as it is elegant.
Other keywords/misspelling: Lutherie, bespoke, spanish, flamenco, san diego,
2018 Isaac Jang OM, Madagascar Rosewood/Adirondack Spruce
The epitome of modern lutherie, this 2018 OM from Isaac Jang, made of Madagascar Rosewood and Adirondack Spruce, being 6 years old at the time of publication, has allowed for some excellent opening up of the Adirondack. Featuring all the qualities we know and love from Isaac’s work, including the Uchida-style bendaway, it offers not only a sleek aesthetic but also easy access to the fingerboard extension. This instrument has been well-played and well-cared-for. This guitar really speaks for itself.
Other keywords/misspelling: Luthier, bespoke, fingerstyle, los angeles, mainstage, IXOMUB.019.ADI.0418
$19,760 Add to cartScale Length 25.4 in Nut Width 1.781 in String Spacing 2.281 in Woods Spruce - Adirondack (Red), Rosewood - Madagascar 
1982 Brian Cohen, Classical Brazilian Rosewood/Cedar
This 1982 Brian Cohen Classical, with its Brazilian Rosewood back and sides and Cedar top, exemplifies craftsmanship and tonal beauty. The combination of woods offers a rich, resonant bass and warm, clear trebles, making it a prized instrument for its powerful yet nuanced sound. A true collector’s piece, it showcases the artistry and acoustic excellence synonymous with Cohen’s work.
Other keywords/misspellings: Luthier, lutherie, concert, hiscox, london, hiscox
$6,500 Add to cartScale Length 25.625 in Nut Width 2.125 in String Spacing 2.313 in Woods Cedar, Rosewood - Brazilian 
K&K Pure Mini Pickup with Volume Control for Steel String Acoustic Guitar – INSTALLED
The Pure Pickup is K&K’s award-winning, signature pickup for acoustic guitars. Installed on the guitar’s bridge plate, the Pure Pickup is a fantastic choice for achieving a rich, natural guitar sound — even without a preamp!
The Pure Pickup is an excellent plug-and-play solution for the musician who wants a warm, full-range signal without worrying about cluttering up their instrument, adjusting onboard electronics, or having to remember to change the battery. The Pure Pickup’s position on the bridge plate provides the perfect balance of sound, picking up all the strings without sounding harsh or percussive and “listening” to the sound board to amplify the unique characteristics of your guitar. The result is a warm, full-range signal that represents the true character of your guitar.
Dream Guitars has considerable experience with installing these pickups and can add one to your guitar. Price shown includes the pickup and labor.
Henriksen The Blu Amplifier with Padded Gig Bag
We wanted to create a single channel version of our enormously successful amp, The Bud, but we also wanted to try a slightly different design concept which allows us to keep the same great sound but 5 lbs lighter! At 12 lbs and 120 watts with all the essential features and Bluetooth auxiliary channel, The Blu is professional-grade through and through with the same great tone as The Bud. In the beginning, Bud Henriksen’s goal was to create a small, simple, plug-n-play amplifier that sounded great and was loud enough to gig. His original amplifiers had a blue painted baffle, so we used that as the inspiration for The Blu’s design.
The Blu has a 5-band graphic EQ, FX loop, reverb, full 48 volt phantom power and a Bluetooth auxiliary input for backing tracks or set break music. There is also a studio-grade balanced XLR line out, a headphone output, and a parallel extension speaker output to make full use of The Blu’s output power.
- 120 watts • 12 lbs • 9″x9″x9″
- Included gig bag
- Bluetooth Auxilary Input
- 5-band EQ • Reverb
- 48 volt phantom powered XLR,1/4” combo input
- TRS send/return FX loop • XLR balanced line out
- OEM 6.5″ Eminence Beta speaker with special fluid-cooled, high-yield neodymium tweeter (defeat-able)
- Ext. Speaker out
- Headphone Jack
Radial Engineering PZ-Deluxe
WARNING: Cancer and Reproductive Harm – www.P65Warnings.ca.gov
The Radial Engineering PZ-Deluxe is a feature-loaded acoustic preamp. It features a 4-band EQ, a direct box, and a low-cut filter. The PZ-Deluxe helps you dial in great sounds for magnetic and piezo equipped instruments. A mute/tuner footswitch lets you change instruments and tune in silence. A built-in power booster is perfect for making your solos stand out.
