Instruments
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2010 Ryan Paradiso, Mahogany/Adirondack Spruce
What a great day to be alive! Playing this 2010 Paradiso Grand Concert from Kevin Ryan is sure to put a smile to your lips and some tasty tunes to your fingertips. The perfect size for someone who wants a big ole’ voice in a medium-small package, the Paradiso is lively, responsive, and a breeze to play.
This is one of only a few Mahogany Ryans we’ve ever seen, and we gotta say that Kevin does Mahogany right: there’s a bit more bark and woody edge than his other guitars, and that translates into a very energetic tone and added verve to your playing. Great for fingerpicked blues! But you can pull off just about any style in style with this 2010 Paradiso, and the Adirondack Spruce top will keep projection at the forefront. This guitar plays like butter melts: sizzling in your hands with the fast action like grease in the pan. When you’re ready to mount up for amplified performance, this Ryan comes with a K&K Pure Western Mini; one of our favorite passive pickups of all time!
SOLD Read moreScale Length 25.75 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Mahogany 
2015 Ryan Paradiso Grand Concert Malaysian Blackwood/European
Practically brand new, this 2015 Paradiso Grand Concert from Kevin Ryan is everything you could hope for out of a medium-sized fingerstyle guitar: flawless articulation, consistent balance across the registers, glassy playability–and that’s just for starters. Part of Ryan’s signature sound is a great balance between warmth and clarity, which this Paradiso exhibits handsomely; passages in Standard, DADGAD, or even Cadd9 have a delicious color in the middle registers that fills out the voice and offsets the sparkle of the treble strings for an even response.
If you’re looking to record, this Paradiso is an excellent choice! When the glitter of Paua Abalone is used to delineate the Malaysian Blackwood back and sides from the European Spruce top, the result is gorgeous, elegant. Of course, the arm bevel with Kevin’s “Acoustic Flutes” doesn’t hurt, either!
SOLD Read moreScale Length 25.75 in Nut Width 1.75 in String Spacing 2.31 in Woods Spruce - European, Blackwood - Malaysian 
2016 Ryan Nightingale Grand Soloist Indian/Sitka
You can’t get much closer to brand new than this 2016 Ryan Nightingale Grand Soloist. Essentially hot off the presses, this Nightingale already has a powerful, focused voice which is only going to improve as the guitar is played in. Straight-grained as an arrow, the Indian Rosewood back and sides and Sitka Spruce top are an excellent pairing, and are bound up nicely with Kevin Ryan’s signature Paua Abalone trim and rosette. Along the lower bout you can find an Ebony armrest with Ryan’s trademark “acoustic flutes” which combines player comfort with a little boost of music to the player’s ear.
Tonally, this guitar has a voice to match Ryan’s engineer-precise craftsmanship: the string-to-string balance is surgical with an even response characterized by clarity and articulation. Excellent for recording, this Nightingale Grand Soloist is a wonderful candidate for experiments in altered tunings, from DADGAD to Cadd9. When’s the next time you’re going to see a Ryan guitar this shiny and new, unless you’re already on the waiting list?
SOLD Read moreScale Length 25.75 in Nut Width 1.75 in String Spacing 2.31 in Woods xx, Rosewood - Indian 
2003 Ryan Nightingale East Indian/Sitka
We get some truly amazing instruments that pass through our showroom, but only a handful of those guitars hooks us with an emotional response. This 2003 Ryan Nightingale Grand Soloist is one of those few instruments which, from aesthetics to tone, pulls something out of the player that they didn’t know they had. Fingerstyle guitarists, we’re talking to you.
Providing a rich, full-figured presence from the bass strings to your arrangements, and pairing that with treble overtones like bells, this Indian Rosewood and Sitka Spruce Nightingale has the ability to transform the simple into the grand, and the epic into the elegant. Played in lowered tunings, you can feel the pulse of the low end thick in your gut, but the setup is so glass-smooth that the experience of playing this Ryan is an excercise in effortlessness. Each string is rendered in vibrant color, and is perfectly balanced with its neighbors, rendering the voice complex, but surgically balanced. Add an L.R. Baggs iBeam pickup to the mix, and a Calton flight case with Colorado Case Cover, and you’ll want for nothing. This, friends, is the sort of guitar you’ll carry with you for a lifetime.
SOLD Read moreScale Length 25.75 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Indian 
2003 Ryan Grand Cathedral Fingerstyle Cocobolo/Sitka
For the fingerstylist who needs a guitar that can keep pace with whatever wild tunings strikes his fancy, and can add prodigious strength and tone to every arrangement, no matter how grand or subtle–this is the instrument for you. This 2003 Grand Cathedral Fingerstyle from Kevin Ryan is nothing short of awe-inspiring, from its striking Cocobolo Rosewood back and sides, Sitka Spruce top, and delicate Abalone inlay to its rich, enveloping voice and vibrant tone.
