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2022 Blazer & Henkes D-45, Reserve Mastergrade Brazilian Rosewood/Old Growth Adirondack Spruce
2022 Blazer & Henkes D-45
This guitar is built from Reserve Master Grade Brazilian Rosewood and Old Growth Adirondack Spruce, bringing these exceptional materials to their highest potential. Dressed in classic 45-style fashion, but make no mistake—this is not just about flash and looks. Sonically, it’s every bit as impressive as it is visually.
It comes with a full neck profile, a tortoise-style headplate with a torch inlay, ivoroid bindings, and 45-style abalone trim and appointments throughout.
But truly, this guitar speaks for itself. A magical creation from the workshop of Blazer & Henkes—one we will surely miss when it finds its next home.
Other keywords/misspellings: Luthier, lutherie, pre-war, dread, europe, adi, braz, 665
$23,400 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 2011 Borges 000-12 Fret, Madagascar Rosewood/Adirondack Spruce
Julius Borges knows how to utilize every square inch. This 000 form 2011 has an expansive voice that belies its petite proportions, with the perfect amount of balance and definition between the registers to make fingerstyle work absolutely sing. This gorgeous Borges is upgraded with arrow-striaght Madagascar Rosewood back and sides (looks strikingly like the best prewar BRW Martin stock) and Adirondack Spruce on top, fine herringbone trim, plus pyramid bridge for the classic flattop aesthetic. The setup is silky smooth and easy on the hands, with a 12-fret body join for extra warmth and a medium thick neck carve.
Other keywords: lutherie, luthier, jules borges, fingerpicking, om, ooo, 1101
Additional Demo: https://youtu.be/zECqfxuONzc
$10,400 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.375 in Woods Spruce - Adirondack (Red), Rosewood - Madagascar Brand New Bouchereau Mistral OM-C, Wenge/Sitka Spruce
This brand-new (2022) Bouchereau Mistral OM-C (Serial #27) is a striking modern build that pairs visual elegance with tonal depth. Wenge back and sides provide rich bass, crystalline highs, and a defined midrange—think Rosewood with added focus and clarity. The Sitka Spruce top offers warmth, headroom, and dynamic responsiveness, making this OM a versatile performer for both fingerstyle and flatpicking.
Appointed with a modern rosette, elevated fingerboard, and Venetian cutaway, this guitar balances refined aesthetics with practical design. The elevated board increases top vibration for greater sustain and projection, while the cutaway grants effortless access to upper registers.
Schertler open-gear tuners round out the build with smooth operation and a touch of vintage class. A boutique instrument through and through—crafted with care, and ready to inspire.
Other keywords/misspellings: Luthier, lutherie, bespoke, handmade, canada, 27
$12,480 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.125 in Woods Spruce - Sitka, Wenge 2020 Bourgeois 00-12 “The Coupe”, Brazilian Rosewood/Adirondack Spruce
From 2020, we have a superb example of what the workshop of Dana Bourgeois is capable of. This compact 00-12, nicknamed “The Coupe,” showcases premium tonewoods and masterful craftsmanship.
It features master grade Brazilian Rosewood for the back and sides, paired with an Aged Tone Adirondack Spruce top. Koa bindings and tasteful abalone appointments complete the aesthetic with elegance.
Built with wider specs ideal for fingerstyle playing, and a slender, comfortable profile, this guitar offers effortless playability without sacrificing tone or visual appeal.
Other keywords/misspellings: Luthier, lutherie, bespoke, maine, adi
$11,440 Add to cartScale Length 25 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Brand New Bresnan GS, Brazilian Rosewood/Adirondack Spruce
Gorgeous from tuners to tail, our latest brand new Bresnan GS is sharp dressed and packing serious tone. Brazilian Rosewood back and sides with some sweet figuring pairs with Adirondack Spruce on top for crispness, power, and headroom. This GS holds up handsomely under a heavier attack, thanks to this stiff Adi top. The voice combines a warm bass response with a wide midrange and focused trebles for a clean, dynamic response. The GS body occupies that sweet spot between big and small, allowing the player an extensive palette of different tunings and attacks.
