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Add to Compare2004 Santa Cruz Bob Brozman Baritone, Koa/Adirondack Spruce
What a complex beast this instrument is! This 2004 Santa Cruz Bob Brozman Baritone has stunning Koa back and sides paired with an Adirondack Spruce top. With its 27″ scale length and 12-fret-to-body construction, it delivers exceptional depth and resonance. Elegant abalone trim throughout complements its beauty, and a L.R. Baggs RTS II pickup makes it stage-ready. Comes protected in a Calton case.
Other keywords/Misspellings: Luthier, lutherie, bespoke, team built, slack key, hawaii
$8,320 Add to cartScale Length 27 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Koa 
Add to Compare2021 Pepe Romero Classical Cypress/Spruce
From famed luthier Pepe Romero Jr., we’ve got a 2021 Classical that’s raring to go. Built with beautifully figured Cypress for the back and sides and Spruce on top, the 640mm scale and 51mm nut, paired with a well-rounded neck profile, make for an incredibly comfortable playing experience. Weighing in at just 3lbs 1oz, it’s lightweight and responsive in hand. The natural beauty of the Cypress is on full display, with its clean, golden hues brought to life by Pepe’s masterful French Polish finish. The voice delivers an ideal balance of quick response and crisp string energy, making it as dynamic as it is elegant.
Other keywords/misspelling: Lutherie, bespoke, spanish, flamenco, san diego,
Add to Compare2018 Jang OM, Madagascar Rosewood/Adirondack Spruce
The epitome of modern lutherie, this 2018 OM from Isaac Jang, made of Madagascar Rosewood and Adirondack Spruce, being 6 years old at the time of publication, has allowed for some excellent opening up of the Adirondack. Featuring all the qualities we know and love from Isaac’s work, including the Uchida-style bendaway, it offers not only a sleek aesthetic but also easy access to the fingerboard extension. This instrument has been well-played and well-cared-for. This guitar really speaks for itself.
Other keywords/misspelling: Luthier, bespoke, fingerstyle, los angeles, mainstage, IXOMUB.019.ADI.0418
$20,800 Add to cartScale Length 25.4 in Nut Width 1.781 in String Spacing 2.281 in Woods Spruce - Adirondack (Red), Rosewood - Madagascar 
Add to Compare1982 Brian Cohen, Classical Brazilian Rosewood/Cedar
This 1982 Brian Cohen Classical, with its Brazilian Rosewood back and sides and Cedar top, exemplifies craftsmanship and tonal beauty. The combination of woods offers a rich, resonant bass and warm, clear trebles, making it a prized instrument for its powerful yet nuanced sound. A true collector’s piece, it showcases the artistry and acoustic excellence synonymous with Cohen’s work.
Other keywords/misspellings: Luthier, lutherie, concert, hiscox, london, hiscox
$6,500 Add to cartScale Length 25.625 in Nut Width 2.125 in String Spacing 2.313 in Woods Cedar, Rosewood - Brazilian 
Add to Compare1996 Klein L457 Mushrooms Brazilian Rosewood/Spruce
Klein & Kaufman crafted this beast in 1996. An absolute stunning set of Brazilian Rosewood for the back and sides, with a gorgeous Spruce top. This guitar has had nearly 30 years of play at time of publication, and it certainly lets you know. All of the characteristics that we know and love about Klein & Kaufman guitars are present in this build. Powerful bass, and trebles that truly stand out. You’ll notice that there is something funky about this particular instrument, funky? Fungal? Ah yes, there are beautiful abalone mushrooms filling in the fingerboard and headplate. This is such a unique and singular piece that it made its way into the book “The Guitar” by Nick Freeth and Charles Alexander. These guitars are beloved by many famous wielders of the axe! Steve Martin, Joni Mitchell and Andy Summers to name a few. If you’re looking for an incredibly inspirational instrument as well as an exciting addition to any collection–look no further.
Additional keywords/misspellings: Luthier, lutherie, fingerstyle, modern, calton, 90’s s-3/044
$13,000 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian 
Add to CompareBrand New Porter Quantum Classical, Indian Rosewood/Carpathian Spruce
From Steve Porter our latest Quantum model! This one features Indian Rosewood and Carpathian Spruce. Along with all of the appointments you would come to expect from the California-based luthier. Soundports, French polish, elevated fingerboard and an intricate lattice braced top.
Other keywords/misspellings: Luthier, lutherie, classical, raised fingerboard, sloane, 54
$8,945 Add to cartScale Length 25.625 in Nut Width 2 in String Spacing 2.313 in Woods Spruce - Carpathian, Rosewood - Indian 
Add to CompareJames May Engineering Ultra Tonic Pickup UTP V3.2-CK for Acoustic Guitar – INSTALLED
Ultra Tonic™ V3 Pickup with Sound-Hole Volume Control converts a K&K Pure Mini into an Ultra Tonic equivalent. Includes an extra K&K-like disc to bolster a weak high E string. Comes with a sound-hole mounted volume control that works with no compromises into any impedance of 500Kohm or more..
