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1976 Sakurai Concert No. 5 Indian/Cedar, Kohno
Masaki Sakurai starting working with master Masaru Kohno in 1967 and today he carries on his Masters great work building the modern Kohno guitars. This guitar is the fifth guitar built by Masaki Sakurai making it quite a collector piece as well as an extraordinary guitar. It is powerful and clear, as are the Kohno guitars, and very easy to play. This is a full and powerful guitar that has matured nicely and has been very well kept. A rare Sakurai crafted under the tutelage of Masaru Kohno.
SOLD Read moreScale Length 26 in Nut Width 2.09 in String Spacing 2.2 in Woods Cedar - Red, Rosewood - Indian 
1996 Sanchis Solista Cypress/Spruce
This Sanchis Flamenco dates from 1996 and is a high end model handcrafted by master luthier Ricardo Sanchis in Madrid, Spain. The Cypress back and sides and Spruce top yield a classic Flamenco tone that is rich in mids and lows with sweet yet dry highs and a fast response. Everything about this fine guitar is full of tradition, from the look to the voice. It plays with ease as well.
SOLD Sale! Read moreScale Length 25.59 in Nut Width 2.05 in String Spacing 2.24 in Woods Spruce, Cypress 
2006 Sand Nylon String Electric Cocobolo/Spruce With Barbera Soloist Pickup!
This Kirk Sand Rosewood Model electric nylon guitar is the definition of versatile. It is surprisingly loud unplugged, with a present bass and crisp trebles. Plugged in though, is where this guitar shines. The Barbera Soloist Pickup lends a warm tone, and the onboard EQ gives the player plenty of room for adjustment. It plays like an electric guitar, smooth as silk. The craftsmanship and woods are top notch as well. The Cocobolo back and sides are a wonderful chocolatey hue. The Spruce top is tight grained,and aged to a nice amber shade. This one is ready for the stage…
SOLD Sale! Read moreScale Length 25.5 in Nut Width 1.88 in String Spacing 2.19 in Woods Spruce, Rosewood - Cocobolo 
1995 Sand Nylon Mahogany/Spruce
An amazing Nylon guitar made by Kirk Sand is 1995. The Mahogany back and sides and Spruce top combine with the nylon strings to produce a tone that is complex yet full and vibrant, both unplugged and amplified. This guitar was custom ordered by George Simmons in 1995 and bears his name at the 19th fret. The abalone purfling on this instrument is amazing! Kirk says of these guitars: “I really had Chet in mind for this guitar. He was using the Gibson CE at the time, but was interested in something with less sustain in the bass and a lighter weight body. I Discovered by hollowing the body completely out, and putting a standard braced classic top on it was the answer. As soon as Chet played it, he ordered one.” And with that, we must mention that this guitar was signed on the front by none other than Chet Atkins himself, along with master fingerstylist Paul Yandell. Truly a world class instrument with unmatched tone and playability.
2003 Sand Jose Feliciano Indian/Spruce
Here we have the Jose Feliciano model by Kirk Sand. The cutaway and narrower neck with a radiused fingerboard make this a versatile crossover guitar for any style of Nylon guitar. As you can imagine in a guitar who’s namesake is Jose Feliciano, you can drive this guitar hard. The spruce top stays with you offering plenty of headroom. The neck feel is fast and easy to play and there are 16 frets clear on the treble side. The dual source B-Band pickup sounds terrific and makes this a great stage guitar.
SOLD Read moreScale Length 25.5 in Nut Width 1.81 in String Spacing 2.19 in Woods Spruce - Sitka, Rosewood - Indian 
2003 Kirk Sand Richard Smith Model Indian/Spruce
If you haven’t seen Richard Smith play live, you need to! I caught him Add the Station Inn in Nashville a few years back and he blew me away. its easy to see how his amazing playing influenced this Richard Smith model guitar from Kirk Sand. The deep cutaway allows full access up to the 17th fret and beyond, the RMC pickup system provides fully adjustable volume for each string making it perfect for on stage use. This one is crafted from beautiful straight grain rosewood and Engelman spruce. It has abalone fret markers as well as a abalone top border, Rosette and tie block. We also like the clever placement of small fret dots on the upper frets of the high string for reference while playing. The tone is pure and lively acoustically, and the amplified sound is natural and hasslefree. This is a superb performance instrument. Watch Richard Smith tear it up on his Kirk Sand guitar.