Other keywords: lutherie, dan bresnan, sean bresnan, fingerstyle, 2102, brazilain, adriondack
$9,725 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 2009 Brondel B-2CA, Cocobolo/Carpathian Spruce
2009 Brondel B-2CA — the B-2 is Laurent’s 000/OM body size. This example features some incredible Cocobolo for the back and sides, paired with Carpathian Spruce on top. It also includes something quite rare: an adjustable neck. Visually striking, this feature is also a highly effective way of maintaining long-term playability. With 12 frets to the body and a wider nut at 1 25/32″, this is a fingerstyle machine — though it also handles a flatpick quite well. Very versatile, visually compelling, and a great opportunity to own an excellent guitar from one of the finest luthiers around. This guitar recently went through the workshop of Laurent Brondel and received a clean bill of health, so it’s ready for more action.
Other keywords/misspellings: Luthier, lutherie, bespoke, handmade, maine, 090104
$7,280 Add to cartScale Length 25 in Nut Width 1.781 in String Spacing 2.25 in Woods Spruce - Carpathian, Rosewood - Cocobolo 2011 Brondel A2, Honduran Mahogany/Carpathian Spruce
We all get pretty excited when an A2 model from Laurent Brondel comes through the shop. That model has something pretty special about it; it grapples the line of modernity and tried-and-true tradition in a very unique and beautiful way, both in sight and sound. In every A2, the natural beauty of the materials used carry the instrument, while maintaining a recognizable voice and simultaneously an individuality.
This guitar from 2011 shows why Mahogany is one of the most popular and desirable tonewoods for an acoustic guitar: warmth, clarity, a sonic precision that you don’t always hear all together. Honduran Mahogany and Carpathian Spruce are the main ingredients for this showstopper. Whether you’re a seasoned collector or just breaking into the realm of high-end acoustic guitars, this one is for you. This instrument is equipped with a K&K Pure mini pickup.
Other keywords/misspellings: Luthier, lutherie, bespoke, handmade, paris, maine, fingerstyle, access, 11016
$8,320 Add to cartScale Length 25 in Nut Width 1.75 in String Spacing 2.313 in Woods Spruce - Carpathian, Mahogany - Honduran 2010 Brondel A1-C, Malaysian Blackwood/German Spruce
What a powerhouse we have here in this 2010 A-1c by Laurent Brondel. Dressed in Malaysian Blackwood and German Spruce—Laurent’s guitars never disappoint and this is no exception. What is exceptional about this instrument however is the bracing. Loaded with a laminated “Larson-style” bracing–this guitar is built for power. It goes without saying there is plenty of headroom here, deep bass as well as strong and sparkling trebles. This dreadnought-sized cutaway is comfortable in hand. Roomy and spacious in both feel and sound. Laurent’s signature arched, rather than domed, top and back certainly contribute to this sense of comfort. As well as the warm and natural aesthetic, this Brondel A-1c feels like home.
Keywords/misspellings: lutherie, luthier, gotoh, ameritage, bowtie bridge, modified dreadnought, maple, bearclaw, bow-tie bridge, evo, bloodwood, 100615.
$10,920 Add to cartScale Length 25.625 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - German, Blackwood - Malaysian 2021 Tad Brown CC Gold Archtop, Red Maple/Adirondack Spruce
This Tad Brown CC Gold is a showstopper, equipped with a livewire Charlie Christian cobalt pickup array and a gorgeous finish. This guitar is every bit as lively sounding as it is vibrant looking. But don’t take our word for it; listen for yourself. Gorgeous Red Maple for the back and sides, paired with Adirondack spruce—man, oh man, it doesn’t get much more elegant and classic than that.
