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New Myka Classic Jr. Mahogany/Lacewood
Exotic Lacewood is the theme of this wonderful Classic Jr. from David Myka Guitars. The top, headplate and backplate are highly figured Lacewood beautifully accented by a Cocobolo Fingerboard and knobs. Flamed Maple bindings and handmade pickup covers tie it all together. Three Dimarzio P-90 pickups, a ToneZone Bridge, DLX-90 Neck in the Middle and Virtual P-90 Neck, are wired for serious versatility. A 5-Way switch allows for Neck/InnerCoils/Neck & Bridge/Outer Coils/Bridge. On top of that a push/pull Tone pot offers Series/Parallel. A mini 3-Way effects the Middle Pickup with Series/Single Coil/Parallel. But there’s more, another mini 3-Way allows manipulation of the Middle pickup, Adds Middle to 5-Way Output/Middle Only/Bypass Middle. So you can imagine the tonal variations from full-on P-90 power to single coils and combinations of the three pickups not usually possible. The guitar is completed with a TonePros Wraparound Tailpiece and Hipshot Locking tuners, just amazing…
Click Here to see a video demo of the Myka 3 pickup system.
SOLD Read moreScale Length 24.625 in Nut Width 1.72 in String Spacing 1.94 in Woods Lacewood, Mahogany - Honduran Add to Compare2007 Myka Dragonfly Australian Lacewood/Claro Walnut
Once again David Myka creates a most amazing instrument… This time it is his Dragonfly model with all the fixins. For starters he takes Australian Lacewood and Claro Walnut and blends them perfectly with Amboyna Burl bridge, headplate and tuner veneers. Then he adds a Brazilian Rosewood fingerboard and Koa bindings from top to bottom. Now let’s talk about the tonal components: Bartolini PBF55 and PBF57 pickups married with a Pickup-The-World (PUW) piezo in the bridge. He completes this tonal monster with controls that include separate 1/4″ outputs for Mag or Piezo as well as a Piezo/Mag blend mini toggle, dedicated Piezo volume and Series/Parallel knobs for each of the Bartolinis. If you are seeking one stage guitar for acoustic and electric voices from clean to scream, this one can do it all.
SOLD Read moreScale Length 24.5 in Nut Width 1.72 in String Spacing 2.13 in Woods xx, Lacewood - Australian Add to CompareMyka Dragonfly Deluxe Australian Lacewood/Aged Sitka
Wait till you see the lacewood back and sides on this baby — so deep, so rich… mesmerizing! This is another wonderful instrument from Myka, and it brings everything to the table — tone, playability, versatility… For a standard configuration (2 humbuckers, a toggle, and tone/volume for each), this guitar makes a lot of different sounds. The top is hand carved and tap tuned and the back is routed out as well, so this guitar really combined archtop qualities with thinline electric tones. Want to distinguish yourself from the crowd? Here’s a great place to start!
SOLD Read moreScale Length 24.5 in Nut Width 1.75 in String Spacing 2.13 in Woods Spruce - Sitka, Lacewood Add to Compare2006 Myka Double-Cut Black Limba/AAAAA Maple Burled Camphor veneer back
Dave Myka doesn’t hold back when he builds his carved top electrics. The woods and trim are exquisite and the electronics are the best available. Even the custom Lollar pickups are covered with matching quilted maple covers. The pictures tell the story on this one, but also be sure to listen to the clips to hear the amazing tone.
SOLD Read moreScale Length 24.6 in Nut Width 1.69 in String Spacing 2.03 in Woods Maple, Limba - Black (Korina) Add to Compare2017 Nashville Guitar Company D-42, Brazilian Rosewood/Adirondack Spruce
This one’s guaranteed to be the centerpiece of any collection. A 2017 NGC D-42 with Brazilian Rosewood and Spruce, plus snowflake position markers? Yes, please! Fit and finish are excellent across the board, and the voice is dialed in for a lovely balance across the registers. A very even response makes for a guitar that holds up well for strumming, and has the articulation to keep solos and lead work well defined. An easygoing setup to boot, and you’re looking at a powerhouse at your fingertips: our 2017 Nashville Guitar Co. D-42 from Marty Lanham.
