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2016 Somogyi 000 Cutaway, Brazilian Rosewood/Sitka Spruce
Here at Dream Guitars we hold Ervin Somogyi, the grandfather of modern fingerstyle lutherie, in the highest esteem. How could we not? His designs and techniques have helped pave the way for an entirely new style of responsive guitar. So it comes as a special honor to have this 2016 000 Cutaway in our hands today. This is the first of a trio of bespoke builds Ervin crafted for a client, each featuring a unique patio stone headplate with Rodgers tuners, carved rosette, and sail boat inlaid at the heel. Brazilian Rosewood back and sides pairs with Sitka Spruce on top, plus a 26-25″ multiscale setup and 12 fret neck. The carved rosette is an incredibly intricate series of knots backed with red washi paper.
Other keywords: lutherie, contemporary guitar, fan fret, fanned fret, 463, brazilain, hoffee, cutaway
SOLD Read moreScale Length 25 in - 26 in Nut Width 1.781 in String Spacing 2.188 in Woods Spruce - Sitka, Rosewood - Brazilian Add to Compare1996 Somogyi Thin Modified Dreadnought, Indian Rosewood/European Spruce
Take the legendary California Guitar Trio, pair them with Ervin Somogyi, and the results are stunning. Hideyo Moriya of CGT worked with Ervin in 1996 to build this Thin Modified Dreadnought as the ultimate performing guitar, rigged out with a 26-25.125” multiscale fretboard, florentine cutaway, and a thin body design that was further enhanced with a Manzer-style body wedge. The result is a featherweight Somogyi that is equally at home for picks, fingertips, standard tuning, NST, DADGAD, you name it. Straight-grain Indian Rosewood body pairs with European Spruce top and one of Ervin’s famous segmented rosette. Recently, Hideyo had Ray Kraut (appropriate as one of Ervin’s former apprentices) refinish this beauty and remove the original pickup system, making it all acoustic. Hideyo put so much time into this guitar, a refinish was very due! Now it looks gorgeous and ready for more action. Additionally, Ray also converted the previous pickup’s side-mounted preamp into a squared up soundport, giving the player a little more “me in the monitor.” Wrapped up in the original Calton case, itself very familiar with the road but in perfect working order, this 1996 Somogyi Thin Modified Dreadnought is safe and sound. Interested? Give us a shout!
Other keywords: 172, fingerstyle, new standard tuning, fan fret, multi-scale, multi scale, flight case, fingerpicking, lutherie
SOLD Read moreScale Length 25.125 in - 26.25 in Nut Width 1.688 in String Spacing 2.063 in Woods Spruce - European, Rosewood - Indian Add to Compare2007 Somogyi 000-12, Brazilian Rosewood/Bearclaw Sitka
It’s a sincere pleasure to meet guitars again after they’ve seen a bit of the world. Paul couldn’t agree more, when this Somogyi 000 came strolling in the door. He commissioned this very guitar from Ervin in 2007, and he pulled out every. single. stop to make sure it was the perfect instrument. Brazilian Rosewood to make your grandpa cry, a Bearclaw Sitka set on top, tight-grained and amber, custom Rodgers tuners, hand-carved rosette and end graft with a celtic flair—the list goes on. Paul ordered a 12-fret neck for this 000 to maximize the sweetness and warmth of the tone, and added a multiscale board (26” bass to 25” treble) to keep that sweetness and clarity across the myriad of tunings he employs. Right down to the asymmetrical neck carve (borrowed from Al Beardsell’s necks), laminated saddle, and scalloped nut, this Somogyi stands apart from the already rarified crowd that makes up Ervin’s body of work. Back at Dream Guitars for a reprised role as coolest guitar in the shop, this beauty is available for the next lucky owner to claim it!
Here are some samples of Paul playing this Somogyi in G Tuning, C9 Tuning, and Standard Tuning.