Other keywords: duane simpson, arched top, jazz box, 451021, adriondack
Here’s an additional demo: https://youtu.be/SsWMI5NtgI8
$8,840 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Maple - Red 2021 Tad Brown True Blue, Sugar Maple/Adirondack Spruce
This one’s a special piece that stands proud apart from the crowd! California’s Tad Brown offers this 2021 True Blue acoustic archtop here with Sugar Maple body and Adirondack Spruce top, stainless steel frets, and a lapis lazuli-infused finish rendering the guitar in a brilliant blue.
Here’s Tad to explain: “Earth meets water in Honduran Rosewood and Lapis Lazuli. The blue pigment comes from the historic Lapis Lazuli gemstone, sprayed on as the color coat. It has this very cool unique three dimensional effect, appearing darker or lighter depending on ambient lighting, being translucent to direct light and opaque in reflected light. Permanent colorfastness that will never fade.”
Such an exciting and novel approach, and we’re here to tell you, it’s gorgeous. Added touches include: Rosewood tailpiece suspended on titanium cello tailgut wire, which resonates and adds overtone complexity to your playing, a pickup jack installed at the tail (for adding a pickup down the line should you choose), and a Fort Knox-strong Calton flight case.Other keywords: duane simpson, arched top, jazz box, 420221, adriondack
Additional demo: https://youtu.be/a8LV-rbpSEk
$8,840 Add to cartScale Length 25.4 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Maple - Sugar 2019 Buendia OMC, Brazilian Rosewood/ Swiss Alpine Moonspruce
2019 Buendia OMC, featuring Swiss Alpine Moonspruce on top and stunning Brazilian Rosewood for the back and sides. This one also sports an Indian Rosewood neck, which adds both a bit of weight in hand and depth to the voice. The 26–25″ multiscale setup gives you effortless tension balance, and details like the segmented dyed burl rosette and Rodgers tuners speak to Leo’s meticulous craftsmanship.
This guitar is stellar—and honestly, it’s hard to get anything done around here because it’s just that fun to play. Fortunately, it’s also stage- and studio-ready thanks to a K&K Pure Mini pickup installed.
We love Leo’s guitars here at Dream Guitars, and this one carries that legacy forward beautifully.
Other keywords/misspellings: Luthier, lutherie, bespoke, ca, hoffee, 54, rodgers, fan-fretted, multi-scale, evo
$33,800 Add to cartScale Length 25 in - 26 in Nut Width 1.75 in String Spacing 2.125 in Woods Spruce - Moonspruce, Rosewood - Brazilian 2014 Buendia Jumbo Cutaway, Indian Rosewood/Sitka Spruce
This Leo Buendia Jumbo in East Indian Rosewood and Sitka spruce is phenomenal! The Sitka top is an incredible, 200-year-old set with insanely tight grain across its length. Leo was a Somogyi apprentice, and the tonal heritage is apparent. The whole sound pallet is full and lush from string to string each note is a pleasure to hear, it must be experienced, not just heard. Ethereal, mesmerizing, magical, all of these words don’t do this guitars justice. Hours spent playing this Buendia will just fly by, it is that engrossing. The craftsmanship is as good as we have seen just about anywhere. This is a guitar more than one person in this shop would love to keep for themselves!
Other keywords/mispellings:luthier, lutherie, hoffee,
$14,980 Add to cartScale Length 25.25 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Sitka, Rosewood - Indian 2013 Buscarino Cabaret, Honduran Rosewood & Cedar/Engelmann Double Top
2013 Buscarino Cabaret Custom — a stunning instrument built with gorgeous Honduran Rosewood for the back and sides, and an Engelmann Spruce/Cedar double top. All the classic Buscarino features are here: carved back, cutaway, and medium-width crossover appointments. You’re not sacrificing the qualities of a true nylon-string guitar while stepping into the crossover world — this one strikes a true Goldilocks balance.
It’s equipped with a Barbera pickup system and showcases some truly unique appointments. Notably, you’ll find Larry Robinson’s custom cat-eye inlays and a beautifully crafted soundport in the shape of a paw print. All the cat clichés come to mind — cat got your tongue, the cat’s pajamas — but the real takeaway is how fun this guitar is to play. Exquisite workmanship, and an even more exquisite voice.