Other keywords:, lutherie, dreadnought, allen shadd, 45 style, adriondack, pre-war, brazilain, tkl, 16204
Additional performance https://youtu.be/JAihsxNJ8s8
SOLD Read moreScale Length 254 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2001 Nashville Guitar Co. Slope Shoulder Dreadnought Indian/Adirondack (Red)
Here, Marty Lanham’s done a wonderful job of blending the warm presense of a 12-fret neck with a Slope Shoulder Dreadnought body for added depth and sustain. This 2001 Dreadnought has a rich, colorful bass that rolls out of the guitar like the rumble of an old Chevy, so if you’re ready to let the top down, this guitar is ready to hit the road for the nearest Bluegrass or Old Time jam. Flatpickers will love the sheer hugeness of the voice, and all you fingerpicking songwriters can rely on the sweet warmth of the 12-fret design to lend extra color to your songs with the Adirondack Spruce top. Looking for a smooth-playing Indian Rosewood Dreadnought with the articulation and playability of a much smaller guitar? Look no further; your ride has arrived.
SOLD Read moreScale Length 25.38 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Indian Add to Compare2000 Nashville Guitar Co. Dreadnought Quilted Mahogany/German
Loud and brash as the Fourth of July, this Dreadnought from Marty Lanham’s Nashville Guitar Company is a sound cannon fit to knock you flat on your feet–so we recommend first playing this Dread while seated. Combining the classic punch and drive of Mahogany (and what gorgeous Quilted Mahogany is this!) with a German Spruce top for maximum silkiness, you won’t find a bad note across the length of the fretboard.
The banjo players at your Bluegrass session better be ready, because this Dreadnought means business; they might be out of a job, soon. In addition, this Dreadnought has a hearty C-profile neck that’s easy on the left hand, and traditional pre-War aesthetics from the bone through-saddle to the Grained Ivoroid binding and MOP snowflakes on the fretboard, to provide the ultimate in traditional American tone and design.
SOLD Read moreScale Length 25.38 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - German, Mahogany Add to Compare1999 Nashville Guitar Co. Dreadnought Brazilian/Adirondack (Red)
Another all-star performer from Marty Lanham’s Nashville Guitar Company shop! This Dreadnought’s decked out in some seriously alluring Brazilian Rosewood–all swirling grain across the back–with Adirondack Spruce on top for maximum projection. Flatpickers, rejoice: between the explosive low end and the crisp trebles is a sea of fat, juicy solos ready to be explored.
In keeping faith with Lanham’s traditional aesthetic, this Dreadnought features Grained Ivoroid bindings and understated Abalone diamond inlays on the fretboard, with a fit and finish that is top notch; and there are virtually no signs of play wear anywhere on this instrument. Wrapped up in a hardshell TKL case when not in use, this Nashville Guitar Co. Dreadnought is ready for many more years of fine music.
SOLD Read moreScale Length 25.38 in Nut Width 1.75 in String Spacing 2.13 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian Add to Compare2003 Nashville Guitar Co. 12-Fret 000 Koa/Spruce
This Nashville Guitar Company 000 is your short track to fingerstyle heaven. The 000 body and 12-fret neck give this guitar a rich, sweet voice that’s bursting at the seams with delicate overtones and a crisp, responsive bass register. With Koa back and sides for dryness and articulation, and Spruce for powerful projection, this is the perfect storm for a solo fingerstylist. We tried this guitar in Standard, in DADGAD, in DADF#AD, in DADFAD, all the way down to Cadd9 and Open C–it handled each and every tuning we threw its way with aplomb. In particular, Open D Minor had an extra chills-up-your-spine factor, thanks to that Koa dryness.
The 12-fret neck is comfortable in the left hand, and the string-to-string separation is superb; perfect for complex fingerpicking arrangements. The fit and finish is top notch, with gold Waverly slotted tuners for easy retunings between sets, and the 000 size and shape make this guitar instantly intimate in your hands.
