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2003 Maldonado F2 Cutaway Concert Flamenco Spanish Cypress/German
Here we have a Maldonado F2 Cutaway Concert Flamenco in German Spruce and Spanish Cypress. Pedro Maldonado, Sr. opened his first workshop building guitars in Grenada, Spain in 1959, after studying with some of the builders from the famous “Escuela Granadina.” His sons, Pedro Jr. and Luis, now carry on the family tradition, building excellent flamenco-style guitars of the highest quality for the world’s finest Flamenco players. The F2 is a dream to play, thanks to impeccable, balanced tone, and the easy access provided by the cutaway.
SOLD Sale! Read moreScale Length 26 in Nut Width 2 in String Spacing 2.38 in Woods Spruce - German, Cypress - Spanish 
2007 McCollum SJ Brazilian/Italian
This is a wonderful fully customized SJ guitar from the late, great Lance McCollum. A southwestern theme featuring real top quality Turquoise on the fingerboard and rosette. There is also a custom inlay on the headstock as well. An armrest bevel makes the big body easy to hold and the voice is majestic. Lance created a voice that appealed to many great players both professional and amateur. Featuring Brazilian Rosewood and Italian Spruce, this one also has the finest woods available to go with the elegant appointments. We all miss Lance, but his art lives on.
SOLD Read moreScale Length 25.63 in Nut Width 1.88 in String Spacing 2.25 in Woods Spruce - Italian, Rosewood - Brazilian 
2003 Kim Walker SJ, Brazilian Rosewood/Adirondack Spruce
Here we have another incredible instrument from Kim Walker of K.C. Walker Guitars. This one is an SJ, or Small Jumbo, which is a medium body-sized guitar who’s shape is inspired by the Gibson J200 design. Fusing a familiar design with impeccable craftsmanship and the absolute finest woods available, Kim has struck upon what can only be considered the Holy Grail of tone. An absolutely flawless Adirondack Spruce top marries perfectly with the one-of-a-kind, Birdseye Brazilian Rosewood, yielding luscious, sparkling notes that leap from within, dance, and bloom before slowly fading. An inspirational instrument of the highest order.
SOLD Read moreScale Length 25.34 in Nut Width 1.75 in String Spacing 2.31 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
2012 Martin 00-21 Custom Shop Madagascar/Adirondack
Here is a Martin Custom Shop 00-21 in Madagascar Rosewood and Adirondack Spruce. Commonly referred to as a Madi/Adi, this wood combination is just wonderful, very much like the Brazilian/Adirondack combination of yesteryear. This particular 00-21 Custom has OM sized bass and clear and powerful trebles that make fingerstyle pieces really shine. With Flamed Koa Bindings and Herringbone Rosette, it’s a bit prettier than the typical 21 style Martin as well. Top notch woods make this a truly custom Martin, one you’ll be proud of.
SOLD Read moreScale Length 24.9 in Nut Width 1.75 in String Spacing 2.31 in Woods Spruce - Adirondack (Red), Rosewood - Madagascar 
1999 Blanchard Bristlecone Claro Walnut/Sitka
Mark Blanchard guitars are synonymous with great tone, playability, and excellent craftsmanship, and this Bristlecone model in Claro Walnut and Sitka Spruce is a perfect example of those qualities. It features a contoured venetian cutaway that’s flush with the tapered heel, for a very comfortable feel when playing in the higher registers. Tonally, this guitar achieves excellent balance thanks to the silky Sitka top and the natural midrange punch that’s typical of Claro. Clean highs and an articulate bass response make this an excellent choice for stage or the studio.
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Walnut - Claro 
2006 Carruth 000-14 Myrtlewood/Engelmann
Here’s a 000-14 model in stunning Myrtlewood and Engelmann Spruce from luthier and acoustician, Alan Carruth. Alan is an expert in the physics of sound, or soundwave dynamics, and it shows with this small-bodied beauty. With a prominent midrange attack and clear trebles, this would make an excellent guitar for recording or cutting through in a group setting. The tone is very pleasant and balanced, with enough low mid punch to add some nice depth to the overall sound. The Myrtle Alan used here is outstanding, with intense figure that glows with an inner fire. And to top it off, he’s has included two beautiful Celtic inlays at the 5th and twelfth frets.
SOLD Sale! Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.31 in Woods Spruce - Engelmann, Myrtlewood 
2011 Ryan Nightingale Grand Soloist Cocobolo/Engelmann
This 2011 Nightingale Grand Soloist from Kevin Ryan is a perfect example of the impeccable craftsmanship and heavenly tone that we’ve come to expect in his guitars. Gorgeous Cocobolo Rosewood are an excellent compliment to the stunningly silky Engelmann Spruce used for the top, and the combo rewards us with an instrument of tremendous depth and articulation. Massive bass response, great balance with just enough chime and sparkle make this Ryan Nightingale a fingerstyle player’s dream. It also has many popular Ryan innovations, such as a fluted arm bevel, EO bracing, A4 kerfed lining, as well as the popular 25.7″ fingerstyle scale length. Finally it is adorned with Kevin Ryan’s Art Deco fret markers and a 12th Fret vine.