Other keywords/misspellings: Luthier, lutherie, bespoke, fusion, hoffee,
$13,000 Add to cartScale Length 25 in Nut Width 1.938 in String Spacing 2.281 in Woods Spruce - Engelmann Double Top, Rosewood - Honduran $10,400 Add to cartScale Length 25 in Nut Width 1.75 in String Spacing 2.156 in Woods Spruce - German, Sapele 2027 Casimi Guitars Build Slot # 1
This 2027 build slot with Casimi Guitars is currently available! Simply purchase this deposit price, and we will reach out to discuss your custom build, what your needs are, and any special features you’re interested in exploring.
Our process is straightforward:
1. Place the deposit amount to secure the spot on the calendar
2. Paul will get in touch directly to make additional choices of materials and upgrades
3. We will stay in touch all the way until deliveryClick here to read an interview with Casimi Guitars
A note from Paul on the build process:
I really enjoy the process of custom building instruments for players. I got into this whole business because I’m a player first and a songwriter. As a player, I have intimate knowledge of what makers, body shapes, woods, and other attributes of a guitar will most help a player get to their dream instrument. It’s really important to me that a guitar inspires a player to make music. That’s the whole reason I started this business long ago.
I see this process of working with a client and a builder as service. To me, it’s an important part of my life and something I’m really passionate about. The process along the way can be as detailed or relaxed as you want and I guarantee you it is always fun. We start usually by talking about the woods that will get the tone that you want after I hear more about what you play and what you’d like to be able to play. Then we will go on to looking at photos of actual sets of materials and talk about everything from the nut width to the saddle width to the case color that you want. We will then get into the details of the instrument as far as the feel goes and the ergonomics. There’s a lot to talk about here and we have a lot of experience again because of all the guitars we’ve played over the years. We’ll talk about the contour of the neck and we have a special process for that where we use a tool that we can send you to give us shapes of your favorite guitar necks which we can then use as a basis or even completely copy.
Another big value that Dream Guitars has to offer in this process is our shop full of amazing guitars. After we get your initial specs down, you’re welcome to visit the shop as sometimes we will have months before the build starts. You and I can sit and play the world’s finest guitars and confirm that the choices we made are right for you as far as the wood types and specs and you also might find some ideas you want to Incorporate, maybe an armrest bevel, a soundport, or even something you’ve never tried before. Along the way my team and I will be talking to the builder on your behalf and making sure that you get exactly what you want in the end.
The custom guitar world can be really confusing. There’s so many makers now and so many different materials and body shapes, you need someone to really guide you through all the options. One of the big parts of my job is to go to various guitar shows every year all around the world so that I can see what’s happening. I meet with all the makers I’ve been working with for sometimes decades and I stay in touch with what they’re changing, what their new models are, what they have to offer, and what their sounds are evolving into. I also get a chance to visit many of the maker’s shops so that I can be very familiar with what they do, what they love to do, what they don’t want to do, what woods they like, what woods they don’t like, so that I can give you really objective third-party advice all along the way.
By working with you directly myself I allow the builder to stay at the workbench whittling wood and making guitars. While this frees them up a bit, they are always available as well should you really want to have a conversation with the builder. We will facilitate that as well. We always see it as a three way partnership.
Another thing that’s really important to me is the personalities involved in each instrument so I get to know the makers really well year year after year, every time I visit with them at guitar shows, visit their shops, or just have a meal with them. I think their personalities come through in the end result of the guitar so as I’m getting to know you and matching you with the builder I’ll be keeping all of that in mind as well.
The bottom line is this. I’ve been playing guitar since I was ten years old. Every time I have the opportunity to help a client find a guitar of their dreams, that inspires them to make music, it feels like my life’s purpose.
I look forward to helping you build a guitar that will inspire you and I promise we’ll have fun all along the way.