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2004 Traugott R Brazilian/German
Here is a very recent Traugott featuring Jeff’s latest bracing ideas including and elevated back strut. It boasts a stunning set of Brazilian Rosewood and a textbook German Spruce top for a buttery rich voice. It’s Jeff’s short scale version which offers a delightfully easy string tension as well. Traugott guitars are elite instruments and modern collectibles all at once. This guitar is simply wonderful.
SOLD Read moreScale Length 24.75 in Nut Width 1.81 in String Spacing 2.38 in Woods Spruce - German, Rosewood - Brazilian Add to Compare2002 Traugott R Brazilian/German
When I phoned Jeff about this guitar he remembered it fondly and said it was a great one. I emphatically agree. Al Petteway and I have marveled at the balance of this instrument. It has Jeff’s trademark highly figured Brazilian paired with German Spruce and includes a cutaway and a Calton Case. One of the most collectible of guitars and for very good reason.
SOLD Read moreScale Length 25.4 in Nut Width 1.75 in String Spacing 2.19 in Woods Spruce - German, Rosewood - Brazilian Add to Compare1996 Traugott R Brazilian/German
Here we have a rare 12 fret Traugott Model R. With the bridge in the “sweet spot”, the increased response is noticeable right away. This is a very well cared for ten year old Traugott that is fully mature and speaking. Jeff’s trademark clarity and separation are evident here and the overall voice is intimate and makes this an excellent recording guitar or everyday musical partner.
SOLD Read moreScale Length 25.5 in Nut Width 1.81 in String Spacing 2.19 in Woods Spruce - German, Rosewood - Brazilian
Like many other guitar enthusiasts I picked up my instrument as a teenager and haven’t been able to put it down since. My interest in woodworking and construction developed independently at about the same age. I decided to try to combine the two when going to school at Evergreen State College. My first foray into instrument making was the construction of a dulcimer that I managed to cobble together with information I got from the Guild of American Luthiers.I returned to Northern California where I grew up; there I found a guitar and violin builder in Santa Cruz and arranged to work in his shop. Under his tutelage and with lots of help from a book called Constructing a Bluegrass Mandolin: A Complete Technical Guide (by Roger Siminoff), I built my second instrument, an F-5 mandolin.Needless to say, I became hooked. I started a small shop in a garage and began building my first guitar. After the garage I graduated to a small store, where a friend and I did repair work and built a couple of guitars a year. After six years I was hired by the Santa Cruz Guitar Company; there I was able to hone my skills in all aspects of guitar production and repair work.I left in 1991 to open my current shop, which is is located in an old industrial complex that now houses a diverse community of artisans and craftspeople. I moved into the empty shell and proceeded to design and build my dream guitar shop.While I was developing my work space the bulk of my production consisted of repairing old Martins and other high-end acoustic guitars. It has been my good fortune to do repairs for some of the premier acoustic guitar shops of Central California, including Gryphon Stringed Instruments and Carmel Music.Currently the majority of my time is spent building guitars, although I still do some repair work and have occasionally taught workshops on neck resetting. I’ve developed a line of guitars that have a clean, classic look and simple elegance. I really like to let the materials speak for themselves. Tone and playability are crucial and because each player has her or his own needs, I listen carefully and try to make each instrument one-of-a-kind.I’ve been motivated from the very beginning to try to be one of the best at my craft. This is the focus of my business. I work by myself and I love what I do. I hope I have the opportunity to work with you!Jeff Traugott