At last, a pickup that offers the richness of a sound board transducer, with the feedback immunity of an under saddle transducer. With patent pending feedback suppression technology, James May Engineering is proud to offer a unique solution for guitarist who care about their sound and need to play at elevated levels.
So how does it sound? It’s similar to the most popular sound board transducer, the K&K Pure Mini, a great sounding pickup. But the Ultra Tonic goes further: it cleans up the low end mud and boom and as a result sounds a bit clearer and crisper on top as well. It has a lot more feedback immunity – typically at least 10dB more at the fundamental chamber resonance of 100-110Hz. Audio clips can be heard on Soundcloud – https://soundcloud.com/user-232280722/ultra-tonic-pickup-and-tonedexter-demo-martin-omc The pickup and included circuit board are totally passive. Yet, it has a low output impedance and a high output level so you can plug into just about anything with an input impedance of 100Kohms or greater. 1Mohm is recommended (more is okay).
By itself it is highly impressive, offering a much richer sound than any under-saddle transducer can give. When paired with ToneDexter, it will knock your socks off! If you aren’t yet familiar with ToneDexter, you might want to check it out. https://www.dreamguitars.com/shop/amplification/preamps-and-di-boxes/audio-sprockets/audio-sprockets-tonedexter.html
Add to CompareJames May Engineering Ultra Tonic Pickup UTP V3.2-ST for Acoustic Guitar – INSTALLED
Ultra Tonic™ V3 Pickup with Sound-Hole Volume Control for steel string guitars and nylon string guitars with no center brace.
At last, a pickup that offers the richness of a sound board transducer, with the feedback immunity of an under saddle transducer. With patent pending feedback suppression technology, James May Engineering is proud to offer a unique solution for guitarist who care about their sound and need to play at elevated levels.
So how does it sound? It’s similar to the most popular sound board transducer, the K&K Pure Mini, a great sounding pickup. But the Ultra Tonic goes further: it cleans up the low end mud and boom and as a result sounds a bit clearer and crisper on top as well. It has a lot more feedback immunity – typically at least 10dB more at the fundamental chamber resonance of 100-110Hz. Audio clips can be heard on Soundcloud – https://soundcloud.com/user-232280722/ultra-tonic-pickup-and-tonedexter-demo-martin-omc The pickup and included circuit board are totally passive. Yet, it has a low output impedance and a high output level so you can plug into just about anything with an input impedance of 100Kohms or greater. 1Mohm is recommended (more is okay).
By itself it is highly impressive, offering a much richer sound than any under-saddle transducer can give. When paired with ToneDexter, it will knock your socks off! If you aren’t yet familiar with ToneDexter, you might want to check it out. https://www.dreamguitars.com/shop/amplification/preamps-and-di-boxes/audio-sprockets/audio-sprockets-tonedexter.html NOTE:
The Ultra Tonic Pickup UTP V3.2-ST works with steel string guitars with bridge plates that don’t have an internal center brace, as well as nylon string guitars with and without bridge plates.
Add to CompareJames May Engineering Ultra Tonic Pickup UTP V3.2-CL for Acoustic Guitar – INSTALLED
Ultra Tonic™ V3 Pickup with Sound-Hole Volume Control for steel string guitars and nylon string guitars with no center brace.
At last, a pickup that offers the richness of a sound board transducer, with the feedback immunity of an under saddle transducer. With patent pending feedback suppression technology, James May Engineering is proud to offer a unique solution for guitarist who care about their sound and need to play at elevated levels.
So how does it sound? It’s similar to the most popular sound board transducer, the K&K Pure Mini, a great sounding pickup. But the Ultra Tonic goes further: it cleans up the low end mud and boom and as a result sounds a bit clearer and crisper on top as well. It has a lot more feedback immunity – typically at least 10dB more at the fundamental chamber resonance of 100-110Hz. Audio clips can be heard on Soundcloud – https://soundcloud.com/user-232280722/ultra-tonic-pickup-and-tonedexter-demo-martin-omc The pickup and included circuit board are totally passive. Yet, it has a low output impedance and a high output level so you can plug into just about anything with an input impedance of 100Kohms or greater. 1Mohm is recommended (more is okay).
By itself it is highly impressive, offering a much richer sound than any under-saddle transducer can give. When paired with ToneDexter, it will knock your socks off! If you aren’t yet familiar with ToneDexter, you might want to check it out. https://www.dreamguitars.com/shop/amplification/preamps-and-di-boxes/audio-sprockets/audio-sprockets-tonedexter.html NOTE:
The Ultra Tonic Pickup UTP V3.2-ST works with steel string guitars with bridge plates that do have an internal center brace, as well as nylon string guitars with and without bridge plates.
