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1995 Gibson ES-335 DOT Figured Maple/Flamed Maple
There is one thing for certain, the Gibson 335 holds a lofty position in the minds and hearts of many players, most people that have been through the shop recently and have seen this Gibson hanging up on the wall have had a story or two about their own 335. It is easy to understand why so many people have been partial to this model of guitar, it looks great, sounds great , and is quite versatile. From Rock to Jazz this guitar will be able to handle the job very ably. This is a 1995 ES-335-DOT in beautiful Curly Maple Top, back, and sides. This 335 definitely deserves to make some lucky player happy for many years to come.
1978 Gibson Johnny Smith Maple/Spruce
Here we have a remarkably pristine 1978 Gibson Johnny Smith archtop that looks as though it never left the case. It was hardly ever played and looks one year old, not decades old. It’s wide body is beloved by jazz players for it’s full, rounded tone, and the playability of the neck is exceptional. Add to that the single cutaway, incredible sunburst, and art deco styling, and you’ve got the flagship of the vintage Gibson archtop line.
2005 Gibson ES-335 Maple in Cherry! DOT!
Few guitars can match the Gibson ES-335 for sheer star power. It’s been seen in the hands of guitarists as diverse as Eric Clapton, Keith Richards, B. B. King and session legend, Larry Carlton (who has his own 335 Signature model). This 2005 Gibson ES-335 was owned by jazz player Ted Shumate, so it’s was selected by a pro for it’s tone, it’s one of the good ones! Kept in great condition and recently setup by John Buscarino, this is not your average 335!
1962 Gibson Barney Kessel Maple/Spruce
There’s a lot to like about this 1962 Gibson Barney Kessel model. Its famous namesake was of course one of the most highly regarded jazz guitarists of his era – playing on countless recordings by the very biggest names in the business – including Oscar Peterson, Sonny Rollins, Milt Jackson – and countless others.
The Kessel model is a nice jazz box with a slim neck and super fast action. It can get a wide range of tones from its humbuckers, but to our ears it fares best when played on the clean side. That said, a bit of overdrive sounds really great with this vintage beauty too. Its attractive double Florentine cutaway shape is finished in a very pretty cherry sunburst.
1946 Gibson ES-150 Maple/Spruce
Here’s another guitar that is nearly impossible to stop playing! Talk about fun! The Gibson ES-150 is a great vintage instrument, and a wonderful value too. This fine guitar plays great and was maintained by a professional luthier for many years. The superb P-90 neck pickup sounds great when banging out chunky jazz chords, and has excellent mid-range qualities to make single line playing leap out from the bandstand. For years ES-150 (Electric Spanish) was Charlie Christians guitar of choice.
2005 Gibson L4CES Mahogany/Spruce
This is a Custom Shop Gibson L-4 CES Archtop guitar. These are made from solid Mahogany for the body and carved Spruce top. This example from 2005 is near mint and obviously well cared for. The setup is perfect and it plays fast and easy. The acoustic voice is lively and plugged in it’s full and fat. A great Gibson design.
1999 Gibson Custom Shop 1959 ES-335 Dot VOS Limited Edition One of Only 250 Made Maple, Vintage Sunburst
This is the Custom Shop 1959 ES-335 DOT Reissue VOS Limited Edition. Not to be confused with other ’59 Reissues, this is one of 250 Limited Edition sunbursts ever made with the VOS treatment from Gibson. VOS guitars have a aged look and feel thanks to the satin finish, brushed pickup covers and bridge, etc It looks it’s reissue ‘age’ of 50+ years old, but of course is in mint condition. This guitar was actually made in the same molds as the original ’59 was. This is the finest reissue version of the 1959 ES-335 you will find. The MSRP on this model is $5649. From the Gibson webpage: This limited production model from Gibson Custom captures this desirable classic in greater detail than any ‘reissue’-style guitar previously produced. It is truly an instrument born in the image of its inspiration. Starting with the traditional plain laminated maple top, back and sides, with single-ply creme binding on both the top and back, the 1959 ES-335 Dot Reissue is true to the original’s ’59 specs in almost every detail. Its one-piece, 24-1/2″ inch scale length mahogany neck features a long tenon, a 22-fret Madagascar rosewood fingerboard with pearloid dot inlays and a rounded ’59 neck profile. In addition to its period-correct look, the 1959 ES-335 Dot Reissue recreates the legendary tone of the original model by utilizing a pair of Gibson’s renowned ’57 Classic humbucking pickups, which is the closest thing to original ‘PAF’ pickups on the market today. High-quality CTS volume and tone potentiometers with ‘bumble bee’ capacitors offer a fundamental electronics package, thus insuring the guitar’s unique tone is captured and delivered with the utmost accuracy and originality. Other traditional appointments include vintage tulip tuners, a holly headstock veneer and all nickel hardware, including an ABR-1 bridge and lightweight aluminum stopbar tailpiece. This 1959 ES-335 Dot Reissue in Antique Vintage Sunburst comes with a custom shop reissue case, certificate of authenticity and is strictly limited to just 250 guitars per finish.