Here’s an additional video Paul recorded to thank Ervin for the guitar when it was first delivered: https://youtu.be/45Gcw7gkQLY
SOLD Read moreScale Length 25 in - 26 in Nut Width 1.81 in String Spacing 2.31 in Woods Spruce - Sitka, Rosewood - Brazilian Add to Compare2018 Taran Tirga Mhor, Swartsa Wamara/European Spruce
This 2018 Taran Tirga Mhor features European Spruce on top and a very new-to-us back and sides made of Swartsa Wamara, which is as gorgeous visually as it is sonically. The Tirga Mhor is Rory Dowling’s take on a 000 design. Named after a Scottish mountain, it has 12 frets to the body with Evo frets and semi-hemispherical ends. It’s fitted with a multiscale setup of 26″ on the bass and 25.5″ on the treble extremities. A Wenge neck with a perfectly soft V profile and a sound port offer an exquisite view inside the guitar, showcasing Taran Guitars’ special construction. This guitar is also stage or studio-ready with a K&K Trinity Pickup system, allowing you to recreate the magic you hear in your lap on stage or in recordings. This guitar is so much fun and so refreshing. We have become huge fans of Taran Guitars here at the shop, and we can’t wait to see even more from them.
Other keywords/misspellings: Luthier, lutherie, bespoke, scotland, uk, roy, Tarin, taren, hiscox, 12/18, swartsia, swartza
SOLD Read moreScale Length 25.5 in - 26 in Nut Width 1.75 in String Spacing 2.37 in Woods Spruce - European, Swartsa Wamara Add to CompareBrand New Tippin Staccato, Madagascar Rosewood/”Salmon Crate” Sitka
This client commission was an honor to work with Bill Tippin on. Bill’s small-bodied Staccato model paired with a 25.7-24.9″ multiscale setup, Madagascar Rosewood body and “Salmon Crate” Sitka Spruce top, African Blackwood bindings with a Koa rosette, and one of Bill’s trademark soundports at the upper bout.
SOLD Read moreScale Length 24.9 in - 25.7 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Madagascar Add to Compare2014 Tippin Custom Crescendo Fan Fret Brazilian/Moonspruce
This amazing Custom Tippin Crescendo Multiscale was originally custom built for us by Master Luthier Bill Tippin. Old Growth Brazilian, Moon Spruce and a 25.5-26.25 multiscale were chosen to make this a super versatile guitar, this one can do it all! The multiscale insures that the Bass will never get weak and the Trebles will always sing! Bill added an Armrest Bevel and stunning Flamed Koa Bindings along with his elegant Sparkle MOP top trim and exquisite Yin-Yang inlay at the 12th fret. This guitar is inspiring in everyway and that’s what it’s all about. Here’s a great video of Loren Barrigar and Mark Mazengarb that features this Tippin guitar.
We loved this one so much that we teamed up with Al Petteway and recorded it on our latest album: Dream Guitars Volume II Hand Picked. It is Track #16 – The South Wind.
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Moonspruce, Rosewood - Brazilian Add to CompareNew Tippin Crescendo Brazilian/Moonspruce Fan Fret
Bill Tippin has done it again! This latest custom build, a multiscale with a 26.25 – 25.4 scale (for a lucky customer of ours), embodies all of Bill’s latest bracing ideas and has simply blown us all away. This guitar and the last have been among the very best sounding guitars that Paul and Al have ever heard, period. The pictures will show you its subtle beauty and elegance, but be sure to listen to the audio sample as this is something special.
SOLD Read moreScale Length 26.25 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Moonspruce, Rosewood - Brazilian Add to Compare2016 Traugott BK Multiscale, Brazilian Rosewood/German Spruce
A 2016 model BK from tonewood virtuoso Jeff Traugott with Brazilian Rosewood, German Spruce, and a multiscale fretboard? The options are limitless. We’ll try to keep it professional, but it’s hard to talk about this guitar without using hyperbole to articulate its inspirational qualities. This is the sort of guitar that will do just about everything you want it to, and do it effortlessly with a shocking clarity. Note to note and string to string, this Traugott BK has pristine separation and sustain, making fingerstyle arrangements incredibly detailed, and flatpicked passages crisp and defined. The sustain is unwavering. Let’s call it haunting. In your gut you can feel the heft of every note as it careens out of the pearl-bound soundhole. The top is also bound in pearl, while the 27 to 25.4 inch multiscale fretboard remains inky black with only position markers on the side. This Brazilian Rosewood is from Jeff’s secret stash of “Kentucky” Brazilian, the stock of which was originally used in veneer mills outside of Knoxville, Tennessee around 1900 to 1920. This is the real deal: the same kind of Brazilian Rosewood found on the best pre-war Martins. It’s particularly special to Jeff, since he was able to repurpose such beautiful, old growth wood.
