Instruments
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1991 Gibson L-4 CES Master Model, Mahogany/Spruce
Black as night and sweet as sin. This 1991 Gibson Master Model L-4CES is a tall, dark drink of water with a wide range of tones under the hood. Warm neck position down to a quacky bridge position with strong motown vibes; it does it all, and so well at that. Mahogany body with Spruce top, three-way toggle, twin humbuckers, and gold hardware throughout. Parallelogram position markers, 1 1/16″ nut width, tortoise-style pickguard.
Other keywords: duane simpson, fingerstyle, jazz, arch top
SOLD Read moreScale Length 24.625 in Nut Width 1.688 in String Spacing 2.063 in Woods Spruce, Mahogany 
2001 Gibson L-5 Wes Montgomery, Flamed Maple/Spruce
This 2001 L-5CES Wes Montgomery is a powerhouse, elegantly appointed and set up for glassy playability. Maple body with Spruce top, ’57 Classic PAF humbucker plus gold hardware, and being from 2001 this has Jim Hutchins‘ signature at the label. Looking for a classic Gibson L-5? The Wes Montgomery will do quite nicely.
Other keywords: duane simpson, fingerstyle, arch top, jazz, 23021003
SOLD Read moreScale Length 25.4 in Nut Width 1.688 in String Spacing 2.063 in Woods Spruce, Maple - Flamed 
1936 Gibson L-00, Mahogany/Adirondack Spruce
Friends, you won’t want to put this one down for a heartbeat. It’s dried out and woken up so much since 1936, this Gibson L-00 weighs next to nothing but packs a powerful, expressive, and frankly loud! voice that works great for fingerpicking, and honestly a fair bit of flatpick work too. Quick and energetic, it’s practically humming. Mahogany back and sides plus Adirondack Spruce top and tiger stripe pickguard, original finish, a recent refret for excellent playability, and replaced Kluson-style tuners for modern tuneability (originals included with case).
Other keywords: 1477, l00, loo, parlor, parlour, adriondack, sunburst
SOLD Read moreScale Length 24.9 in - 24.75 in Nut Width 1.75 in String Spacing 2.281 in Woods Spruce - Adirondack (Red), Mahogany 
2000 Gibson Tal Farlow, All Maple
This Gibson Tal Farlow signature model is smartly appointed and ready for action. Built in 2000, it’s in excellent shape with Figured Maple body and top, twin humbuckers plus toggle switch, nickle hardware, Rosewood fingerboard, and the ubiquitious faux scroll cutaway design. 1 11/16″ nut and currently setup with flatwound 13s, but you would also have a blast with roundwounds.
Other keywords: duane simpson, jazz box, archtop, 21240004
SOLD Read moreScale Length 25.4 in Nut Width 1.688 in String Spacing 2.063 in Woods Maple - Figured, Maple - Flamed 
1996 Gibson Citation, Tiger Maple/Spruce
This 1996 Gibson Citation model takes out every single stop. Dressed to the nines, upgraded with premium woods and 24 carat gold hardware, then powered by a Gibson BJB humbucker. Back and sides are carved Tiger Maple with tight flame (ditto for the neck); top is carved Sitka Spruce. Extensive MOP inlays along the fretboard, bridge, and culminating with a fleur-de-lis at the headstock between gold Kluson Sealfast tuners. Maple pickguard creates a light contrast to the honeyed Sitka top, and is adorned with the BJB’s volume knob towards the bottom.
Other keywords: lutherie, duane simpson, 19967001, f hole
SOLD Read moreScale Length 25.4 in Nut Width 1.688 in String Spacing 2 in Woods Spruce, Maple - Flamed 
2001 Gibson AJ Custom Shop, Brazilian Rosewood/Adirondack Spruce
Take a load off and pick up this powerhouse Gibson AJ if you’re looking for a helluva time. You’ll need to hold on and keep up, because it’s got heaps of energy and it’s raring to go. This unique Custom Shop comes from 2001 and is so wide awake, it’s scary. Equally at home with fingers as with picks, and it plays great with both a light touch and a more aggressive attack. Kevin Kopp (of Kopp Guitars fame) was working in Gibson’s Custom Shop team when this order came down the line, so no surprise that this one’s got some extra heat in the sauce, so to speak. This beauty is dressed to the nines with Pearl trim, as well as engraved MOP position markers such as you’d otherwise only see on a Gibson banjo fretboard, and they went with a 30s-style sunburst in ultra thin Nitrocellulose Lacquer. As a result of said thinness, there are several finish checks, which we find only adds to the vintage vibes. Old growth Brazilian Rosewood back and sides—gorgeous stuff—plus Adirondack Spruce on top makes for an absolute beast of a guitar. Do yourself a favor, snag this one before it croons itself right out the door.