1968 Gibson Super 400CES Curly Maple/Spruce
Here’s a vintage Gibson Super 400CES from 1968, the last year of the split block Fret Markers. This one is completely original but for the pickguard and updated bridge and the original parts are in the case. The big 18″ body of the Super 400 is the secret to it’s bold and powerful sound. This one has been lovingly cared for and has a great setup for easy playability. This is a classic in every way.
Gibson Le Grand Archtop Flamed Maple/Sitka
From the Gibson website: From its graceful Venetian cutaway to its abalone enhanced inlays, the new Gibson Le Grand is a sight to behold. This distinctive looking guitar will soon be the instrument of choice in jazz circles. Other enhancements include a gold plated, individually fingered jazz tailpiece as well as adjustable bridge with abalone inlaid ebony bridge base. Gibson’s Le Grand guitar utilizes enhanced floating pickup technology which avoids deficiencies found with other floating pickup guitars. To deter feedback problems, Gibson has chosen to mount the pickup to the pickguard instead of the neck of the Le Grand, thereby producing the smooth mellow tone of a floating pickup without feedback problems. Comfort is engineered into this guitar by utilizing a sleek, lightweight peghead design. As a result, the Le Grand proves to be a well-balanced instrument that is both pleasing to look at and exciting to hear!
SOLD Read moreScale Length 25.4 in Nut Width 1.69 in String Spacing 2 in Woods Spruce - Sitka, Maple 1996 Gibson ES335 Historic Custom Shop 1959 Reissue Flamed Maple/Flamed Maple
The 1959 Dot ES335 is a classic known to vintage guitar fans everywhere. This historic reissue is a faithful recreation and offers players the chance to own a modern guitar in perfect condition that has the mojo of the past. This one has everyone’s favorite, the Tobacco Sunburst on figured Maple with creamy bindings and keystone buttons. This particular guitar plays beautifully and sounds amazing. It’s in near mint condition and ready for a new parnter.
1960-1961 Gibson Byrdland Maple/Spruce
This rare Byrdland comes from 1960, the first year they introduced the pointed Florentine cutaway. This blonde beauty is in great condition, the setup on this guitar is perfect and it plays like a dream. The Byrdland designs features a short 23.5″ scale which makes for easy reach and joyful bending. This one has that distinctive Byrdland sound and Al and I both love it.
1950 Gibson Super 300 Flame Maple/Maple
Just over 200 Super 300s were ever made by Gibson Guitars. The Super 300 is essentially identical to a super 400 but a bit more understated with regard to trim. This beauty from 1950 is in excellent condition and the tone is magical. You can just imagine some of the juke joints it’s been in. The tobacco burst is warm and inviting and the maple back has nice figure as does the tiger striped neck. The neck finish is worn to that perfect feel of a vintage guitar with just enough miles on it. Outstanding…
1998 Gibson ES-165 Herb Ellis Signature Flame Maple/Flamed Maple
The Herb Ellis model celebrates the legendary guitarist who’s work is known to all archtop guitarists. The ES-165 is based on Herb’s 1949 ES-175 and this one from 1998 includes the fixed humbucker, which is no longer available on current model, and a gorgeous sunburst. This guitar is absolutely like new, kept in ‘out-of-the-box’ condition by it’s single owner. You need only listen to the clips below to understand how wonderful these guitars sound. This is a sweetheart.
1978 Gibson LC-5 Maple/Spruce
The Gibson L-5 model needs little introduction; players such as Wes Montgomery, Scotty Moore and Tuck and Patti have made the sound of an L-5 legendary. This beautiful example is an L5-C or Custom L-5 from 1978 and is in wonderful condition. It is completely original but for the pickguard and nut and has a recent refret done to perfection. So not only is this one look stunning, it plays exquisitely up the entire neck.
2007 Greenfield 15″ Archtop, Bigleaf Maple/European Spruce
Bigleaf Maple body, European Spruce top, 15 inches across the lower bout and rigged with a Kent Armstrong humbucker–this 2007 Greenfield Archtop is a sight to see. In hand, the smaller body feels extra comfortable; you can really snug up with this one in your arms. Ebony pickguard, bridge, and tailpiece provide some dark contrast to the honey amber hues present elsewhere. Michael has only ever offered a small handful of archtops–this is only the third we’ve ever seen–and we’re proud to offer this one to you now.
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Additional demo: https://youtu.be/efi0x5tqKUU
SOLD Read moreScale Length 25 in Nut Width 1.75 in String Spacing 2.065 in Woods Spruce - European, Maple - Flame