With a Traugott like this in your hands, bad dreams are a lifetime away. Don’t blame us if your personal and professional lives suffer from inattention.
Other keywords: santa cruz, lutherie, luthier, fingerpicking, flatpick, mop, purflings, multi scale, Gotoh
SOLD Read moreScale Length 25.4 in - 27 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - German, Rosewood - Brazilian Add to Compare2008 Traugott R Fan Fret Brazilian/German
Here we have a very special Traugott R multiscale in perfect Brazilian Rosewood and German Spruce. This particular Traugott has garnered some high praise by some incredibly talented musicians, our own Al Petteway has said it is the best Traugott he has ever played, Tony McManus had some choice words to say about it, Paul Heumiller himself even owned this one for a while, it is that good. This Model R sports some of the nicest woods that Jeff had in his collection, the Brazilian is dark with some nice ink lines, and the German Spruce is tight grained with lovely Bear Clawing inthe lwer bout. It’s Jeff’s voicing that has really put him on the map, and that voice is in force here, the trebles are fat and full with plenty of power and sustain, the multiscale (25.6″-27″) even out the rest from punchy mids to full thundering bass strings. This baby has it all!
SOLD Read moreScale Length 27 in Nut Width 1.81 in String Spacing 2.25 in Woods Spruce - German, Rosewood - Brazilian Add to CompareBrand New Wilborn Nautilus, Brazilian Rosewood/Adirondack Spruce
This is another incredible example of Ben Wilborn’s not inconsiderable gifts to the world of modern lutherie. His Nautilus model, part of the new Comma Series, features an offset soundhole, twin bevels for creature comfort, a multiscale setup with 25.5” on the bottom and 25” on top—and this custom build has be(e)n upgraded to the max with chocolate-dark Brazilian Rosewood for the body, master grade Adirondack Spruce on top, and a K&K Pure Mini pick with vintage 1/8” output jack. Hands down, this guitar kills.
Other keywords: wilborn guitar, calton, 192, fan fret, fanned fret, lutherie, luthier, boutique guitar, elevated fingerboard, 203, adriondack, fingerstyle, brazilain
SOLD Read moreScale Length 25 in - 25.5 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2020 Wilborn Nautilus, Brazilian Rosewood/Tunnel 14 Redwood
A nearly new Nautilus from our own Ben Wilborn of Reno, Nevada! We’ve loved his guitars for years now; he’s always hard at work pushing the envelope—and these new Comma Series builds are just incredible. This Nautilus comes to us from 2020 with Brazilian Rosewood back and sides, Tunnel 14 Redwood on top, and his understated 25.4-25” multiscale setup and offset “3-D” soundhole. Fit and finish is, as always, glass smooth and flawless throughout. “Glassy” is also how we’d describe the voice: glassy and smooth across the range with delicious definition.
Other keywords: 168, brazilain, tunnel 13, red wood, fingerstyle, offset soundhole, multi scale, multi-scale, fan fret, fanned fret, fan-fret, visesnut
SOLD Read moreScale Length 25.063 in - 25.4 in Nut Width 1.813 in String Spacing 2.25 in Woods Redwood - Tunnel 14, Rosewood - Brazilian Add to Compare2020 Wilborn Nautilus, Brazilian Rosewood/Adirondack Spruce
Ben Wilborn’s 2020 Nautilus model comes to us with high expectations—and more than answers the call. Wilborn has gone back to the drawing board and returned with a whole family of new features for his Nautilus. Here, the traditional soundhole has been kiboshed in favor of an upper bout version which acts as an integrated soundport. This allows Ben to brace the top radially and escape the restrictions of the classic X brace system—the result being added power in the bass register, and exquisite clarity and presence for the mids and trebles (oh, the trebles). Additionally, this allows Ben to use a multiscale setup (here 26-25.4” at our request) that better corresponds to the radial bracing pattern. A slim Ryan-style arm bevel and rib bevel, plus dramatic florentine cutaway, round out the suite of creature comforts. Honduran Mahogany neck with a medium-to-slim C profile feels lovely in hand, old growth Adirondack Spruce from Ben’s premium stash on top—and the pièce de résistance: the best set of Brazilian Rosewood for the back and sides from Ben’s personal primo collection.
