Vintage
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Add to Compare1976 Kohno 20 Brazilian/Spruce
This incredible Kohno No. 20 features the classic combination of Brazilian Rosewood back and sides and Spruce top along with Masaru’s amazing craftsmanship on the neck. This combination yields a guitar with authentic, pristine classical tones and one of the most playable necks in the business. The nut width here is 50mm so it will appeal to the player seeking a slightly narrower neck. This Model 20 Kohno is a gem with a big voice, powerful bass and singing trebles. The label is not signed, but just listen to the recording, this is a great one.
SOLD Read moreScale Length 26 in Nut Width 1.97 in String Spacing 2.24 in Woods Spruce, Rosewood - Brazilian 
Add to Compare1964 Masaru Kono No. 2 Classical, Rosewood/Spruce
A blast from the past which packs a wallop! Our 1964 No. 2 from Masaru Kono (later spelled Kohno) is a keen example of why we love well-preserved old guitars: the voice has opened up completely, and the projection is there in spades.
This Concert Classical is in great working shape considering its age; there’s only the usual play wear across the Indian Rosewood and Spruce typical for a five-decades-old guitar. The bass response is very lively and crisp, and pairs well with the sparkling trebles. Simply appointed, but voiced for articulation and clarity, this Kono No. 2 is a great deal for a vintage classical that’s ready to roll for many more years to come.
Common misspellings: kohno, kano, masaro, masru
SOLD Read moreScale Length 25.4 in Nut Width 2.02 in String Spacing 2.25 in Woods Spruce, Rosewood - Indian 
Add to Compare1968 Mattingly Concert Indian/Spruce
R.L. (Bob) Mattingly made fine classical instruments and was the owner of “The World of Strings”, a music store in Long Beach, CA. His career as a luthier began in the early ’60s and he was primarily self taught. In the early 70’s he visited many of the great builders in Spain, and even spent a couple of days in the shop with his hero Miguel Rodriguez. Mattingly built over 700 guitars before his untimely death in 1992.
This incredible 1968 Mattingly has tons of character and mojo. It is one of those instruments that you wish could talk. The playability is excellent. The Rosewood back and sides and Spruce top yield a tone that embodies decades of tradition–a round, robust sound with great mids. This very collectible and very musical Mattingly will be a treasure for some lucky player.
SOLD Sale! Read moreScale Length 25.75 in Nut Width 2.01 in String Spacing 2.32 in Woods Spruce, Rosewood - Indian 
Add to Compare1976 Montero Classical Brazilian/Spruce
Here we have an exquisite Antonio Marin Montero guitar that is mature enough to be open and fully alive. The body, crafted from Brazilian Rosewood and Spruce, offers up a sublime voice that is perfect for the player that demand expression and emotion from their instrument. This wonderful example from one of Spain’s finest makers will be the pride and joy of some lucky player.
SOLD Read moreScale Length 26 in Nut Width 2 in String Spacing 2.31 in Woods Spruce, Rosewood - Brazilian 
Add to Compare1972 Jose Oribe Concert Brazilian/Redwood
Jose Oribe is a fine American builder who began his lutherie career in 1962. Known for his attention to detail and efficiency of production, Jose Oribe’s guitars feature superb construction and remarkable tone. This ’72 Concert is big and robust sounding, with both excellent volume and projection. The bass, mid, and treble frequencies are wonderfully balanced and musical thanks to the Brazilian Rosewood back and sides and Cedar top. This is an extremely fine classical guitar, one that we are proud to host here in our store. Contact us for more details if interested!
SOLD Read moreScale Length 25.9 in Nut Width 2.05 in String Spacing 2.24 in Woods Redwood, Rosewood - Brazilian 
Add to Compare1970 Papazian Classical, Brazilian Rosewood/Spruce
New York by way of Armenia luthier Manouk Papazian was well known for not only his classicals, but also his lutes and cellos, even violins. It takes a special builder to be able to coax good tone out of so many different shapes. This Classical comes to us from 1970 and is in great playing shape, featuring Brazilian Rosewood back and sides plus Spruce top and a 650mm scale.
Other keywords: andy jurik, fingerstyle, nylon string, brazilain,
SOLD Read moreScale Length 25.625 in Nut Width 2 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian 
Add to Compare1960 Manouk Papazian Classical, Brazilian Rosewood/Spruce
Armenian luthier Manouk Papazian, based in New York for much of his career, put together an impressive body of work, ranging from Classicals like this lovely piece to violins, cellos, and even lutes. The example we have today is a Brazilian Rosewood and Spruce Concert Classical from 1960 that’s opened up sweetly and only weighs just over four pounds. The trebles are characterized by a lively string energy and clarity, and really carry the voice well, pairing with a warm and responsive bottom end and articulate midrange. We’ve gone over it with our repair staff to give it a clean bill of health; it’s got some honest play wear, which reinforces our interpretation that it’s opened up a lot, and has a lovely setup to boot.
Other keywords: andy jurik, fingerstyle, nylon string, brazilain, 650
SOLD Read moreScale Length 25.625 in Nut Width 2 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian 
Add to Compare1971 Pimentel Concert #1 Brazilian/Cedar
An incredible 1971 Pimentel Concert #1 guitar featuring a gorgeous set of Brazilian Rosewood along with a Red Cedar top. The voice is warm, rich and sentimental. Signed on back of headstock “Pimintel ’71 New Mexico U.S.A.” The highly figured Brazilian headplate and bridge add an exotic touch to this already beautiful instrument. Would make an excellent upper level student instrument and is priced to sell!