SOLD Read moreScale Length 25.4 in Nut Width 1.91 in String Spacing 2.2 in Woods Spruce - Engelmann, Rosewood - Indian 
2018 Sanders Classical, Ziricote/Cedar
Australian luthier Ashley Sanders crafts an incredible guitar, hands down. This Classical is relatively new from 2018, but has an impressively opened up voice and responsiveness. Ziricote back and sides with a lattice braced Cedar top, Rubner deluxe tuners and Snakewood buttons—and this Australian-style Classical only weighs in at five pounds. The Ziricote back is slightly arched à la Greg Smallman, adding volume and power to the voice. 12-hole tieblock for increased break angle at the saddle, and Sanders added side dots at the 5th and 7th fret for creature comfort.
Other keywords: lutherie, luthier, fingerstyle, classical guitar, classical, nylon string, nylon-string, 650mm, mosaic, 12 hole tie block
2010 Kazuo Sato Prelude, Indian Rosewood/Alpine Spruce
This 2010 Prelude model from Kazuo Sato offers a smooth, even voice with lovely articulation across the registers; we’re smitten. Indian Rosewood back and sides paired up with Alpine Spruce on top (aged 20 years beforehand! making this a 30-year-old top today), Mahogany neck, and Alessi tuners for added elegance. This lovely number has opened up handsomely in the intervening years, and we’re excited to report it has a lively projection waiting just under the surface with a heavier attack. French Polish throughout, plus an under-four-pounds play weight, makes for an easy, responsive playing experience. We’re excited to see where the next 10 years takes this one!
Other keywords: classical guitar, classical, nylon string, luthier, lutherie, fingerstyle, marquetry, handmade, french polished, steve newbrough, andy jurik, superior
SOLD Read moreScale Length 25.6 in Nut Width 1.98 in String Spacing 2.25 in Woods Spruce - Alpine, Rosewood - Indian 
1989 Richard Schneider Kasha Classical, Redwood Top & Back, Brazilian Rosewood Sides
Richard Schneider’s Kasha-style Classicals are true treats. This example from 1989 features Redwood top and back and Brazilian Rosewood sides, offset soundhole and asymmetrical bridge, and brass frets on a 670mm scale neck. Access panel at the tail to boot! The voice is dialed in for exquisite precision across the registers. Eschewing the concept of a tieblock altogether, this Kasha-Style Classical anchors the strings from the inside of the guitar, accessible via the access panel Schneider includes at the tail. All wrapped up in the original custom Mark Leaf flight case, this Schneider Kasha Classical is always safe and sound on those rare occasions when the guitar isn’t in your hand.s
We even have an endorsement from the great master himself, Andrés Segovia, for Schneider’s work (and what higher praise could there be?): “I consider Mr. Richard Schneider a magnificent builder of guitars. He is a very efficient collaborator to Mr. Kasha…and still continue experimenting…to increase the volume of its sound without sacrificing its delicacy.”
Other keywords: andy jurik, fingerstyle, nylon string, boaz majkowski, fingerstyle, R-5-26-89
SOLD Read moreScale Length 26.375 in Nut Width 2 in String Spacing 2.188 in Woods Redwood, Rosewood - Brazilian Sides 
1994 Richard Schneider Kasha Brazilian Sides Redwood Back/Spruce
An incredibly unique guitar from the late Richard Schneider. This is a Kasha Braced Nylon string acoustic/electric with incredible tones thanks to the Brazilian Rosewood sides, Redwood back, and Spruce top. It is constructed using the Kasha bracing method and incorporating a Redwood back, offset soundhole, jumbo round frets for mass and an impedance matched bridge design. All of this adds up to the unique Schneider voice that is powerful and compelling. The bass is huge and round and the trebles are articulate with great projection. This is a contemporary instrument capable of both modern and classic tones. Included is rare video footage of Richard Schneider himself explaining the workings of this wonderful instrument and it’s custom designed microphone. This is a wonderfully collectible and eminently playable guitar. http://www.jthbass.com/kasha.html Click here for a great article about Schneider and Kash by Vince Meyer.
SOLD Sale! Read moreScale Length 25.59 in Nut Width 2.08 in String Spacing 2.24 in Woods Spruce, Brazilian Sides Redwood Back 
1992 Richard Schneider Kasha Brazilian Sides Redwood Back/Redwood
This rare and boisterous Schneider boasts some of the most unique and innovative bracing ever seen in the guitar world: Kasha style bracing. Schneider’s Kasha bracing takes a step from the traditional, but the flying buttresses, chaotic bracing pattern and a little black magic bring about astounding results in this guitar. The Premium Grade Redwood top and back pair with ultra rigid Brazilian Rosewood sides to give this instrument a powerful, sustaining sound that projects with gusto. In voice, it is inspiring – the bass rolls out with ease, followed by full, strong mids and great, punching and sustaining trebles. It is equal parts professional instrument and masterwork objet d’art. One you simply won’t want to miss.