Add to Compare1931 National Duolian
We’ve brought this bad boy back to life with a brand new neck from National Reso-Phonic, making this 1931 National Duolian the perfect combination of vintage and contemporary: plays like fresh butter, rings out like a veteran crooner. Steel body plus single cone resonator, 12 frets to the body, and the perfect amount of patina and play wear to look the part. Clean, clear trebles really bring a lot of color to the voice, and the bass and mids fill it out the rest of the way with a delightful warmth.
Other keywords: slide guitar, nrp, national guitar, reso guitar, duolion, fingerstyle, C110
Add to Compare1928 National Style 1 Tri-Cone German Silver
**This guitar was recorded for the Dream Guitars Vol. II CD!!
We have a special treasure here, This is a 1928 National Style 1 Tri-Cone, the real deal. This is an all out, full stop blues machine with legendary tone that all blues fans know and love. It is hard to find an old National in this kind of condition, usually there is rust or the steel is nicked and scratched to within an inch of its life. Not this one, it is in stunning condition. Playability is perfect, whether you are fretting or using a slide this thing plays like a dream.
SOLD Read moreScale Length 24.75 in Nut Width 1.84 in String Spacing 2.09 in Woods Silver - German, Silver - German Add to Compare1930 National Style O
1929 National Style O, need we say more? Ok…. well this one is all original, with killer tone and great action. It comes to us from a pro player and it’s the real deal. The prices on these vintage gems has really come down so this is the time to get yourself a fine National Style O from the Great Depression. If this guitar doesn’t know the blues what guitar does??
Add to Compare1930 National Triolian, Brass
This is an extremely rare find in vintage Nationals. Here we have a 1930 National Triolian (the first year of production) in Walnut finish but we discovered underneath it is a Style O Brass body! According to Don Young at National Resophonic, during the depression nothing was wasted, so if the engraving in a Style O had a flaw they would paint it and sell it as a Triolian. Very few of these probably exist in the world and it gives this one a great story. The last owner had master Luthier Bill Tippin go over the entire guitar and lovingly bring it up to date with regards to playability and reliability. There is $1500 of repair work in this guitar. The neck was reset and refretted, a new cone was installed to increase the tone and a Highlander Biscuit pickup added for live use. Lastly it has a new National case so this one is completely hassle free, you get all the vintage tone but with modern playability and stability. So here’s a chance for a very rare, Brass Body Triolian with no issues.
Add to Compare1927 National Style 1 Tricone, German Silver
We are delighted to share with you this extraordinary early 1927 National Style 1 Tri-Cone guitar. The condition is unlike anything we’ve ever seen, no dings, scratches, still shining like a new dime. The tone is awe-inspiring with the deep, mellowness that only age can instill. This is the Holy Grail of Tri-Cone Resonators. Serial #0327 from the first year of the Tri-Cone design, it also has the one peice neck with slanted top edge proving it’s a very early one. Incredible history, condition and tone. Oh yeh, the original case is with it also!
SOLD Read moreScale Length 24.75 in Nut Width 1.84 in String Spacing 2.19 in Woods xx, Silver - German Add to Compare2012 National Reso-Phonic Cutaway T1, Brass Body
Sweet, complex tricone reso tone aaallll the way up the neck, thanks to a cutaway. That’s what this 2012 National Reso-Phonic T1 has going for it! It’s wonderful to have access to all those upper fret for those of us who don’t have gorilla hands. All brass construction with a tricone resonator for more overtones and nuance, chunky V neck with 1 25/32” nut, and a setup for both bottleneck and fingerstyle playing. This National has been well-cared for, and the metal body retains its mirror luster after eight years.
Modern Nationals lead the resonator pack with their build quality and tone, and this Cutaway T1 proves it yet again.Other keywords: lutherie, luthier, slide guitar, blues, resophonic, reso guitar, tri-cone, fingerpicking