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1956 Gibson J-50 Mahogany/Spruce
This 1956 Gibson J-50 would be a good strummer or folk guitar, just like it was when it was new. The neck is streamlined and comfortable for someone who has relatively small hands. The Mahogany/Spruce body puts forth that classic Gibson tone that we all know and love from so many great recordings. This one is very original and setup great.
SOLD Sale! Read moreScale Length 24.5 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce, Mahogany 
1954 Gibson J-50 Mahogany/Spruce
This is an all original 1954 Gibson J-50 with awesome tone. We had master luthier Bill Tippin do a complete setup and it plays perfectly. This is a powerful Mahogany/Spruce Gibson Jumbo that really has some great mojo. Like all the vintage guitars we offer, we made sure it will be hassle free and play like a new guitar, like a Dream Guitar.
SOLD Read moreScale Length 24.625 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce, Mahogany 
1968 Martin D-28 Brazilian/Sitka
Here’s an awesome 1968 Martin D-28 Brazilian Rosewood. The Spruce top has the wonderful patina of age that shows it’s maturity and the voice shows the same character. It’s open and lively with trebles that zing and bass that booms. Bluegrassers and singer-songwriters a like will love this vintage Martin D-28. The rare Brazilian Rosewood is a gorgeous set that is dark and rich with straight grain. A great D-28 from yesteryear.
SOLD Read moreScale Length 25.4 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce - Sitka, Rosewood - Brazilian 
1969 Gibson J-50 Diamond Jubilee Mahogany/Spruce
Here’s a wonderful 1969 Gibson J-50 Diamond Jubilee brought to us by a local gent who played it for years. It has that dry, throaty Mahogany Dread sound that is so engrained in our music. Strum a G chord and it fills the room with that great J-50 chime. We had Master Luthier Bill Tippin go over it and it now plays like a new guitar and will need nothing for years. (See the condition statement for details). Here’s your chance at a hassle free vintage Gibson with superb tone.
SOLD Read moreScale Length 25.34 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce, Mahogany 
2004 Petros Applecreek FS Indian/Spruce
Here’s a Petros FS (Fingerstyle) in Indian Rosewood and Sitka Spruce. Also featuring a cutaway for easy access to the end of the fingerboard. Bruce Petros’ FS model is a 00 size guitar with a full, airy, modern fingerstyle voice that is great for many style of music. The Sitka Spruce top here is quite a nice one with lots of medullary rays and tight grain. Like all Petros, this one is extremely easy to play and the slim Petros neck profile is always a favorite.
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.19 in Woods Spruce, Rosewood - Indian 
2005 Gibson L4CES Mahogany/Spruce
This is a Custom Shop Gibson L-4 CES Archtop guitar. These are made from solid Mahogany for the body and carved Spruce top. This example from 2005 is near mint and obviously well cared for. The setup is perfect and it plays fast and easy. The acoustic voice is lively and plugged in it’s full and fat. A great Gibson design.
2011 Kinnaird CS Pao Ferro/Engelmann
Here’s an amazing sounding Kinnaird CS model in Pao Ferro and Engelmann Spruce. Beautifully appointed with a side sounport, Macassar Ebony bindings on the head, fingerboard and neck and featuring tone galore. This Stephen Kinnaird guitar has a voice much bigger than it’s 15 1/2″ body might suggest and the port give the player a full rich earful. This guitar has great balance and clarity and the 13 Fret neck keeps the bridge nearer the sweetspot and you can really hear it in the lovely treble strings. This one has a wide fingerboard as well. A wonderful mid size guitar with a big sound.
SOLD Read moreScale Length 25.34 in Nut Width 1.88 in String Spacing 2.38 in Woods Spruce - Engelmann, Rosewood - Bolivian (Pau Ferro) 
1953 Martin 00-18 Mahogany/Spruce
This is one of the very special vintage 1953 Martin 00-18 guitars. This one was once owned by blues guitarist Paul Geremia and recently by songwriter Cheryl Wheeler. It has the real deal tone that everybody looks for in an old Martin. It’s very loud and clear. We had master luthier Bill Tippin do a neck set, refret, make a new nut and saddle and replace the tuners. So this nearly 60 year old Martin 00 plays like a new guitar, only it’s better because it sounds old!