Other keywords: 02881078, allen shadd, al petteway, shade top, slope shoulder, slope dreadnought, fingerpicking, custom guitar
SOLD Read moreScale Length 25.375 in Nut Width 1.75 in String Spacing 2.25 in Woods Spruce - Adirondack (Red), Rosewood - Brazilian 
1979 Gibson Flying V2, Walnut & Maple
The iconic Gibson Flying V—here in its rare V2 form, made only 1979-1982. The V2 was engineered by Tim Shaw to add a sculpted, three dimensional effect to the classic V shape, as well as his unique boomerang humbuckers. This one from 1979 plays handsome as butter with a fretless wonder setup, and comes wrapped in it’s original case to boot.
Other keywords: 72869077, blues guitar, v 2, electric, duane simpson, schaller
SOLD Read moreScale Length 24.688 in Nut Width 1.688 in String Spacing 2.063 in Woods None, Walnut & Maple 
1920 Gibson F4 Mandolin, Maple/Spruce
A gorgeous, mostly original Gibson F4 from 1920. Figured Maple body with Spruce on top and a Varnish finish throughout, Ivoroid bindings and half rope rosette trim, original inlaid tuners and pickguard—it’s a sweetheart. Gibson wasn’t using adjustable bridges until the 1920s, so we believe this bridge was added afterwards, although the footprint of the bridge matches the impressions in the top finish. If it is replaced, it appears to have been done very early in its life. Our repair staff recently went over it from tuner to tail and have given it a clean bill of health (and refretting it for a killer setup).
Other keywords: f style, bluegrass mandolin, mando, chop, 565421, flamed maple
SOLD Read moreScale Length 12.875 in Nut Width 1.25 in String Spacing 1.5 in Woods Spruce, Maple - Figured 
2011 Gibson Custom Dave Carpenter Handpicked 1959 Les Paul Reissue
2011 saw Gibson offer an exclusive run of Historic 1959 Reissue Les Pauls boasting hand selected materials and hardware by the Custom Shop. These LPs are powerhouses. Figured Maple top with Washed Cherry finish over Mahogany body and neck, plus a TonePros bridge and tailpiece with deep studs, ’57-recreated humbuckers, and the ’59 neck profile that’s smooth, round, and fantastically effortless in hand. These special Burstbuckers can really rip when you lean in, but can also offer a buttery, round flavor depending on attack. The two volume, two tone knob arrangement plus three-way switch will feel immediately familiar, as will the solid build weight (under 8lbs; slim for an LP). Those four knobs are all push-pulls, too (bass tone: Phase Reversal, neck tone: kill switch, bass volume: split bridge, neck volume: split neck). This beauty comes wrapped in the original Gibson case, and comes with an uninstalled pickguard and COA.
Other keywords: gibson guitars, solidbody, solid body, 911105
SOLD Read moreScale Length 24.5 in Nut Width 1.68 in String Spacing 2.06 in Woods Maple - Figured, Mahogany 
2013 Gibson Nashville ’63 ES-335 Block Reissue
We love the amazing array of reissues that Gibson has offered over the years, and we especially love those that come out of their Nashville Custom Shop. Enter this well-oiled machine, a Nashville ’63 ES-335 Block Reissue from 2013 with hardly a mark on it. Laminated Maple body with solid Maple center block and one-piece Mahogany neck; custom with a variation of the Burstbucker similar to the Live Bucker of the LPRO and LPR9 , but with lower output at the neck and more in the bridge with differential winding; aluminum stopbar tailpiece; Pearloid block inlays. The neck is the slim-n-slick profile of the early ‘60s that feels effortless in hand, and the setup on this one fits the sweet spot for both light and more aggressive attacks. The 335 semi-hollow design is a classic that is equally at home in so many different styles, it’s no wonder these guitars continue to be so popular. Additionally, this beauty comes out of the Nashville shop, where Gibson’s tight build quality is held to even higher standards—the Nashvilles are consistently top notch, and this 2013 ES-335 Reissue is no exception.