SOLD Sale! Read moreScale Length 25.59 in Nut Width 2.08 in String Spacing 2.24 in Woods Redwood, Brazilian Sides Redwood Back 
N/A Sigurdson Flamenco Cypress/Spruce
Canada’s Jeff Sigurdson has been making world class guitars for nearly fifteen years. His instruments are prized by players for their distinctive tone and irresistible playability and this guitar is no exception. Wonderful, full, authentic flamenco tone from the Cypress and Spruce body. The traditional friction tuners work beautifully and insure the traditional tone. Beautifully crafted.
SOLD Sale! Read moreScale Length 25.59 in Nut Width 2.05 in String Spacing 2.24 in Woods Spruce, Cypress 
2018 Somogyi Duo, Brazilian Rosewood/Sitka Spruce
This exceptional collection showcases the artistry and craftsmanship of master luthier Ervin Somogyi, featuring two instruments that exemplify his dedication to tone, playability, and aesthetics. Each guitar is a testament to Somogyi’s expertise, a Classical, and a 000 model, all crafted from Sitka spruce and sequential sets of Brazilian rosewood. The result is a harmonious convergence of rich, resonant tones and visual elegance.
This duo of guitars represents the pinnacle of Somogyi’s lutherie skills, showcasing his mastery of form, function, and sound. They stand as a testament to his reputation as one of the world’s premier guitar makers, and a tribute to the enduring beauty and musicality of fine handcrafted instruments.
Other keywords and misspellings: hoffee, bespoke, 483,484, brazilain, lutherie, lutheir, guitarbuilding, fingerstyle, finger style
1981 Somogyi Classical, Brazilian Rosewood/Spruce
A piece of history from one of lutherie’s grandmasters: our 1981 Somogyi Concert Classical. Ervin began his career with nylon string instruments, which helps to explain how he’s able to get so much tone out of his steel strings, since he became acquainted with the extra sensitivities that go into building for nylon strings at en early stage. This beauty is rich and clear, having opened up handsomely for the past almost 40 years. Brazilian Rosewood back and sides, Spruce on top, and Ervin carved a full neck profile with well-rounded cheeks.
His trademark scalloped nut weighs in at 52.5mm with a 651mm scale to match. The Burl headstock veneer is another hallmark of Ervin’s style, and this Concert Classical features a bookmatched version that sets of Ervin’s crenellated headstock perfectly. This is an incredibly lightly built (3lbs 2oz) and responsive instrument from one of the industry’s finest makers, and we’re proud to offer it to you now.Other keywords: classical, classical music, luthier, responsive guitar, nylon-string, karura, marquetry, mosaic
SOLD Read moreScale Length 25.625 in Nut Width 2.063 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian 
2011 Somogyi Classical Carp Brazilian/Sitka
In the world of high-end and innovative instrument builders, few names are as widely known or highly regarded as Ervin Somogyi‘s. This man has singelhandedly reinvented many aspects of the modern luthier’s trade, expanding the horizons of what is artistically and functionally possible. Somogyi’s landmark texts, The Responsive Guitar and Making the Responsive Guitar, represent decades of dedicated practice and study, and yet the impact of this immense body of knowledge on his guitars is organic, controlled, elegant. Take this Somogyi 2011 Classical “Carp,” for instance. The rosette and inlay that Somogyi carves are jaw-dropping: intricate, clean, and so perfectly installed they look like natural features of the Sitka Spruce top. Combine that with Somogyi‘s other trademarks—his peaked headstock, scalloped nut and bridge, his Ebony trim—and you find yourself holding a guitar which comfortably straddles the line between art and tool. Somogyi‘s eye has blessed this guitar with a set of Brazilian Rosewood for the back and sides which probably doesn’t have an equal: the rich, sumptuous color palette varies from creamy vanilla to rick chocolates and dusty grays. The tap tone of both the Brazilian Rosewood and the Sitka Spruce is cavernous, echoing, and drives home just how finely honed is Simogyi’s technique in voicing this guitar. Simply put, this is more than a guitar, but its not untouchable art, either. This is an instrument which, miraculously, is equally beautiful to listen to and watch. This guitar comes with a Hoffee hardshell case.
SOLD Read moreScale Length 25.5 in Nut Width 2.01 in String Spacing 2.38 in Woods Spruce - Sitka, Rosewood - Brazilian