SOLD Read moreScale Length 24.625 in Nut Width 1.69 in String Spacing 2.13 in Woods Spruce, Mahogany 
2008 Kohno Pro-J Brazilian/Cedar
This Kohno Pro-J in Brazilian Rosewood and Cedar has the quintessential clarity and power that Kohno is known for but the Cedar gives it a little more warmth. This is a great guitar for someone who wants power and separation, but loves the dark, rich sound of a Cedar top. Just 4 years old, this Kohno is mature and open but young and ready for serious play.
SOLD Sale! Read moreScale Length 25.59 in Nut Width 2 in String Spacing 2.13 in Woods Cedar, Rosewood - Brazilian 
2007 Doerr Legacy Select Brazilian/Swiss
Tom Doerr builds a wonderful guitar in the style of Kevin Ryan or James Olson. They have a clear, open modern voice that excels at fingerstyle play. This Legacy Select features Brazilian Rosewood and Swiss Spruce for a superb tone. Doerr guitars always features amazing detail work like the intricate bound bridge and contoured backplate. Everything about this guitar is exquisite and it’s very easy to play and hold.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Swiss, Rosewood - Brazilian 
1987 Yague Concert Indian/Cedar
This world class concert guitar was built by Hermanos Yague, or the Brothers Yague, in Barcelona Spain. Their shop in Barcelona is one of the finest and they have worked on such historic guitars as the famous Paper-Mache guitar that Torres built to prove the importance of the top in guitar design. This guitar now resides in the Museu de la Musica in Barcelona. So the brothers clearly know all about building the finest classical guitars. This guitar is a showpiece with extermely fine and detailed perflings and premium woods. It took years to be completed and is a rare collectible as well as an extraordinary musical instrument. The voice is rich and succulent but also powerful and bold. Here’s a chance to own something very special, crafted by one of the finest shops in Barcelona, Spain.
SOLD Sale! Read moreScale Length 25.59 in Nut Width 2.05 in String Spacing 2.2 in Woods Cedar, Rosewood - Indian 
New Artinger Chambered Redwood Singlecut Mahogany/Redwood
We custom ordered this amazing Matt Artinger Figured Redwood Chambered Singlecut. This stunning guitar features a highly figured Redwood top finished in a beautiful translucent burst. The dark edges of the top blend perfectly with the black Electric City P-90/60 pickups (with an overwound bridge) and controls. A deep cutaway insure that you will enjoy the famous Artinger playability all the way up to the last fret. This guitar has great sustain but is lightweight thanks to the chambered body. It has killer punch from the spanky P-90 pickups and can handle a wide range of music. This one will bring any collection up a notch.
2009 Bourgeois JOMC Brazilian/Adirondack
This is a Bourgeois JOMC made for the Winter NAMM show in 2009 and numbered #9 of 10. This Jumbo OM Cutaway has all the best materials as you would expect in a show guitar. The Brazilian rosewood is dark and rich, the Adirondack top is superb with even grain. Together they give this Bourgeois guitar a punchy voice with full bass and articulate trebles. The 15 1/2″ body adds big bass response to go along with the OM style projection. This guitar strums as well as it fingerpicks making it a very capable gigging guitar as well.
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.19 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
New Tippin Staccato Cuban Mahogany/Alpine
Bill Tippin made us this wonderful custom Staccatto model from old growth Cuban Mahogany any Alpine Spruce. He appointed it will natural wood elements, like the Koa top perfling and 1st fret inlay. So it has an understated beauty and elegance. But he put all the tone in this little beast. It is strong and enchanting sounding. It’s like a 000 stuffed inside a single 0 body. It’s a versatile small body guitar that can cover a lot of styles and it handles fingers and pick both very well. With it’s 24.9″ scale it’s easy to hold and play all day long.
SOLD Read moreScale Length 24.9 in Nut Width 1.75 in String Spacing 2.31 in Woods Spruce - Alpine, Mahogany - Cuban 
2006 Tippin DST Mahogany/Adirondack
Here is a super clean Tippin DST, 12 Fret Slope Shoulder Dreadnought. This beast is crafted from Mahogany and Adirondack for a vintage tone. It features a 1 3/4″ neck so it suits fingerstyle as well as being a flatpicking cannon. This is a very versatile guitar, very similar to the one Martin Simpson had built for himself some years ago. The voice is clear and bold with strong trebles. This is a great guitar for single line work, strumming and a great fingerstyle guitar for the player wanted a full Dreadnought voice.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.38 in Woods Spruce - Adirondack (Red), Mahogany