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2021 Dudenbostel 000-18, Honduran Mahogany/Carpathian Spruce
From the bench of the legendary Lynn Dudenbostel, we have a 2021 000-18 crafted from Honduran Mahogany and Carpathian Spruce. The grain on both the Spruce and Mahogany is staggeringly good, and it’s reflected in the tone — wide spacing at the saddle and nut, EVO frets, and a minimalist, natural aesthetic. The burst is exceptionally well-executed, with a perfectly graduated fade. This is one of those guitars that speaks for itself, and it’s also offered at an excellent price.
$11,440 Add to cartScale Length 25.4 in Nut Width 1.81 in String Spacing 2.313 in Woods Spruce - Carpathian, Mahogany - Honduran Add to Compare2005 Dudenbostel Super 21 Dreadnought, Honduran Rosewood/Red Spruce
Instruments from Lynn Dudenbostel are quite legendary, and for good reason. Built in 2005, this 21-style dreadnought, serial number 052, features Honduran Rosewood back and sides and a Red Spruce top, offering an incredibly powerful and sweet tone. With a V-profile neck and herringbone rosette, it’s an incredible modern interpretation of a classic design.
Other keywords/misspellings: Luthier, lutherie, bespoke, knoxville, bluegrass, traditional, trad
$16,640 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Rosewood - Honduran Add to Compare2010 Dudenbostel OM-28, Brazilian Rosewood/Adirondack Spruce
Lynn Dudenbostel’s reputation is sterling, and for good reason: the man knows how to build ‘em right. This 2010 OM-28 is a fabulous specimen: loud and energetic, yet balanced, with slick playability all along the fretboard. Fit and finish are superb, with a great eye for detail at the miters and in the vine inlays across the fretboard. The tonewood front is the same: gorgeous woods, primo-primo quartersawn Brazilian Rosewood with Adirondack Spruce on top. A pyramid bridge and vintage-style gold Grover tuners complete the package, and this baby comes swaddled in a Calton flight case for maximum protection.
Other keywords: lutherie, luthier, guitarbuilding, fingerstyle, 28-style, 28 style, orchestra model, 069, calton
additional demo here : https://youtu.be/AzOtgux9_qk
SOLD Read moreScale Length 24.9 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2001 Dudenbostel Style-5 D, Brazilian Rosewood/Adirondack Spruce
Our 2001 Dudenbostel Style-5 D is beautiful, plain and simple. 45-style appointments executed in fine style (so many miters), cream-of-the-crop Brazilian Rosewood and Adirondack Spruce, and a rich and engrossing voice—beautiful pretty much sums it up.
Lynn Dudenbostel coaxes a lot of warm, dynamic tones out of his bass response, and here pairs that with crisp mids and trebles for a swift attack and projection. The voice shoots out and away from the soundhole very quickly, giving this Dreadnought a clean projection that cuts well through the mix. The neck profile is a V that feels full and comfortable in the hand, and on top the setup is dialed in for easy flatpicking action.Other keywords: lutherie, luthier, dreadnaught, dread, abalone, mop, red spruce
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare1996 Dudenbostel 000-45, Brazilian Rosewood/Adirondack Spruce
An earlier build from Lynn Dudenbostel that’s had a few decades to open up—and open up, it has. This 000-45 (long scale) was built in 1996 with Brazilian Rosewood body and Adirondack Spruce on top, plus a well executed Abalone 45-style appointment package and 1 13/16” nut spacing. It’s a very comfortable fingerstyle guitar, and with the longscale setup it handles flatpickiing well to boot. It’s been well cared for and looks great for its age, and is more than ready for action. Plus this beauty comes wrapped up in a Calton flight case for maximum safety on those rare moments you won’t be playing it.
Other keywords: lutherie, luthier, guitarbuilding, fingerstyle, 45-style, 45 style, orchestra model, 014, calton, adriondack, brazilain
SOLD Read moreScale Length 25.4 in Nut Width 1.81 in String Spacing 2.3123 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2018 Dudenbostel OM, Brazilian Rosewood/Adirondack Spruce
The Dudenbostel abides. We’ve landed a powerhouse 2018 OM from Lynn Dudenbostel that’s a bombshell to the eyes, and a cannon to the ears. Brazilian Rosewood back and sides are paired with an Adirondack Spruce top, herringbone trim, and a vintage-style V neck that’s glossy smooth to the touch. This beauty weighs in at a scant 4lbs, and has a sweet dynamic range that works well for both flatpicking and fingerstyle. Ivoroid bindings, Waverly tuners, and a classic bone through saddle round out the image of the classic OM—and this Dudenbostel has an expressive and lively voice to make it oh so hard to put down.
Other keywords: fingerpicking, orchestra model, karura
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare1996 Dudenbostel D-18S Mahogany/Adirondack
Delightfully opened up, this 1996 D-18S from Lynn Dudenbostel lends weight to the argument that older equals better. The voice speaks to the hundreds of hours of tunes that have already gone into these fine tonewoods: dry, cracklin’ bass from the Mahogany back and sides and a crisp set of treble strings with a toothy bite (a la Adirondack Spruce). With the 12-fret neck and Slope Dreadnought body, this Dudenbostel has an extra dose of warmth and sweetness that smooths the edges between respective registers, and the 1 25/32″ nut pffers a spacious left hand experience.
Want to fingerpick Appalachian-style in dropped tunings? This D-18S turns into a fingerpicking cannon at the turn of a few tuner knobs, responding as easily to a lighter touch as an aggressive flatpick. Have we mentioned that this Dudenbostel has opened up beautifully?
SOLD Read moreScale Length 25.4 in Nut Width 1.78 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Mahogany
Born and raised in East Tennessee, Lynn Dudenbostel developed a love of music at an early age. Even though the opportunity to play in the elementary school band was still two years away, he began clarinet lessons while in second grade. It wasn’t until his early teens that Lynn became interested in stringed instruments. First taking up the guitar and banjo, it was some years later when the mandolin caught his ear. During that time, Knoxville was a hotbed of bluegrass and after being exposed to many great mandolin players in the bands that would come through town, Lynn started his search for a mandolin. The search led him to a luthier named Gene Horner in nearby Westel, Tennessee. Visiting Gene’s shop on Saturday mornings when other local musicians would drop in, Lynn became fascinated with not only the mandolin, but the thought of someday actually building his own.
The opportunity to build finally presented itself when Lynn and his wife Amy were married in 1987. It seems Amy wanted a dulcimer, and that was just the open door Lynn needed to take over part of the basement, acquire tools, and start building. After four dulcimers were complete, Lynn still wanted to build mandolins, but felt that it would be wise to build a guitar or two as an intermediate step to the more complicated F-5 he really wanted to build. So, in 1989 the first guitar was finished and Dudenbostel Stringed Instruments was born. He was not prepared for the success he was about to have with the guitars, and it was another 7 years before the first F-5 came from his shop.
Inspired by the vintage Martin guitars and Gibson mandolins of the 1920’s and 1930’s, Lynn became a full-time luthier in 1997 and continues to build traditional style guitars and mandolins in his shop in Maryville, Tennessee.