No matter what tuning we tried, the Grand Cathedral’s voice remained true, with the bass strings retaining their snap and crackle, and the trebles singing as sweetly as in standard pitch. And what lushness, what complex overtones when we pulled out our favorite fingerstyle pieces! This is the kind of guitar which makes your every tune sound just a little better. With the Ebony armrest and Florentine cutaway, playability isn’t even a question–the Grand Cathedral practically plays itself. We’d love to go on and on about this Ryan, but it’s really something you need to see for yourself to really understand. So what are you waiting for?
SOLD Read moreScale Length 25.75 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Cocobolo 
2004 Ryan Mission Grand Concert East Indian/Caspian
Looking for a Kevin Ryan guitar, but unable to foot the bill for a new one? Try out this 2004 Mission Grand Concert for size! With the classic combination of East Indian Rosewood back and sides and a Caspian Spruce top, this MGC provides the player with a lively mix of bright trebles, rumbling bass, and smooth playability. If you want your guitar to do double duty as a fingerstyle instrument and flatpicking powerhouse, we’re confident that this MGC can more than foot the bill. She responds very well to an aggressive attack, but is lightly built for more nuanced arrangements. With a well-balanced tone that’s superb for recording and session playing, this MGC can also rule the stage when you need to play amplified once you plug into the L.R. Baggs I-Beam with onboard preamp.
Altered tunings like DADGAD, this guitar eats for breakfast–it even handled Cadd9 without losing the well-defined edge of the bass strings! Featuring a custom shamrock inlay on the heel cap by Larry Robinson himself, you’ll feel pretty lucky every time you get to pull the Mission Grand Concert out of its Calton flight case to play.
SOLD Read moreScale Length 25.75 in Nut Width 1.75 in String Spacing 2.25 in Woods xx, Rosewood - Indian 
2012 Ryan Cathedral Brazilian/Sinker Redwood
Kevin Ryan got it right when he named this model the Cathedral Grand Fingerstyle: playing this guitar is a kind of religious experience. The way in which its Sinker Redwood top and wavily grained Brazilian Rosewood back and sides combine, there’s no question as to the guitar’s voice. Its got the kind of voice that supercharges any tune. The kind of tone that puts other guitars to shame: if its voice was a color, it’d be the darkest, richest purple you’d ever seen. In a word, the tonal palette is regal. The sustain that pours out of this large-bodied guitar is deep and powerful, with the subtle addition of sweet overtones in the middle and upper registers that fill out the sound. This is a guitar which excels in dropped tunings, thanks to its 25 3/4″ scale length, but still has mids and highs with lots of headroom. A number of Ryan trademark features help contribute to this excellent articulation, from the “EO” (Engineered Openings) bracing, with its selectively honeycombed braces, to the use of super lightweight titanium bridge pins and Ryan’s arm bevel “flutes,” which also serve as miniature soundports to deliver this instrument’s incredible voice straight to the player. Add to that Ryan’s surgically precise tiger inlay on the fretboard and “Micro Pearl” trim, with its alternating MOP-Abalone-MOP pattern, and the result is an instrument which is awe-inspiring not only for its tone, but for its appearance as well. The Cathedral Grand Fingerstyle is just that: a guitar designed specifically for fingerstylists. To that end, you’ll be hard-pressed to find another guitar that has this much articulation and responsiveness. Try this guitar: your fingertips will thank you. This guitar comes with the original Hoffee hardshell case.
SOLD Read moreScale Length 25.75 in Nut Width 1.75 in String Spacing 2.25 in Woods Redwood - Sinker, Rosewood - Brazilian 
2004 Ryan Cathedral Brazilian/European
Kevin Ryan makes some of the biggest, baddest fingerstyle guitars on the planet. With his engineering background and his artist’s eye and ear, Kevin achieves instruments that have remarkable precision and sustain with an absolutely gorgeous aesthetic and sound. This guitar, the Cathedral Grand Fingerstyle, is the largest ship in his armada. It has an enormous presence and fulness about the voice, requiring little energy from the player to put out large amounts of volume owing to the time tested pairing of Brazilian Rosewood and European Spruce. With its breadth and depth of tone and body, it takes especially well to lower and alternate tunings. Add to that a Florentine cutaway for extra reach and the smooth, legendary “Ryan” arm bevel, this one is surprisingly comfortable to play – that is, assuming you’ll take the time to pry your eyes off of the gorgeous green abalone border and physics-defying figured back. Give it a strum and you’ll be tempted, but play a whole tune and you’ll be hooked for a lifetime. This here is what the high end guitar world is all about.