Add to CompareK&K Pure Mini Pickup with Volume Control for Steel String Acoustic Guitar – INSTALLED
The Pure Pickup is K&K’s award-winning, signature pickup for acoustic guitars. Installed on the guitar’s bridge plate, the Pure Pickup is a fantastic choice for achieving a rich, natural guitar sound — even without a preamp!
The Pure Pickup is an excellent plug-and-play solution for the musician who wants a warm, full-range signal without worrying about cluttering up their instrument, adjusting onboard electronics, or having to remember to change the battery. The Pure Pickup’s position on the bridge plate provides the perfect balance of sound, picking up all the strings without sounding harsh or percussive and “listening” to the sound board to amplify the unique characteristics of your guitar. The result is a warm, full-range signal that represents the true character of your guitar.
Dream Guitars has considerable experience with installing these pickups and can add one to your guitar. Price shown includes the pickup and labor.
Add to CompareHenriksen The Blu Amplifier with Padded Gig Bag
We wanted to create a single channel version of our enormously successful amp, The Bud, but we also wanted to try a slightly different design concept which allows us to keep the same great sound but 5 lbs lighter! At 12 lbs and 120 watts with all the essential features and Bluetooth auxiliary channel, The Blu is professional-grade through and through with the same great tone as The Bud. In the beginning, Bud Henriksen’s goal was to create a small, simple, plug-n-play amplifier that sounded great and was loud enough to gig. His original amplifiers had a blue painted baffle, so we used that as the inspiration for The Blu’s design.
The Blu has a 5-band graphic EQ, FX loop, reverb, full 48 volt phantom power and a Bluetooth auxiliary input for backing tracks or set break music. There is also a studio-grade balanced XLR line out, a headphone output, and a parallel extension speaker output to make full use of The Blu’s output power.
- 120 watts • 12 lbs • 9″x9″x9″
- Included gig bag
- Bluetooth Auxilary Input
- 5-band EQ • Reverb
- 48 volt phantom powered XLR,1/4” combo input
- TRS send/return FX loop • XLR balanced line out
- OEM 6.5″ Eminence Beta speaker with special fluid-cooled, high-yield neodymium tweeter (defeat-able)
- Ext. Speaker out
- Headphone Jack
Add to CompareRadial Engineering PZ-Deluxe
WARNING: Cancer and Reproductive Harm – www.P65Warnings.ca.gov
The Radial Engineering PZ-Deluxe is a feature-loaded acoustic preamp. It features a 4-band EQ, a direct box, and a low-cut filter. The PZ-Deluxe helps you dial in great sounds for magnetic and piezo equipped instruments. A mute/tuner footswitch lets you change instruments and tune in silence. A built-in power booster is perfect for making your solos stand out.
Add to CompareRadial Engineering PZ-Pre
WARNING: Cancer and Reproductive Harm – www.P65Warnings.ca.gov
The Radial Tonebone PZ-Pre™ is the most powerful acoustic preamplifier ever to be put inside a pedal. And when we say acoustic, we do not just mean acoustic guitar; we mean ANY acoustic instrument including banjo, violin, cello, mandolin, contrabass, bouzouki or lute. The magic of the PZ-Pre lies in the combination of high performance 100% discrete class-A piezo boosters, an ultra-quiet preamp circuitry that will adapt to any pickup system and a host of connectivity options that put you in control of any situation. The PZ-Pre features two inputs for quick instrument changes on stage, a powerful yet warm sounding semi-parametric EQ to tailor your sound, plus a host of feedback eliminating controls including: a dual-Q notch filter to surgically remove feedback points, a high-pass filter to cut low frequency resonance and a phase reverse switch to optimize the acoustic environment on stage. The PZ-Pre is equipped with three separate outputs: a ¼” on-stage instrument amp out, a balanced XLR pre-EQ direct out for the house mix and a balanced XLR post EQ out for stage monitors or in-ears. A dedicated tuner out with mute switch is provided for quiet on-stage tuning as well as an effects loop and power booster to add sizzle and dynamics to the performance! Compact and easy to use, the Radial PZ-Pre packs in all of the features you need to take your acoustic instrument from home to studio and club to concert. “We are currently using the Radial PZ-Pre with James Taylor’s guitars and we are extremely pleased with marriage of the piezo pickups to the PZ Pre. The result is a substantial sonic improvement imparting a rich, natural and open sound. Thanks to Radial for creating this elegant tool.” David Morgan (FOH engineer – James Taylor, Paul Simon, Stevie Nicks, Bette Midler)