Other keywords: gibson guitars, semihollow, semi-hollow, patent applied for, kluson, es330, 330-td, hollow-body, A331162
SOLD Read moreScale Length 24.25 in Nut Width 1.68 in String Spacing 2 in Woods Maple - Laminate, Maple - Laminate 
2014 Gibson Custom Shop Rich Robinson ES-335
In 2014 Gibson collaborates with founding member of the Black Crowes, Rich Robinson, on an exclusive run of 500 ES-335s, a nail-for-nail recreation of Robinson’s ’63 ES-335 which was destroyed by Hurricane Sandy in 2012 (and later painstakingly restored). This beauty is wrapped up with period correct faded Cherry finish from Gibson’s VOS process, Burstbucker pickups (#1 at the neck and a hotter #2 at the bridge), and a nod to the original’s “Custom Made” plate covering stopbar stud holes. Small block inlays on a Rosewood fingerboard, plus a beefy Bigsby vibrato, round out the looks. These Burstbuckers are sweet and juicy, and are infinitely adaptable to a wide range of genres; the Maple semi-hollow body also adds sustain, color, and feedback resistance. This Rich Robinson Signature has all the mojo we’d expect from a true ’63—plus the playability of a like new, well-oiled machine.
Other keywords: gibson guitars, semihollow, semi-hollow, patent applied for, kluson, es330, 330-td, hollow-body, 41441
1930 Gibson L-1, Mahogany/Adirondack Spruce
The ubiquitous Gibson L-1 came in many forms, originally an archtop in the 20s and later as a flattop from 1926-1937. This beauty comes in right at the middle in 1930 with a Mahogany body and Adirondack Spruce top, stained sunburst, and the wider 14 3/4” lower bout that collectors and players both agree make for the better-sounding beast. Our repair folks have gone over this one from tuner to tail and we’re happy to announce it has a clean bill of health!
Other keywords: gibson guitar, vintage, pre-war, adriondack, adirondack, shade top, blues guitar, l1
SOLD Read moreScale Length 24.74 in Nut Width 1.75 in String Spacing 2.375 in Woods Spruce - Adirondack (Red), Mahogany 
1969 Gibson Super 400 from Chinery Collection, Maple/Spruce
A beautiful example of the 1960s Gibson legacy. This is a gorgeous Super 400CN-WAL coming to us from 1969, and from the Scott Chinery collection along the way. You can find it with its own spread in The Chinery Collection: 150 Years of American Guitars! Figured Maple back and sides with a carved Spruce top, Flame Maple neck, and original gold hardware. The back and sides feature a unique walnut stain that really sets off the honey amber Spruce top. The original pickguard has since succumbed to time (remaining fragments included with purchase), and later replaced with a period correct replica. The instrument has been recently outfitted with an acoustic pickguard (the original, nonfunctioning Dearmond pickup and replica guard are also included with purchase). The voice is characterized by a complexity and airiness that is reminiscent of a modern archtop responsiveness. Lively, expressive, and enveloping.
Other keywords: vintage, blue guitar, super 400, s-400cn, duane simpson, ’69
SOLD Sale! Read moreScale Length 25.375 in Nut Width 1.68 in String Spacing 2.06 in Woods Spruce, Maple 
2002 Gibson RB4, Walnut
Style 4 from Gibson! Here’s an RB4 from 2002 that’s well preserved and ready for action. Walnut neck and resonator with nickel hardware, MOP position markers, 26 3/8” scale, and original hardshell Gibson case. Comes with railroad spikes and original tuners, weighing in around 12.5lbs, and trimmed out in tasteful ambered Ivoroid at the resonator and neck.
Other keywords: bluegrass, al petteway, fingerpicking, r-b4, rb-4, rb 4, 4-0202-5
SOLD Read moreScale Length 26.375 in Nut Width 1.25 in String Spacing 1.69 in Woods Skin - Fiber, Walnut 
1965 Gibson ES-330TD
The ES-330 remains one of the all-time favorite instruments from the Gibson factory. The fully hollow, thin-line electric guitar matches the classic curves of Gibson’s archtops with slim sides and lightweight construction (here weighing in at just over six pounds), and this example from 1965 is set up with the original P90 pickups the voice has added warmth and presence that shines through in a wide range of settings. The ES-330TD is fantastically versatile, and the setup here is smooth and glassy. Perfect for both fingerstyle Jazz and a harder Blues attack, and everything in between. The original sunburst is intact and pairs nicely with the aged bindings and unbound F holes. Original beveled pickguard installed, as are the reflector cap knobs. Nylon saddles and tailpiece, bridge assembly also original.
Other keywords: gibson guitars, semihollow, semi-hollow, patent applied for, kluson, es330, 330-td, hollow-body