Instruments
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Brand New Pagelli 40th Anniversary, Ovangkol/Moonspruce
Powerhouse lutherie duo Claudio and Claudia Pagelli have been pushing the bleeding edge of guitarbuilding for decades now, yielding a fiercely independent and inventive body of work that completely stands apart from the crowd. We are so excited to be officially partnering up with them to bring you their latest and greatest!
Here we’ve got one of their 40th Anniversary models outfitted with Ovangkol back and sides, Moonspruce top, and some really incredible soundhole and soundport design work. Note the twin offset soundholes at the upper bout of the top? Flip around back for a soundport that’s integrated below the neck, and head over to the bass side lower bout for a rectangular soundport to round it all out. Additionally, the top is braced with continuous brace stock that spreads out at the ends in a vinelike fan that we’ve never seen before. The result is a very energetic and chirpy voice, with treble strings that absolutely kill, very clean and crisp. Wenge neck with a satin finish? Makes for a gossamer lefthand experience. Throw in a unique pinless bridge design and negative space headstock, and you’ve got a whole new kind of beast in your hands.
Other keywords: luthier, guitarbuilding, anniversary guitar, fingerstyle, swiss, ameritage
SOLD Read moreScale Length 25.5 in Nut Width 1.688 in String Spacing 2.219 in Woods Spruce - Moonspruce, Ovangkol 
Brand New Pagelli Gringobeat, Okoume/Swiss Moonspruce
Powerhouse lutherie duo Claudia and Claudio Pagelli have been pushing the bleeding edge of guitarbuilding for decades now, yielding a fiercely independent and inventive body of work that completely stands apart from the crowd. We are so excited to be officially partnering up with them to bring you their latest and greatest!
This Gringobeat is a semihollow archtop with reimagined curves to maximize ergonomics without compromising an ounce of tone. Note the asymetrical bouts, which help position the guitar perfectly for your right hand; the silky setup and satin-finished Okoume neck; the aluminum arm rest and nickel hardware. The body is also Okoume, aged at least 25 years before use, and the top is a set of carved Swiss Alpine Moonspruce that is finished in the Pagellis’ 3D technique, which yields unique and different results each time. On this Gringobeat, the finish rises and falls across the surface, with lower layers letting the Spruce grain telegraph through. Running your hands over it is a delight. On the electronics front, we’re outfitted with triple Lollar Gold Foils plus a six-way switch for a wide, wide palette of tones (the first position towards the bridge actives the two outer pickups). Additionally, a KMS bridge plus Bigsby tailpiece, and Hipshot knobs, complete the package.
Other keywords: luthier, pagelli guitars, gringo beat, duane simpson, goldo,
SOLD Read moreScale Length 25.5 in Nut Width 1.625 in String Spacing 2.03 in Woods Spruce - Moonspruce, Okoume 
2015 Pagelli The Massari Quilted Maple/Moonspruce
2015 is a very good year for the guitar world. Why? Because this is the year that the Massari was made by Pagelli, a monster of a jazz guitar dyed in blue that sings like gold. Only the choicest of woods were used in this build, from the Canadian Quilted Maple back and sides to the super rare Swiss Alpine “Moon” Spruce, so called because it’s only harvested according to a specific calender which follows lunar cycles to ensure the Spruce is lighter, and stronger, than its other brethren. So, acoustically, the Massari is filled to the brim with a sweet, fat voice–but when amplified, the custom-wound Haussel Humbucker transforms the guitar into a surgeon’s knife: immaculately clean, unerringly precise, aggressively responsive. The secret behind Haussel’s technique involves his use of poles in the middle, not unlike a single coil, so the pickup catches string vibrations at one defined point, creating an articulate single coil tone with none of the hum. Take it anywhere, throw any genre at it, and the Massari will keep up. You’ll want to practice more, just to play it. This guitar comes with the original Ameritage hardshell case.
Follow this link to see Al Petteway’s take on this gorgeous instrument: youtu.be/eCTVYzqWtjc
SOLD Read moreScale Length 24.81 in Nut Width 1.81 in String Spacing 2.13 in Woods Spruce - Moonspruce, Maple - Quilted 
2016 Paldacci OM Malaysian Blackwood/Carpathian Spruce
This OM from 2016 has an incredible set of Malaysian Blackwood back and sides paired with a Carpathian Spruce top. Every detail, from the smooth contour of the neck to the graceful sweep of the lower bout, showcases thoughtful design and expert execution. But of course, a guitar’s true essence lies in its sound—and this one does not disappoint. The tone is vibrant and full of presence.
From the first note, whether fingerpicked or strummed, the guitar responds immediately with clarity and power. The treble strings are bright and energetic, perfectly balanced with a dynamic midrange and a robust, resonant bass. Whether played in standard or DADGAD tuning, this OM maintains exceptional definition, depth, and harmonic richness. In a word: angelic.
