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Each year for the Winter NAMM convention, Dana Bourgeois and his team pull out all the stops for a limited run of NAMM instruments. In 2015, that came in the form of this exclusive OM-150 Deep Body with premium Brazilian Rosewood and Adirondack Spruce. Dana’s take on traditional snowflake MOP inlays decorate the fretboard and bridge wings, and the body features their deep sides variation for added bass response and power. Ivoroid bindings throughout, gold Waverly tuners, Fossil Ivory pins—this Bourgeois is a beauty. Further, this one has been well cared for and is in pristine shape for its next owner. You?

Other keywords: lutherie, luthier, guitarbuilding, bourgeois guitars, orchestra model, brazilain, adriondack, fingerstyle

In, and out! We couldn’t keep this phenomenal Casimi C3S in the shop for more than a few days before it went right back out the door to its happy new owner. This Casimi is a like new, 2019 C3S model (their biggest to date), with one-of-a-kind The Tree Mahogay back and sides, Alpine Moonspruce on top, and all the features that Matthew and Matthias has engineered into their builds that set them apart from the already rarified crowd of world class luthiers. Want one for yourself? Let us know! We’re excited to continue to work with Casimi Guitars to bring these masterpiece instruments to you.

To celebrate his 1600th guitar, James Olson pulled out all the stops. This SJ comes bedecked with shockingly beautiful Blue Paua Abalone, The Tree Mahogany back and sides, and an Italian Spruce top from the Fiemme Valley. Larry Robinson executed an impressive inlay scheme along the fretboard to celebrate this milestone guitar. Honestly, one builder reaching 1600 guitars? Simply incredible. This one came in, and went right back out the door before we could even list it.

Oh, the joy of playing a light, lively, responsive guitar. This Big Hollow OM is nearly new from 2018, features primo tonewoods (Lutz Spruce on top, Flamed Koa back and sides), and plays like a sweet dream. The trim punching weight of under 4lbs makes for a comfortable session guitar, and the satin-finished neck is equally easy on the hands. The balance from bass to treble is even and smooth, which we often find on the best Koa guitars, but there’s a sweetness unique to the treble response that really sets this Big Hollow apart from the crowd. Alessi tuners, Bevan’s upgraded MOP girl inlaid into the headstock, and Bloodwood bindings are just some of the upgrades (there are Gold EVO frets and an Ameritage case as well).

Other keywords: lutherie, luthier, guitarbuilding, bevan frost, fingerstyle, fingerpicking, big hollow guitar, orchestra model, hawaiian koa, macassar ebony

Our latest Casimi is a sight to see, and a wonder to hear. This C2S was built in 2017 for a discerning client with dramatic Pernambuco back and sides and a, well, striking set of Lucky Strike Redwood on top. We find that the Pernambuco gives the voice an evenness and definition that would be a touch dry, but when paired with the Lucky Strike top the result is a smoothness and velvety texture that is pretty distinct from most of what we hear coming out of guitars these days.
The sides are inlaid with vines and Mayan glyphs which dovetail with the Mayan-inflected raised rosette (a Casimi hallmark) and endgraft. Red purflings along the Ebony bindings and arm bevel set off the Pernambuco and Redwood, and like all Casimis this C2S features a 12-fret neck join and deep Florentine Cutaway, their unique pinless bridge, and hollow headstock with Gotoh 510 tuners. All this comes wrapped up in a Hoffee flight case, rest assured.

Other keywords: lutherie, luthier, casimi guitars, south africa, guitarbuilidng, custom guitar, bespoke guitar, pernambucco, fingerstyle, fingerpicking

Rolls Royce meets Resonator: playing this 2006 Ron Phillips Parlor Resonator is an exercise in reso royalty. German Silver construction throughout, 12 frets to the body, and Ron’s art deco aesthetic all come together in a parlor-sized package that’s as easy on the eyes as it is on the ears. Our Phillips is an obvious choice for Open D or Open G, but honestly it sounds fantastic even in Standard, with a hybrid setup that works for fingers and slide. The sort of Resonator that you instantly settle into, lose track of time with, never want to let go.

Other keywords: slide guitar, blues, dobro, reso guitar, boutique, fingerpicking

Pure magic. That’s what this Kim Walker SJ is. Pure, beautiful magic. Brick-red Cocobolo back and sides with a Bearclaw Sitka Spruce top that Kim confirmed was part of a series of sets that turned out even better than he had hoped—we’ve seen a few of them and can completely agree. This beauty is from 2001 and has a few marks to prove it’s been an active music maker, and the setup is slinky for just about anything you want to do. Open G? Fantastic. Flatpicking in Standard? Yes-yes-yes. From tuner to tailblock, this Kim Walker SJ Cutaway is a bombshell, one of the best flattops you will ever see or hear.