SOLD Sale! Read moreScale Length 25.75 in Nut Width 1.72 in String Spacing 2.25 in Woods Spruce - European, Rosewood - Brazilian 
2010 Ryan Nightingale Soloist Cocobolo/Western Red Cedar
There is nothing quite comparable to a beautiful, hand crafted guitar. Something about the way the Cocobolo Rosewood and Red Cedar on this Ryan Nightingale Grand Soloist pair up makes for an instrument with an effortless allure. The smooth, custom satin finish over Kevin’s signature “Ryan Style” arm bevel give it a sweet, natural and seductive feel. The voice is lyrical, dancing along with ease and grace, balance and distinction. With a cutaway to make reaching even the highest passages a breeze, this is one that you’ll always want to keep central to your playing. It inspires.
SOLD Read moreScale Length 25.63 in Nut Width 1.78 in String Spacing 2.42 in Woods Cedar - Western Red, Rosewood - Cocobolo 
2011 Ryan Signature Series Nightingale Grand Soloist Brazilian/Italian
Here we have a mindblowingly beautiful 2011 Ryan Signature Series Nightingale Grand Soloist with premium dark Brazilian Rosewood and Italian Spruce. Add to that the Fluted Arm Bevel, custom Abalone Rosette and Kevin’s renowned EO Bracing and you have an instrument you won’t want to take your eyes away from!
The bass response on this guitar is phenomenal, with all the clarity and sparkle that we look for in a high end fingerstyle instrument. It has a breadth and depth of tone that we rarely see, and the low end has an almost untamed nature about it that leads you to explore unknown passages and possibilities. It’s for instruments like this that we began this company, and we look forward to hearing your thoughts!
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Italian, Rosewood - Brazilian 
2003 Ryan Nightingale Soloist Brazilian/Alpine Amy White’s Personal Guitar!
This Nightingale Solist by Kevin Ryan is an absolute knock out. The Brazilian Rosewood Kevin used for the back and sides is stunningly figured and the Alpine spruce top is super tightly grained with great silking, so you know it came from a hand-split billet. Tonally this guitar hits all the right spots: The Brazilian and Alpine Spruce give this guitar a great bottom end with a slight reverb quality, while the trebles remain full and present. It’s a fingerpickers dream, with a perfectly balanced voice and ideal neck profile, but really loves the pick as well!
SOLD Read moreScale Length 25.75 in Nut Width 1.81 in String Spacing 2.25 in Woods Spruce - Alpine, Rosewood - Brazilian 
2011 Ryan Nightingale Grand Soloist Cocobolo/Engelmann
This 2011 Nightingale Grand Soloist from Kevin Ryan is a perfect example of the impeccable craftsmanship and heavenly tone that we’ve come to expect in his guitars. Gorgeous Cocobolo Rosewood are an excellent compliment to the stunningly silky Engelmann Spruce used for the top, and the combo rewards us with an instrument of tremendous depth and articulation. Massive bass response, great balance with just enough chime and sparkle make this Ryan Nightingale a fingerstyle player’s dream. It also has many popular Ryan innovations, such as a fluted arm bevel, EO bracing, A4 kerfed lining, as well as the popular 25.7″ fingerstyle scale length. Finally it is adorned with Kevin Ryan’s Art Deco fret markers and a 12th Fret vine.
SOLD Sale! Read moreScale Length 25.7 in Nut Width 1.84 in String Spacing 2.38 in Woods Spruce - Engelmann, Rosewood - Cocobolo 
2002 Ryan Nightingale Soloist Koa/Red Cedar
This is a gorgeous Figured Koa and Red Cedar Ryan Nightingale. This is a great combination of tonewoods, Koa is strong, bright and punchy while Cedar is rich, warm and full sounding. Together they give this guitar a voice that is powerful and lush and makes it a great choice for many varieties of music. Like all Ryans it excels at Fingerstyle music but this one also strums beautifully with a warm and sparkling chime. The Cocobolo Armrest Bevel and bindings perfectly frame out the Koa body and accent the red hues in the Cedar top. There is a cutaway, bound headstock and Cocobolo backplate as well. Comes with a Calton Deluxe Flight Case!
2000 Ryan Mission Grand Concert Brazilian/Sitka
Here’s a Brazilian Rosewood Mission Grand Concert from award winning luthier Kevin Ryan. With it’s mature Spruce top it has a voice that is angelic and pure. Notes leap out of this guitar with great volume and lovely overtones. This is elegant GC from Kevin Ryan as well, appointed with an Abalone top border, rosette and backstrip. Well played but well cared for this is a Ryan guitar that is better than new for it’s voice has reached it’s full potential and it is something special.
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Brazilian 
2003 Ryan Mission Grand Concert Indian/Sitka
An incredibly vibrant guitar from Kevin Ryan. This Mission Grand Concert features an exceptional Master Grade Sitka Spruce top and Indian Rosewood back and sides for a tone that is rich in shimmering highs and smooth mids. The playability of this guitar is absolutely exceptional and the Abalone and Cocobolo appointments add to its beauty. A cutaway and a Calton case complete this lovely Ryan MGC.
SOLD Read moreScale Length 25.75 in Nut Width 1.75 in String Spacing 2.19 in Woods Spruce - Sitka, Rosewood - Indian