Notes from Al Petteway back in 2016 when we first had this instrument – “This is an amazing guitar and is incredibly well-built and designed. I instantly fell in love with it. It gives back more than you give it, which is what I always look for in a good guitar.”
Other keywords/misspellings: Luthier, lutherie, bespoke, visesnut, canada, 7
SOLD Read moreScale Length 25.4 in Nut Width 1.78 in String Spacing 2.31 in Woods Spruce - Carpathian, Blackwood - Malaysian 
2000 Palen Archtop Flamed Maple/Sitka
Here we have a gorgeous Palen Archtop in Sitka Spruce and Flamed Maple. This Palen immediately draws the eye as soon as you walk into the room, the sunburst has been beautifully executed over the whole instrument. The tone of this archtop can easily keep up with its looks. We played it unplugged first and were surprised by the richness of tone we achieved, Then we plugged it in, and that is the game changer. The stereo pickup combines magnetic and piezo for a wonderful acoustic tone and incredible versatility.
SOLD Read moreScale Length 25 in Nut Width 1.75 in String Spacing 2.16 in Woods Spruce - Sitka, Maple 
1970 Papazian Classical, Brazilian Rosewood/Spruce
New York by way of Armenia luthier Manouk Papazian was well known for not only his classicals, but also his lutes and cellos, even violins. It takes a special builder to be able to coax good tone out of so many different shapes. This Classical comes to us from 1970 and is in great playing shape, featuring Brazilian Rosewood back and sides plus Spruce top and a 650mm scale.
Other keywords: andy jurik, fingerstyle, nylon string, brazilain,
SOLD Read moreScale Length 25.625 in Nut Width 2 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian 
1960 Manouk Papazian Classical, Brazilian Rosewood/Spruce
Armenian luthier Manouk Papazian, based in New York for much of his career, put together an impressive body of work, ranging from Classicals like this lovely piece to violins, cellos, and even lutes. The example we have today is a Brazilian Rosewood and Spruce Concert Classical from 1960 that’s opened up sweetly and only weighs just over four pounds. The trebles are characterized by a lively string energy and clarity, and really carry the voice well, pairing with a warm and responsive bottom end and articulate midrange. We’ve gone over it with our repair staff to give it a clean bill of health; it’s got some honest play wear, which reinforces our interpretation that it’s opened up a lot, and has a lovely setup to boot.
Other keywords: andy jurik, fingerstyle, nylon string, brazilain, 650
SOLD Read moreScale Length 25.625 in Nut Width 2 in String Spacing 2.25 in Woods Spruce, Rosewood - Brazilian 
2000 Antonio Raya Pardo Torres, Brazilian Rosewood/German Spruce
Antonio Raya Pardo’s Torres model combines lovely tonewoods with petite body dimensions for a warm, intimate playing experience and voice. Chocolate-dark Brazilian Rosewood with German Spruce on top, 645mm scale, and a slim 3lbs 4oz playing weight brings added warmth and roundness to the trebles. The strings mix up very evenly across the registers. This Torres model comes to us from 2000, and has opened up handsomely. We found that after a few minutes, it woke up even more—a responsive guitar, indeed.
Here’s an additional demo/performance video with Andy Jurik on this Antonio Raya Pardo Torres model: https://youtu.be/yXYJe_xiOvI
Check out this additional performance featuring David Stevenson: https://youtu.be/PnhkIdMDZoU
Other keywords: classical guitar, classical, nylon string, luthier, lutherie, fingerstyle, marquetry, handmade, french polished, steve newbrough, andy jurik, 149, hiscox
SOLD Read moreScale Length 25.4 in Nut Width 2.05 in String Spacing 2.25 in Woods Spruce - German, Rosewood - Brazilian 
2003 Shelley Park Elan 14 Mahogany/Spruce
From Canada, this wonderful Elan 14 Gypsy guitar by Shelley Park is a dream to play with a flatpick. It’s got all of the robust Selmer-style tone you’d expect from a high-end gypsy instrument, complete with the signature mid-range honk these guitars are known for. The neck and fretboard construction are superb. We’ll say it again: This guitar is a dream to play with a flatpick. The neck is lightning fast and the notes are as clear and pronounced as can be. Choice woods and ornate designs make this guitar a winner.
SOLD Read moreScale Length 25.38 in Nut Width 1.69 in String Spacing 2.06 in Woods Spruce, Mahogany 
2019 Ken Parker Archtop, Flamed Mahogany/Red Spruce
Ken Parker is well known for his design of the Parker Fly guitar, here we have something remarkable from the man himself. This Archtop from 2019 is truly singular and unique. Adirondack Spruce top and stunning Figured Mahogany back and sides. This instrument looks, feels, and sounds like no other. A stunning example of what a guitar can be.