Radial Engineering PZ-Pre
WARNING: Cancer and Reproductive Harm – www.P65Warnings.ca.gov
The Radial Tonebone PZ-Pre™ is the most powerful acoustic preamplifier ever to be put inside a pedal. And when we say acoustic, we do not just mean acoustic guitar; we mean ANY acoustic instrument including banjo, violin, cello, mandolin, contrabass, bouzouki or lute. The magic of the PZ-Pre lies in the combination of high performance 100% discrete class-A piezo boosters, an ultra-quiet preamp circuitry that will adapt to any pickup system and a host of connectivity options that put you in control of any situation. The PZ-Pre features two inputs for quick instrument changes on stage, a powerful yet warm sounding semi-parametric EQ to tailor your sound, plus a host of feedback eliminating controls including: a dual-Q notch filter to surgically remove feedback points, a high-pass filter to cut low frequency resonance and a phase reverse switch to optimize the acoustic environment on stage. The PZ-Pre is equipped with three separate outputs: a ¼” on-stage instrument amp out, a balanced XLR pre-EQ direct out for the house mix and a balanced XLR post EQ out for stage monitors or in-ears. A dedicated tuner out with mute switch is provided for quiet on-stage tuning as well as an effects loop and power booster to add sizzle and dynamics to the performance! Compact and easy to use, the Radial PZ-Pre packs in all of the features you need to take your acoustic instrument from home to studio and club to concert. “We are currently using the Radial PZ-Pre with James Taylor’s guitars and we are extremely pleased with marriage of the piezo pickups to the PZ Pre. The result is a substantial sonic improvement imparting a rich, natural and open sound. Thanks to Radial for creating this elegant tool.” David Morgan (FOH engineer – James Taylor, Paul Simon, Stevie Nicks, Bette Midler)
Henriksen The Bud Amplifier with Padded Gig Bag
Do you want to have an amplifier the size of a toaster that gives you the quality of tone for BOTH electric and acoustic instruments that you’d expect from a studio situation with enough volume to cover almost any gig? Of course you do. That’s why if you play guitar, or any stringed instrument with a pickup for that matter, you need a Bud. The Bud has every feature you need and more than enough volume to get your bandmates or club manager to ask you to turn down, and coupled with the extension cabinet you can keep up with the heaviest-handed drummer with no problem. The amp and cabinet are naturally feedback resistant which limits the need for artificial notch filtering and other suppression technologies that negatively effect your tone.
But it’s not all about size and volume, there are lots of tiny, loud amplifiers on the market. You’ve tried them. You know what they sound like. The Bud is different. Henriksen Amplifiers is all about tone first, the incredibly portable size and feature set of The Bud were developed around the sound, not the other way around and you can definitely hear the difference. Our pre-amp, from input to output, is designed using the highest grade audio components. We offer a 5-band EQ with carefully chosen center frequencies which were fine-tuned by ear to meet the demands of different playing environments using the widest possible array of musical instruments. We give you two identical pre-amps, each with independent EQ and reverb and actual 48 volt phantom power, and an auxiliary input on each channel so that whatever you are using it for can be EQ’d separately from your instrument signal.
Tech specs:
120 watts
L.R. Baggs Session DI
Inspired by the LR Baggs Handcrafted Video Sessions and their experience in some of Nashville’s great studios, the Session Acoustic DI brings LR Baggs’ signature studio sound to your live rig. The Session DI enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear. They’ve captured this studio magic and put it into a compact, easy-to-use DI that will transform your live sound.
AER Alpha
The AER Alpha is a compact combo amp for acoustic instruments. It has one channel with 2 individual inputs that allow parallel use of instrument and microphone, even though the instrument is the main focus. Inputs each have their own gain knob. Birch plywood cabinet provides great tone projection and is road tough. Dynamic controlled 40 Watts RMS and the 8″ twin-cone speaker system give perfect performance at all sound pressure levels. Onboard reverb, external effects loop and headphone out. The Alpha amplifier defines the starting point of serious acoustic amplification at AER. Based on the success and the experience with the Compact 60 they have developed an even smaller, lightweight model that has no difficulties living up to the rigors of the road. Amazingly reduced, without losing what is essential for superb performance – the Alpha is a full size member of the AER product family. Open sounding and quick in response, this guitar amp masters different ranges and is not afraid of bigger instruments.
Effects
The AER Alpha has an integrated (internal) digital reverb effect on board. The return control determines the intensity of the effect (as far to the left as possible means no effect). Furthermore, a supplementary effect device can be connected (external effect). For this purpose, use the sockets send and return at the rear of Alpha to connect the external device (send to the input, return from the output of the external effect). The intensity will then be set by the controls of external effect device. A standard double foot switch can be connected to the footswitch socket on the rear of the amp with a stereo cable. This switch can be used to turn the internal and external effects on and off.
L.R. Baggs Para Acoustic Di
Due to its studio quality performance, powerful tone shaping EQ and rock-solid reliability, the Para DI is an indispensable stage tool for countless musicians around the world. This roadworthy box effortlessly tames the stage and enhances any acoustic pickup for a fuller, more complex sound. The Para DI features a 5-band EQ with a tunable midrange and notch, variable gain control for passive or active pickups and a high-quality DI output for a pristine signal to the board.