The Nautilus is a powerhouse with volumes of tone under the hood, appointed with an understated aesthetic that lets the quality of the materials speak for themselves, and it plays like grass-fed butter.Check out Ben walking through his deflection testing method for tops here: https://youtu.be/m5Epr3U0rDw
Here’s a bit from Ben himself:
“The Nautilus in a mid-sized guitar that changes all the rules. The impetus for this design was the idea that in a traditional X-braced guitar with a centrally located soundhole, approximately one-third of the top is rendered inert due to the demands of the structure required to keep the top from collapsing. The Nautilus, by relocating the soundhole to the upper treble bout, frees up a great deal more real estate for vibration, which after all, is how a guitar amplifies sound. Off-set soundholes are nothing new, but all the previous attempts I have seen fail to fully take advantage of this radical realignment. The Nautilus is not an X-braced guitar, but is instead radially braced, with all the braces arranged like spokes on a wheel, from the bridge outward. Whereas the traditional X locks the the bridge area into a relatively inflexible unit, the radial arrangement allows the bridge much more freedom of movement. The result is a tremendous increase in bass response, a warm and sophisticated top end, and overall greater output of volume. Playing this instrument is a revelation of what potential a guitar possesses.
The Nautilus features a number of modern innovations, all of them critically contributing to a thoroughly and thoughtfully designed whole. Not just a mish-mash of contemporary features, but a through-composed suite of interrelated sonic and ergonomic details.”
Other keywords: wilborn guitar, calton, 192, fan fret, fanned fret, lutherie, luthier, boutique guitar, elevated fingerboard
SOLD Read moreScale Length 25.4 in - 26 in Nut Width 1.81 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to CompareBrand New Wilborn WarHorse Modified Dreadnought, Brazilian Rosewood/Tunnel 14 Redwood
At long last, the mac daddy Wilborn WarHorse has arrived. We commissioned this Mod D from Ben with all the stops on full blast: top shelf Brazilian Rosewood, Tunnel 14 Redwood, Koa arm bevel, soundport, multiscale fretboard (25.4-24.9”)—and sweet, sweet tone. The fit and finish is 100% perfect, and the “DreamHorse” plays oh so smoothly, in both standard tuning and funky altered territory (try C# on for size). The added sustain and bass of the Modified Dreadnought body gives the WarHorse a powerful response that leaps right out of the soundhole (and soundport).
This Wilborn WarHorse is sincerely inspirational. We cannot recommend it highly enough for virtually any style you play.Other keywords: lutherie, luthier, ben wilborn, wilborn guitars, custom guitar, bespoke guitar, florentine cutaway, waverly, visesnut, contemporary fingerstyle, altered tuning, open tuning, fan fret, fanned fret
SOLD Read moreScale Length 24.9 in - 25.4 in Nut Width 1.75 in String Spacing 2.188 in Woods Redwood - Tunnel 14, Rosewood - Brazilian Add to Compare2023 Wilborn Nautilus Tasmanian Blackwood/Carpathian Spruce
Ben Wilborn’s guitars never disappoint, this Nautilus model dressed in Tasmanian Blackwood and Carpathian Spruce is no exception. We truly feel that Ben has perfected the offset soundhole design. Everything that you come to expect from that type of build, powerful growling bass, low mid definition, without compromising the upper mids and treble timbres. This guitar is clean in every sense of the word. So much so it sold before we even got a chance to list it.
Other keywords/misspellings: Luthier, lutherie, evo frets, calton , multiscale,
SOLD Read moreScale Length 25 in - 25.4 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Carpathian, Blackwood - Tasmanian