SOLD Sale! Read moreScale Length 25.75 in Nut Width 2.13 in String Spacing 2.32 in Woods Cedar, Rosewood - Brazilian 
Add to Compare1978 Ramirez 1a, Brazilian Rosewood/Cedar
Better with age. And this 1978 Ramirez 1a is proof. Brazilian Rosewood body with Cedar on top, the classic Ramirez full neck profile and 663mm scale, and wide open after a few decades’ work. Weighing in under four pounds, this Ramirez feels light and lovely in hand.
Other keywords: classical, nylon string, luthier, lutherie, fingerstyle, handmade, andy jurik
SOLD Read moreScale Length 26.125 in Nut Width 2.125 in String Spacing 2.25 in Woods Cedar, Rosewood - Brazilian 
Add to Compare1974 Ramirez 2A, Brazilian Rosewood/Cedar
Early to mid ‘70s Ramirez guitars are coveted for their richness, clarity, and reliability, and we’ve landed a perfect example of that with this 1974 2A in Brazilian Rosewood and Cedar. What a beauty! The back set features some gorgeous and dramatic figure, and pairs up nicely with the Red Cedar top to a sharp-dressed player with tone to match. Setup and playability are smooth as silk, and we’re happy to give this one a clean bill of health with only a few light marks in spite of its decades of music making. The Spanish Cedar neck has the chunkier neck profile that we associate with Ramirez of this era, and feels great in hand. Comes wrapped up safe and sound in a Humicase Metro case.
Other keywords: jose ramirez, classical guitar, andy jurik, fingerstyle, nylon string, r1412
SOLD Read moreScale Length 26.25 in Nut Width 2.125 in String Spacing 2.25 in Woods Cedar, Rosewood - Brazilian 
Add to Compare1974 Ramirez 2A, Brazilian Rosewood/Cedar
An exceptional guitar. We just took in a 1974 Ramirez 2A in Brazilian Rosewood and Cedar with some powerful provenance. Played and initialed by the venerable master, Christopher Parkening, this Ramirez has been extensively played in and has an exquisitely opened up and responsive voice. Power and sustain with the 664mm scale; the proprietary Ramirez lacquer finish is in great shape; and this 2A comes with the original case. The generous Ramirez neck profile feels full and comfortable in hand, and the setup is butter smooth. The condition is great. There are the usual marks and fret wear of a guitar that’s been lovingly played for decades, but overall this 1974 Ramirez 2A is a well preserved example.
Other keywords: lutherie, luthier, classical guitar, classical, nylon string, jose ramirez, fingerstyle, brazilain, CWP, chris darkening
SOLD Read moreScale Length 26 in Nut Width 2.125 in String Spacing 2.25 in Woods Cedar, Rosewood - Brazilian 
Add to Compare1973 Ramirez 1A #7166, Indian Rosewood/Cedar
This Ramirez 1A has had over four decades to open up–and it hasn’t wasted a second. Featuring some gorgeous Indian Rosewood for the back and sides and Cedar for the top, this 1973 Ramirez has stood the test of time and still manages to shine.
All that juicy Cedar warmth and opened up sustain dovetails nicely into a variety of genres, and the fact that it’s been freshly refretted and set up by our very own repair team means it’s ready for many more decades of music! This Classical is perfect for a serious student of the guitar: played in, set up like butter, with delicious string-to-string separation.
SOLD Read moreScale Length 26.13 in Nut Width 2.13 in String Spacing 2.24 in Woods Cedar, Rosewood - Indian 
Add to Compare1961 Ramirez MT Cypress/Spruce
Here we have a fantastic Flamenco guitar from the legendary Ramirez guitars. Built from the classic Flamenco combination of Cypress and Spruce, this little baby is as light as a feather. Mariano Tezanos was the particular builder in the Ramirez shop responsible for the construction of this guitar. Tezanos was famed as being one of the best builder to ever work for Ramirez, and none other than Andre Segovia himself prized Tezanos for his work. The voice on this guitar is quick and powerful, with a great attack and airiness to the tone, a perfect Flamenco sound. Although it has sustained some damage in its life, it has been expertly repaired, and we feel that it only adds character and tone to this wonderful little Flamenco.
Add to Compare1979 Ramirez 1a Flamenco Cypress/Cedar
Here we have a 1979 Ramirez Flamenco1a in Cypress back and sides and a Cedar top. This is the quintessential Flamenco guitar made from the classic combination of Cedar and Cypress, the tone is quick, airy and loud, just as a Flamenco guitar should be. Lightness of build is very important for a Flamenco style guitar, this Ramirez is as light as a feather on a warm breeze, you almost have to tie it to your lap! Flamencos have to respond ultra quick with a fairly short decay time in order to sound un-muddied with the deluge of notes being played, the Ramirez does that perfectly. For its age, this guitar is in incredible shape, and the soundboard has aged and opened up wonderfully.
Add to Compare1958 Ramirez Flamenco Cypress/Spruce
This incredible featherweight 1958 Jose Ramirez flamenco guitar features a Cypress body and Spruce top for that classic, dry Flamenco tone that so many players crave. It is stamped FM indicating it was built by Felix Manzanero. However, the real treat about this guitar is its playability. The action is extremely fast, smooth, and comfortable and this is a superb vintage Ramirez Flamenco.