Other keywords: lutherie, luthier, guitarbuilding, fingerstyle, fingerpicking, walker guitars, small jumbo, bearclaw spruce, waverly

We’ve landed a dynamite 2011 Flamenco Negra from Lester DeVoe that boasts stunning Brazilian Rosewood back and sides, a European Spruce top, and an ultra slim, 3lbs 4oz punching weight. This guitar is fabulous, hands down. Fit and finish is flawless, the build quality just so, and we love the dynamic range of the voice. This 2011 Flamenco Negra is equally at home for Jazz, Bossa Nova, straight ahead Classical, and of course Flamenco. The neck is carved from highly figured Spanish Cedar, and the headstock features Sloane tuners with Ebony knobs and black rollers. Twin clear tap plates flank the soundhole, and the scale length comes in at an easy-playing 650mm. All wrapped up in a Hoffee flight case, what’s not to love?

Other keywords: lutherie, luthier, classical guitar, fingerstyle, nylon string, flamenco guitar

If it’s good enough for DADGAD maestro Pierre Bensusan, it’s good enough for us. Our Bensusan Signature Lowden is a smooth operator from tuner to tail. Built in 2009 but with hardly any marks at all, this Lowden is in excellent shape with Honduran Rosewood back and sides, Adirondack Spruce top, and a custom Headway preamp and pickup rig—so good. Lowden’s fingerstyle, low profile neck makes for easy left hand work, and of course it’s a fabulous DADGAD instrument. The satin finish will prevent any accidental audience blindness when you’re on stage, and the arm bevel keeps you playing as easy as breathing.

Other keywords: lutherie, luthier, guitarbuilidng, george lowden, signature guitar, bensusan guitar, fingerpicking, honduras, adriondack, hiscox, lowdon

Friends, gather round. We’ve taken in a lovely Collings MT2-O with Flamed Maple and Engelmann Spruce on top that’s a dyed-in-the-wool killer. This beau has been opening up sweetly since 2009, and it boasts a crunchy, quick voice with some extra sizzle to the trebles to really cut through the mix. The previous owner upgraded with a yellow Calton flight case and a Flamed Maple arm rest, installed just next to Collings’ engraved tailpiece. The setup is easy peasy with a 1 3/16” nut and 14” scale. Hard to beat a Collings!

Other keywords: lutherie, luthier, a style, a-style, oval hole, flightcase

Simon Fay’s Model One is easy on the eyes, easy on the hands, easy on the ears. This multiscale beauty comes to us from 2015 in impeccable shape, Brazilian Rosewood back and sides, and German Spruce top. 25.5” on the bass to 25” on the treble, the fanned fretboard is a great candidate for standard pitch and more exotic tunings without confusing the left hand. Gold EVO frets insure longevity between fret jobs, and the slim neck profile is oh so smooth in hand. Bass response offers a sweet blooming effect after the initial attack, which lends itself well to DADGAD. This Simon Fay Model One is a prime example of the contemporary fingerstyle guitar: agile, responsive, and dynamic.

Other keywords: lutherie, luthier, guitarbuilding, fay guitars, brazilain, ameritage, fingerpicking multi scale, fan fret, florentine cutaway

In excellent shape, built very recently in 2016, our latest Bourgeois Dreadnought is a beast of another order. This is Dana’s Fully Torrefied AT model, meaning the Mahogany back, sides, and top have all been baked for that old world vintage tone in a new package. A vintage-style Sunburst really sets off the woods, and even the braces are baked! Of course, Hide Glue construction throughout. Nickel Waverly tuners, a V neck with slim, 1 23/32” nut for deft fretwork and 2 3/16” spacing at the saddle. The voice is crisp and loud, and you don’t have to lay into the string to get a lot of projection. Of course, should you choose to dig in you’ll be rewarded with a dry tone with lots of headroom. This is a fantastic example of what happens when you pair traditional concepts with modern technology and design: the Bourgeois D Fully Torrefied AT.

Here’s an additional demo with our local flatpick phenom Will Saylor: https://youtu.be/aIh3EQIVUpM.

Other keywords: lutherie, luthier, guitarbuilding, bourgeois guitars, ziricote, tkl, bluegrass, flatpicking, dreadnaught, allen shad

So nearly new it’s still got that new guitar smell. This 2019 Taylor K24ce is gorgeous, plays flawlessly, and has the Expression II pickup system and a satin neck to boot. We love how the dark sunburst sets off the Flamed Koa back, sides, and top. Gold Gotoh tuners, Maple vines inlaid along the fretboard to match the Maple bindings, and a Venetian Cutaway to keep those uppermost frets earning their keep.