Other keywords/misspellings: luthier, lutherie, bespoke, evo, jazz,
SOLD Read moreScale Length 25.5 in Nut Width 1.75 in String Spacing 2.125 in Woods Spruce - Adirondack (Red), Mahogany - Figured 
1989 Jacobson Classical Brazilian/Cedar
With a fundamental that’s profoundly rich and glassy playability, this 1989 Classical from Paul Jacobson stands as a resounding testament to Jacobson’s skills. Over 20 years old, this instrument sings with a powerfully opened-up voice that is characterized by an aggressive bass register and trebles with the perfect amount of pop to linger in the air for long seconds. Once she’s in your hands, it won’t take long for you to realize just how easy it is to go from silence to thunder: the responsiveness is crisp, and the projection fierce.
Featuring some seriously straight-grained Brazilian Rosewood for the back and sides and Cedar for the top, this Jacobson is in splendid shape for its age and has been properly played in and opened up. Special additions include: the high C 20th fret for the treble E string, a 660mm scale, and an Everest hardshell case. This Jacobson is ready for many more years of music–it won’t linger long!
SOLD Read moreScale Length 26 in Nut Width 2.09 in String Spacing 2.15 in Woods xx, Rosewood - Brazilian 
2006 Jacobson Classical Indian/Cedar
Built in 2006, this Jacobson Classical has seen countless hours on stage and in the practice hall, all the while opening up more and more fully, becoming louder and better defined with each successful performance. Now, a decade later this Classical has graduated from firecracker to mortar shell: the sheer volume is impressive, especially considering the Cedar top and Indian Rosewood body!
The voice is expansive and expressive, with a quick response and trebles that absolutely shimmer. With the oil-finished neck, this Jacobson feels familiar as on old friend in your hands, and has a glass-smooth setup that makes blazing fast passages a breeze. Sometimes there’s a faint line between a guitar which has been played in and one which hasn’t, but this 2006 Jacobson doesn’t subscribe to that at all: the voice has an easy richness and clarity to it that we’d normally expect only on a guitar twice its age. Looking for that delightfully opened-up voice with all the trimmings of projection, sustain, and playability? Look no further: your dream date has arrived.
SOLD Read moreScale Length 25.59 in Nut Width 2.08 in String Spacing 2.24 in Woods xx, Rosewood - Indian 
1985 Jacobson Classical Brazilian/European
This Paul Jacobson classical has the quintessential Spanish tone: clear and even. The combination of bold, resonant Brazilian Rosewood and strong, articulate European Spruce is phenomenal, and clearly demonstrates why the two are industry favorites. Craftsmanship of this level is not often achieved; every detail has been been executed impeccably. The playability is perfect for the concert musician with string spacing perfect for your left hand.
This is a brilliant guitar that transports the player back to the age of Segovia, rich and vibrant, and comes wrapped up in a Hoffee flight case for maximum protection.
SOLD Read moreScale Length 26.14 in Nut Width 2.13 in String Spacing 2.25 in Woods Spruce - European, Rosewood - Brazilian 
2000 Jacobson Classical Indian/Engelmann
Paul Jacobson doesn’t hold back with the details that make a guitar a great guitar. Some of the things that set this one apart are superb rosewood and spruce, a neck that is reinforced with Graphite epoxy to help resist warping. A fingerboard extension that allows for a high C. The twist plane in the fret surface creates a treble-to-bass string height differential to minimize adjacent fret buzzing. The nut and saddle are custom compensated at each inidividual string position for accurate intonation. The top is finished with a gloss varnish and the neck is finished with hand-rubbed penetrating oil. It also comes with a deluxe hardshell case has an arched back and lid, making it highly crush resistant. Just listen to the recordings and you’ll understand how beautiful and refined this Jabobson guitar sounds, it’s lovely.
SOLD Read moreScale Length 25.59 in Nut Width 2.05 in String Spacing 2.28 in Woods Spruce - Engelmann, Rosewood - Indian 
2020 PRS Custom 24, Swamp Ash/Spalted Maple
Spalted Maple, Swamp Ash, and Silver Leaf Blueburst accents are the ingredients of this 2020 PRS Custom 24 masterpiece. Epic sounds from an epic axe, loaded with the 58/15 pickups, which are PRS’s take on the legendary PAF (Patent Applied For) pickups. These pickups deliver vintage tone in ultra-sleek and modern packaging. The pickups and hardware are finished in ‘Smoked Black,’ including locking tuners and a tremolo—the whole shebang. Whether you’re a collector, a performer, or a Mighty Morphin Power Ranger, this guitar will be an incredible addition to any collection.
Other keywords/misspellings: Luthier, lutherie, electric, Paul Reed Smith, shred, whammy, 20-304835
SOLD Read moreScale Length 25 in Nut Width 1.625 in String Spacing 2.125 in Woods Maple, Ash - Swamp