SOLD Sale! Read moreScale Length 25.7 in Nut Width 1.84 in String Spacing 2.38 in Woods Spruce - Engelmann, Rosewood - Cocobolo 
2000 Ramirez 1A Indian/Cedar
Here’s a traditional 1a Concert guitar from Ramirez Guitars in Madrid, Spain. This one is crafted from Indian Rosewood and Red Cedar for a lush, disinctively Spanish voice. Built in 2000, its voice is open and lyrical. If you are seeking that wonderful Spanish sound, then Ramirez is second to none.
SOLD Read moreScale Length 25.59 in Nut Width 2 in String Spacing 2.25 in Woods Cedar, Rosewood - Indian 
2010 Woolson Jumbo Parlor Mahogany/Sinker Redwood
Here we have a Woolson Soundcraft WSC Jumbo Parlor in Mahogany with a gorgeous Sinker Redwood top. Paul Woolson makes impeccably-crafted guitars that are bursting with tone and character. Not only are his material choices superb, but his design innovations result in a unique voice that’s supremely musical. His Jumbo Parlor model is a great example of this, with a small body size that’s complimented nicely by extra-deep sides, an elevated fingerboard, and a very light, modified X brace. What results is a big voice that defies it’s small size, with plenty of midrange bite, a robust bottom end, and just the right amount of treble chime.
SOLD Sale! Read moreScale Length 24.9 in Nut Width 1.81 in String Spacing 2.25 in Woods Redwood - Sinker, Mahogany 
2011 Henderson 12 Fret Slope D Mahogany/Appalachian
Here’s a Wayne Henderson Shaded Top 12 Fret Slope Shoulder Dreadnought. This baby was custom ordered and a rare model from Wayne. This is a banjo killer for sure, big, bold voice with power to spare and wonderful clarity from the Mahogany and Appalachian Spruce top. Another amazing example of how Wayne Henderson can capture the true sound of a prewar Martin like no one else.
SOLD Read moreScale Length 25.25 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce - Adirondack (Red), Mahogany 
1997 Tippin OMT Indian/Salmon Crate Sitka
I recall sitting with Martin Simpson as he told Bill Tippin that he makes the best OMs on the planet. We have heard ’em all and Bill’s are terrific. The combination of 30 years of experience, a great ear and great hands are what make Bill’s instruments special. This OMT features rare Salmon Crate Sitka Spruce, that was salvaged from the famous Salmon Crate that had been submerged for years. It is perfectly quartered and very silky. This is a versatile guitar that can handle many styles and is responsive to a light touch.
SOLD Read moreScale Length 25.4 in Nut Width 1.69 in String Spacing 2.31 in Woods Spruce - Sitka, Rosewood - Indian 
2006 Beardsell 2G Indian/Sitka
Allan Beardsell is one of the true innovators of guitar making and his instruments are some of our very favorites. This Beardsell 2G certainly does not look traditional and that’s because it is not. The Beardsell design employs sides stiffened with a layer of Birdseye Maple for a drum like power and projection. A radially braced back and perfectly voiced top join forces to maximize the use of energy. Don’t let the small soundhole fool you, there are two more on the side that let all of the sound out. The voice is perfect for both fingerstyle and chord work. One of most loved features is his asymmetrical neck profile. The bass side is shaved down a bit compared to the treble side, for a great feel. The Indian Rosewood and Sitka spruce are aged and played to full expression. An Armrest Bevel and a McIntyre Feather pickup make this a great choice for a gigging musician.
SOLD Read moreScale Length 25.4 in Nut Width 1.72 in String Spacing 2.13 in Woods Spruce - Sitka, Rosewood - Indian 
2007 Bogdanovich Concert Indian/Spruce
John Bogdanovich, author of ‘Classical Guitar Making, a modern approach to traditional design’, is widely heralded as a builder who merges the rare talents of the highest craftsmanship along with a player’s intuition to create guitars that truly satisfy guitarists. This concert guitar below is a wonderful example of his work. Rosewood and Spruce accented by John’s original rosette design and elegant extended fingerboard. The voice is simply sublime, it gives the player the ability to coax powerful dynamics or shear beauty. Slight movements of the right hand reward you with many colors. This is a very complete instrument suitable for the highest levels of play.
SOLD Read moreScale Length 25.59 in Nut Width 2.06 in String Spacing 2.33 in Woods Spruce, Rosewood - Indian 
2006 Goodall Aloha Koa Jumbo Koa/Sitka
Here we have a 2006 Goodall Aloha Koa Jumbo or AKJ in Koa and Sitka Spruce. James Goodall has been building phenomenal guitars since the late-seventies, and his perfectionism and relentless pursuit of tone are hallmarks of every guitar he produces. Characterized by the distinctive lyrical quality of all Goodalls, this large-bodied jumbo-style guitar has massive low-end response without muddiness, and the koa back and sides deliver great midrange punch. Also, the Sitka spruce top has outstanding silking, indicative of a perfectly quartersawn top with little to no long-grain runout.
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Koa 
2001 Collings 00-2H Mahogany/German
It’s not often we see a twelve year old guitar in such pristine condition. This Collings 00-2Hmhg in Mahogany and German Spruce has the sparkle and midrange punch that’s characteristic of Mahogany, and terrific articulation thanks to the well-seasoned German Spruce. The Mahogany chosen for this guitar is outstanding, and it’s richness and visual depth are becoming a rarity. Also, the twelve-fret design puts the bridge in just the right spot, and provides a welcome boost in the bass response of this small-bodied guitar.
SOLD Read moreScale Length 24.75 in Nut Width 1.81 in String Spacing 2.31 in Woods Spruce - German, Mahogany