Other keywords: lutherie, bob taylor, andy powers, fingerstyle, taylor guitars, all-koa

Michael, Michael, Michael, you’ve done it again. This 2018 Greenfield G2 is proof of the golden era of modern lutherie: flawlessly built, resonant to a T, effortlessly playable. This is a well-oiled machine for fingerstyle, strumming, whatsoever your guitar heart desires. African Blackwood back and sides pair up with an Alpine Moonspruce top, arm bevel, and florentine cutaway. EVO frets for longevity, 25 3/4” scale for a crisp, defined bass response that carries right on down to C# without batting an eye. It’s just incredible. The voice is characterized by the massive, juicy, enveloping flavors that we’ve come to expect from Michael Greenfield: individual notes are very, very strong—chords ring out like entire instruments unto themselves. We cannot recommend this G2 more highly.

Other keywords: lutherie, luthier, guitarbuilding, fingerpicking, andy ackee, canadian guitar, modern guitar, bespoke guitar, GF

We’ve had several of Bevan Frost’s Big Hollow guitars in the shop, and we haven’t managed to keep them for long before someone buys them up! So we’re excited that Bevan is working exclusively with us, and to commemorate the occasion we’ve got this brand new Big Hollow 00 on offer. Honduran Mahogany back and sides paired with a Lutz Spruce top and Oil Varnish finish for maximum resonance, 12 frets to the body and a Macassar Ebony arm bevel for added creature comfort. This beauty weighs in at a trim three-and-a-half pounds to boot, so there’s no chance of getting tired anytime soon when you’re in the thick of it. Fit and finish are top notch, and we love Bevan’s use of a bird’s beak joint for the slotted headstock with volute. Rope-style trim and rosette round out the package.

Other keywords: lutherie, luthier, guitarbuilding, dream team, exclusive dealer, fingerpicking, oo, birds beak, guardian

Incredibly rare, we’ve landed one of the 30 guitars Linda Manzer built in collaboration with Pat Metheny for their Signature 6 Limited Edition run. This beauty is like new, features Indian Rosewood back and sides and a German Spruce top, and the ergonomic features Metheny uses on his own Manzers. There’s the namesake Manzer Wedge and Venetian Cutaway, and added to that we have a groove carved into the heel, coupled with a thumb rest on the bass side, to coax the player’s left hand just a smidge closer to those uppermost frets.
The inlays across the headstock and fretboard are matched with the orange Calton flight case, and each of these 30 guitars is inlaid in a pattern unique to this run. The inlays were executed in conjunction with master inlay artist Mark Kett. Further, Linda used Copper for the side dots, and inlaid a Diamond at the 7th fret dot to boot. Linda also collaborated with Tony Duggan-Smith for the final setup and fretwork on each. This is number 13 of only 30, and we really can’t say when next we’ll see one of these guitars come up on the used market.

Here’s a link to Manzer’s page where she describes the process: https://www.manzer.com/limited/

Other keywords: guitarbuilding, lutherie, luthier, jean larrivee, matheny, mathany, signature guitar, custom guitar, wedge body, tony mcmanus

Handmade in Tampa, Florida by Douglas Pringle, this 2013 Concert Classical is a study in clarity, sustain, and playability. Indian Rosewood back and sides are here paired with a European Spruce top, 650mm scale, and French Polish finish for maximum resonance. The neck profile is a touch on the slim side, keeping playability easy peasy. Douglas braced the Euro Spruce top with a lightweight lattice that accentuates projection and power in the voice. Gotoh tuners on top, hardshell Humicase for protection between sessions, and a svelte punching weight of 3lbs 11oz keep this Pringle ringing out longer in your hands without tiring.

Other keywords: luthier, lutherie, classical guitar, steve newbrough, fingerstyle, mosaic rosette, nylon string

A special piece, this one. We’ve got a 1982 Gibson/D’Angelico, #2166S. This archtop was commissioned by Gordon Poland, and built by Gibson’s master luthier Aaron Cowles out of his own home, one of only two D’Angelico replicas Cowles built. Here, the guitar was built from various specifications and dimensions of Johnny Smith’s original 1955 D’Angelico Excel 1000—and Cowles had direct access to this very instrument for this purpose.
Cowles acquired a tailpiece in the D’Angelico style from the original company John used, you’ll find a D’Angelico stamp on the inside of the instrument and “IHJD” inlaid on the back of the headstock, “In Honor of John D’Angelico.”

Other keywords: lutherie, luthier, guitarbuilding, jazz guitar, dangelico, d’angelico guitar, d’angelica, johny smith, new york

For something off the menu, please ask for the Manzer Dehlicaster when you call in. This 2014 Manzer is really in a category all of its own, with Indian Rosewood back and sides and German Spruce top. The bridge is modeled after a sitar’s such that each string has individual saddles which are shimmed to the optimal height to provide the classic sitar warble and hum when you pluck the string. The neck on this one is wide and fat, giving the player lots of left hand room for whatever tunes you want to pluck. Additionally, this Manzer has been outfitted with a Schertler Magnetico AG6 soundhole pickup and S-Mic-M combo—and brother, it sounds so sweet plugged in!

Other keywords: lutherie, luthier, linda manzer, pat metheny, tony mcmanus, fingerstyle, sitar guitar, fingerpicking, unique guitar

Check out this demo with our own Al Petteway of the last Dehlicaster we had: https://www.youtube.com/watch?v=WNfIDNhmdD4

A piece quite unlike anything we’ve seen from Jim Olson: a Brazilian Rosewood neck SJ Cutaway with extensive and exquisite Abalone inlays from tuners to tail. Brazilian Rosewood back and sides paired with Cedar make for Jim and James Taylor’s hallmark sound, and we have an L.R. Baggs Anthem pickup installed to carry that tone straight from the studio to the stage.
This 2011 Olson is one of the most impressive guitars we’ve ever seen come out of Jim’s shop, and it’s not just the woods (although woah, these woods are absurdly beautiful, and we’ve only ever seen a Brazilian Rosewood neck once before, on the McConnell Jordan built for Paul)—the voice is crisp to a “C,” with flawless intonation along the fretboard and balanced from bass to treble. A perfect fingerstyle guitar with family heirloom appointments.

Other keywords: lutherie, luthier, james olson, BRW, brazilian neck, calton, bespoke, one of a kind

Italian luthier Gioachino Giussani has been working in the classical world for decades, and in that time he has honed his craft to a razor’s edge. This is the first of his work that we’ve seen, and we are soundly impressed by the clarity and power of this 2001 Concert Classical. Dramatically figured Indian Rosewood back and sides with (of course!) an Italian Spruce top featuring a seven fan-braced pattern and doubled back & sides—projection to spare, and trebles that are precise and round, full. Our repair team recently dressed the frets for dinner, so they’re shining like new silver dollars. 650mm scale, 54mm nut, and 60mm saddle spacing.

For a different take on this Italian delight, here’s Andy Jurik: https://youtu.be/-IhKxutIUJA

Other keywords: lutherie, luthier, guitarbuilding, fingerstyle, classicals

Guitars like this are what get us out of bed in the morning. Bill Tippin is a dyed-in-the-wool master, the same goes for Al Petteway, and when the two get together the result is nothing short of inspirational. This is a 2009 Al Petteway Signature Crescendo with impeccable Brazilian Rosewood & Moonspruce—wood of this calibre is exceedingly rare, and it’s a blessing Bill got a hold of it in the first place. Brazilian Rosewood trim throughout, an arm bevel and beveled Venetian Cutaway/heel joint, and Bill outdid himself with custom Mexican Fire Opal inlays at the nut, and on both ends of the backstrip. You’ll find a soundport in the upper bout, and a custom Hoffee flight case to keep everything safe and sound.

Other keywords: lutherie, luthier, bill tippin guitars, al pettaway, fingerstyle, dadgad, signature guitar, bespoke guitar

Exquisite. One look at this Nightingale 12-string from Kevin Ryan, and you understand what all the fuss is about. We love Kevin’s guitars for their flawless fit and finish, modern aesthetics, and surgically precise tone, and this 12-string brings all of that to the table with the added presence and dynamism of doubled strings. You can bang out cowboy chords, sure, but any regular 12-string can handle that. Where this Ryan 12-string excels is in the definition of each individual note, from string to string and across the registers. This is an incredible fingerstyle guitar, and Kevin’s patent effortless playability really makes this one shine. This beauty was built in 2008 with Kevin’s finest woods (the Brazilian Rosewood is primo grade, and would today only be used on Kevin’s Signature models). Brazilian and Moonspruce, a perfect combination. Additionally, this Nightingale features Kevin’s namesake arm bevel and acoustic flutes, plus a custom fit Calton flight case for travel.

Other keywords: lutherie, luthier, 12 string, leo kottke, fingerpicking, brazilian, kevin ryan guitars, paua, abalone, gotoh

With Journey’s Neal Schon signing off on a limited run of PRS Private Stocks, you know it’s going to be a sweet deal. Paul Reed Smith’s best luthiers picked out some of their choicest woods for a run of only 30 guitars in 2012, and this beauty in Raspberry Fade comes in at number 11—a 15” Archtop with Floyd Rose tremolo bridge, Curly Maple body and neck, and custom PRS Private Stock leather hardshell case. The hardware feature Collection pickups, phase III locking tuners and Floyd Rose locking nut, push-pull coil tap, volume and tone knobs. Straight ahead rock powerhouse. This PRS Neal Schon model is in excellent condition except for a spot on the headstock where the finish reacted with a stand, as well as a few other minor marks.

Other keywords: lutherie, luthier, electric guitar, hollow body, flloyd rose, trem bridge, rock guitar, j bird